Posts tagged with "Peter Shire":

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Last chance to see Memphis designs at the Jewish Museum in NYC

A charming exhibition at the Jewish Museum in New York presents the religious and secular work of Peter Shire, an original member of the 1980s Milan-based Memphis design group, with other vintage Memphis pieces by its founder, Ettore Sottsass, and fellow member Michele de Lucci. The centerpiece of the exhibition—which is called "Memphis Does Hanukkah" and runs through February 12—is a menorah or lamp Shire created independently in 1988 for the Jewish holiday of Hanukkah. Exhibition curator Kelly Taxter called the Los Angeles–based Shire, who was born in 1947 and is still active, a “specialist in oddly designed yet always functional teapots.” She added that a magazine article about his teapot designs was in fact what brought Sottsass and him together. Shire’s 1988 menorah, made of industrial materials including painted steel, anodized aluminum, and chromium, has what Taxter described as "finish-fetish" detailing, which she said recalls Los Angeles' Pop, car, and surf cultures, and also “speaks to [Shire’s] knowledge of collective movements such as Russian Constructivism and the Bauhaus, in which artists and designers brought together the methods and aesthetics of industrial manufacturing with the vision and individuality of fine art.” Taxter further believes Shire’s work "reflects the radical, irreverent, and often humorous history and style of West Coast art. Known for a confluence of the natural, artificial, commercial and spiritual, Los Angeles is a place where light and space are as central as neon, billboards, and plastic." Memphis objects on display here include Sottsass's 1982 silver Murmansk fruit dish, described as an "alien, vaguely mechanical shape that looks as though it might suddenly spring into motion"; a 1979 laminate design also by Sottsass called Bactaerio; and Oceanic, a 1981 lacquered metal lamp by de Lucchi inspired by old ocean liners. There is also the invitation to the first Memphis exhibition in Milan in 1981, and a photograph from the same year of fashion designer Karl Lagerfeld at home in his Monaco apartment, outfitted entirely in Memphis pieces. Taxter features other, equally playful menorahs here, including a cast copper alloy one made in the 1930s-1940s that is composed of teardrop-shaped candleholders and rods, nuts, bolts, and screws, all influenced by car and airplane design. Other menorahs include the 2004 Menorahmorph, made of silicone and stainless steel, by Sottsass student Karim Rashid, and Larry Kagan’s 1980 Menora 2, made of steel diamond plate and steel tubing, the former used on doors that cover stairs to New York City shop and restaurant basements. Taxter said this material "represented [to Kagan] an urban vernacular redolent of the grit and grime of Soho, then a scruffy neighborhood where he and other artists congregated." This exhibition, which also features one of Shire’s early teapots, the 1983 Anchorage, made of silver, wood, and enamel, provides visually playful food for thought not only about religious objects and their many iterations, but also about the legacy of Memphis, which began falling out of favor at the turn of this century. Taxter, for one, believes Memphis is having somewhat of a comeback, displaying a dress made of fabric by Memphis member Nathalie Du Pasquier, who in 2014 was commissioned by American Apparel to create a series of Memphis-inspired prints for men's and women's garments.
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“Memphis Does Hanukkah” at the Jewish Museum

Masterpieces & Curiosities: Memphis Does Hanukkah features Los Angeles–based designer and artist Peter Shire‘s Menorah #7 (1986) and is part of a series of exhibitions that looks at the individual works in the museum’s collection. One of the original members of Milan design collective Memphis Group, Shire has dabbled with Judaica objects numerous times throughout his career—making use of oddly shaped and balanced geometries, fabricated with industrial materials, bright colors, and “finish-fetish” detailing. This is evidenced in the Menorah #7, currently on display. The work is synonymous with the Memphis aesthetic established by Ettore Sottsass and is exhibited alongside vintage Memphis pieces by Shire, Sottsass, and Michele de Lucchi, as well as related ephemera.

Masterpieces & Curiosities: Memphis Does Hanukkah The Jewish Museum 1109 5th Avenue New York Through February 12, 2017

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“Memphis Does Hanukkah” on view at the Jewish Museum

Now on show at the Jewish Museum is Masterpieces & Curiosities: Memphis Does Hanukkah. The exhibition features Los Angeles-based designer and artist Peter Shire's Menorah #7 (1986) and is part of a series of exhibitions that looks at the individual works in the museum's collection.

The exhibition will be on view through February 12, 2017. The Masterpieces & Curiosities series has been running since 2013 with the Jewish Museum's curators, according to a press release, seeking to discover "objects that highlight the breadth and diversity of the collection."

One of the original members of Milan design collective Memphis Group, Peter Shire has dabbled without Judaica objects numerous times throughout his career while making use of oddly shaped and balanced geometries, fabricated with industrial materials, bright colors, and "finish-fetish" detailing. This is evidenced in the Menorah #7 which is on display at the exhibition. The work is synonymous with the Memphis aesthetic established by Ettore Sottsass and is exhibited alongside vintage Memphis pieces by Shire, Sottsass, and Michele de Lucchi, related ephemera.
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A new ceramics exhibition explores the work of Memphis member Peter Shire

A Survey of Ceramics: 1970s to Present will run at the Derek Eller Gallery from September 8 through October 9. The exhibition covers the life’s work of Los Angeles–based artist Peter Shire, an eminent ceramicist and former member to the Milan-based design collective Memphis. Shire’s work, spanning 40 years, borrows from Futurist and Bauhaus design while being distinctly influenced by late modernism and the Googie style of Southern California. Inspired by what he called “California High Kitsch,” Shire's work explores color, geometry, and function, often in playful and unexpected ways. Though his catalog includes everything from sculptures to teacups, Shire’s most notable and persistent form is the teapot. His life-long engagement with the teapot has produced typical and atypical configurations for the ubiquitous household item. Shire has spent a great deal of effort exploring teapot physics and the challenge of getting every last drop of water out. Shire’s inclusion in the influential Memphis group came after being featured in Wet Magazine early in his career. Personally invited to the group by Ettore Sottsass, Shire was part of Memphis from 1981 to 1988. During that time, he would help shape the world’s understanding of postmodern object art and design. Running concurrently with the exhibition at the Derek Eller Gallery, Shire’s work will also be on show at The Jewish Museum, in New York. Shire’s work has been collected by many of the country's preeminent museums, including the Metropolitan Museum of Art, The Museum of Fine Arts in Boston, The Museum of Fine Arts in Houston, The Los Angeles County Museum of Art, and The Seattle Museum of Art. An opening reception will be held from 6 to 8 p.m., Thursday, September 8, at Derek Eller Gallery.
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On View> Public Work, Lines of Desire: Peter Shire at Los Angeles’ A+D Museum

Public Work, Lines of Desire: Peter Shire A+D Architecture and Design Museum 6032 Wilshire Boulevard, Los Angeles, California Through January 31, 2015 The A+D Museum is displaying the public and private architectural commissions of Los Angeles artist Peter Shire in Public Work, Lines of Desire. Shire’s architectural work combines graphic forms and structural geometry with highly saturated colors in a meditation on the collision between popular culture and the visual language of design that explores the line between “fine” and “applied” art. The exhibition will cover everything from the Echo Park–native’s first public entry in the 1984 Olympics; to a 1990 sculptural installation commissioned by Sapporo Corporation in Hokkaido, Japan; to his most recent public art installation, 2012 River Park in Ventura County. On view will be architectural models and sculptural elements, ideation sketches, finished drawings and paintings, and various objects of inspiration that have functioned as source material and propelled Shire’s installations.