First proposed in 2011, Brooklyn's Silent Light installation has finally become a reality. Located at the intersection of Park Avenue and Navy Street under the Brooklyn-Queens Expressway (BQE) in Red Hook, the series of gates frames a pedestrian walkway that passes through an area of heavy vehicular traffic. The structures are covered in LED lights activated by surrounding noise from cars to create fleeting light shows of various colors and patterns. The project was conceived and executed by Valeria Blanco, Shagun Singh, and Michelle Brick who together form the Artists Build Collaborative. The trio collaborated with the Department of Transportation's Urban Art Program, the Brooklyn Arts Council, and the Red Hook Initiative to fund, construct, and install Silent Lights. The arches are intended to provide nocturnal aid to pedestrians navigating a potentially hazardous stretch of sidewalk. More broadly, the Collaborative hopes that by dramatically visualizing the issue, the installation will call attention to problems of noise pollution that plague the neighborhood by virtue of the BQE.
Posts tagged with "pavilions":
Designer Naoya Matsumoto and her peers at Seian University of Art and Design have created a unique meeting space for students on the Japanese campus. Their creation, a pop-up bar, is created from six panels of locally-sourced reeds called Yoshi. The chaotic construction resembles a traditional gabled roof structure in abstract form. Each year, students of the design school are challenged to create objects from the Yoshi reeds which grow freely around Lake Biwa, an area close to the university campus. The dried reeds which form the outer skin of the structure are connected at intersecting points, and explode outwards in a controlled, yet chaotic fashion. These intersecting reeds provide glimpses of the intimate bar space within, and at night, the use of flood lights creates an enchanting, glowing effect inside the pavilion. With a production time of two days, the unique structure provides students a relaxing, breezy escape, and is also highly portable and recyclable.
The design team at MODU, in collaboration with Ho-Yan Cheung of Arup, have created an urban public space for the 5th China International Architecture Biennial. Their design pays homage to Beijing's iconic Olympic Park, while drawing attention to environmental issues in the country’s densely populated capital. The biennial committee has also commissioned designs from leading international architects such as Wang Shu, Zaha Hadid, and Mohsen Mostafavi. The dual-purpose structure not only creates a unique civic space, but also acts as a barometer for the air quality in Beijing. This “room in the city” concept does not attempt to separate people from polluted outdoor air and filtered indoor air by means of physical boundaries. Instead, the structure highlights the air pollution issue through the use of punctured openings in the walls and ceiling panels, as well as a large elliptical roof which frames the Olympic Observation Tower. On clear days, the tower can be seen perfectly through the roof frame, but on days when the pollution creates a dense grey fog, the landmark virtually disappears from sight. The outdoor room is made from recycled materials and, according to its designers, represents a new era of socially responsive design. At the end of November, the structure will be installed in six other cities in China.
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A Dallas pavilion's exposed structure demanded extremely tight tolerances of Irving, Texas–based fabricator, CT&S.Ten years ago, the Dallas Parks & Recreation Department launched a revitalization project to update 39 decrepit pavilions throughout its park system. One of them—which was to be designed by the New York office of Norwegian architecture firm Snøhetta in partnership with local practice Architexas—sat at the mouth of a meadow lined by old pecan and oak trees on the southern side of College Park. Speaking about the site, Snøhetta director Elaine Molinar said, “You're aware you've left the surrounding neighborhood and entered a more rural setting.” This is the feeling that the team wished to encourage in its design for a new pavilion. The team looked to the surrounding foliage for inspiration. The pavilion super structure is made up of miter-joined steel wide flange sections that form continuous columns and rafters. The members feature a variety of angles that, in assembly, create a torqued and folded profile based loosely on shapes found in the park’s tree canopy. The roof and two sides are enclosed with 1/4-inch plate steel bolted to the insides of the structural sections. To meet the city's visibility requirements for safety, the sides were water jet cut in abstracted leaf shapes of varying sizes and densities, resembling dappled sunlight falling through leaves. Though the pavilion is straightforward in design, its execution was a rewarding challenge for the architects and the fabricator. “The form was influenced by the shape of the tree canopies around,” explained John Allender, principal at Architexas. Starting with an orthogonal form in Rhino, the architects pushed the angles to resemble the natural surrounding shapes. The exposed beams and columns on the structure's exterior magnify the twisted form. Since the canted framework is fully exposed, there was zero tolerance for error. “The unforgiving design is a difficult one to build,” said Bruce Witter of Irving, Texas–based fabricator CT&S. “These were tight tolerances, far beyond AWS standards,” he added. After translating the Rhino file to AutoCAD, CT&S laser cut mockups to test the angles. Following a workshop at the fabrication studio, the team took close to 12 weeks to craft the beams and panels, prepare bolt holes, paint the steel, and affix a special waterproof sheet to the ceiling panel. Installing the pavilion over a concrete slab also required considerable preparation and time. During the course of nearly a dozen site visits by designers at Architexas, the fabricators erected the columns and roof beams using 3D scans to ensure the fidelity of the final product. According to Witter, the canted angles injected errors into the digital layout, so hard templates were the most reliable method for a successful installation. “If you don't have the fixed angle, you won't get the reading right,” said Witter. With the heavily collaborative nature of the design, Allender said working with a local fabricator—CT&S' facilities are located 15 miles from the job site—was essential to the success of the project. “There's no way this project could have been done by someone out of town,” he said.
Take a ferry over to Governors Island in New York Harbor before September 22 and you'll stumble across a massive white cloud made up of thousands of reused milk jugs. Venture inside that cloud, and you'll be mesmerized by thousands more plastic soda bottles partially filled with blue liquid that creates an otherworldly gradient of filtered light overhead. The so-called Head in the Clouds pavilion, plopped in a grassy field on the island, is part of the annual FIGMENT festival, a celebration of arts and culture that brings a series of imaginative installations, including an unorthodox miniature golf course. In partnership with AIANY's Emerging New York Architect (ENYA) committee and the Structural Engineers Association of New York, the "City of Dreams" competition selects a pavilion designed by a young designer or practice to be built the following summer, and this year's shortlist has just been announced. Previous winners include 2010's Living Pavilion by Ann Ha, Burple Bup in 2011 by Bittertang, and this year's Head in the Clouds pavilion by Brooklyn-based Studio Klimoski Chang Architects. A winner will be selected by October 31, 2013. Dreamcatcher ManifoldArchitectureStudio (Brooklyn, NY) Project team: Kit von Dalwig, R.A., AIA; Philipp von Dalwig, Dipl. Ing., Assoc. AIA, LEED AP; Andreea Toca; Jane Chua From the Figment Project: "Dreamcatcher, a pavilion where imaginations are lifted, elevating your dreams, captures dreams at the idyllic meeting point of Governors Island, where people from all parts of New York can gather and encounter an experience unlike any other. We are proposing a simple, circular, lightweight structure that captures a changing collection of balloons. Why balloons? Because they’re joyful, uplifting and downright dreamy. Choose your shade, let your balloon go, and dream a little dream." Governor’s Cup CDR Studio (New York, NY) with Sustainable Engineering Services Project team: Lea H. Cloud, AIA, LEED AP BD + C; Jonathan Dreyfous, AIA, LEED AP; Victoria A. Rospond, AIA; Katya Zavyalova; Michael Baskett, AIA; Trevor Messinger; Tiffany Jin; and Yelena Rayster From the Figment Project: "The Governor’s Cup Pavilion hovers in a cluster of trees on the northern side of the Parade Ground. Recycled plastic cups, sourced and discarded throughout the city, are supported by zip-ties from overhead cables, forming a dense knitted structure unspooling from the branches. Strapping and turn-buckled cabling leave the trees unscathed. Crocheted repurposed cups infill areas between the undulated tape structure and branches, creating an airborne topography and shadow play. The configuration forms an outdoor room, shimmering in the sun and echoing with breeze-driven sound. The Greenpoint non-profit Arts@Renaissance will claim the Pavilion for their courtyard gallery space." MÖBI water tower pavilion STUDIO V Architecture (New York, NY) with FTL Design Engineering Studio and Plaxall Project team: Jay Valgora, AIA; Nic Goldsmith, FAIA; Andrew Kirby; James Andrew Scott; Karen Zabarsky; Lucas Lind; Laurie Mendez; Zhongtian Lin; Dilpreet Gil; Natasha Amladi From the Figment Project: "Inspired by the infinite surfaces and curves of a Möbius strip, MÖBI water tower pavilion expresses the potential of adaptation, life cycle, and reuse of materials in the urban landscape. New York City’s ubiquitous and iconic water towers are transformed through STUDIO V’s design into a gathering space that celebrates Governors Island. Constructed from recycled redwood and cedar planks rescued from decommissioned water tanks, MÖBI offers a pre-fabricated, ecological construction process and multi-use environment that will afterwards be repurposed yet again—as wooden deck and furniture for our design for the LIC Biergarten. Much like Governors Island, MÖBI is designed for continuous adaptation and interpretation to serve the NYC community." Urban Accordion afoam (New York, NY) Project team: Lina Bondarenko, Xiao Chen, Sunchung Min, Mario Mohan, Marvin Nardo, Michael Nartey, Wei-Yi Tseng, Tanawat Vichaiwatanapanich, Yaya Wang, Andrew Weigand, Wanjing Xiao, Ye Zhang From the Figment Project: "Our present city is overrun by private buildings, limiting access to public space. Urban Accordion is a microcosm of an alternate urban condition: a City of Dreams. Four fabric ‘blocks’ expand and contract, creating different levels of enclosure to suit a range of programming, while the space contained by the structures forms a larger communal area for events and chance encounters between the juxtaposed programs. Urban Accordionis a new urban condition: a flexible assembly for serendipity and public events that fluctuates to meet users’ demands." ArtCloud IKAR (Warsaw, Poland) Project team: Igor Bialorucki; Konrad Kedzierski; Anna Granacka; Rafal Boguszewski From the Figment Project: "The future of the city will be determined by a creative mix of technology and culture, and an even more creative reuse of materials. As cities are an amazingly rich source of materials the ArtCloud Pavilion reuses clapboards and transforms them to a free-form structure that is composed for 99% with modules. The system allows visitors to choose and personalize their own piece of ArtCloud. Modular architecture makes people more carefully consider issues of optimization and prefabrication, and saves time and energy during construction. Without a doubt ArtCloud is a direct path to wiser thinking about sustainable living."
The San Francisco Academy of Sciences has okayed a small new dining pavilion designed by Mark Cavagnero, to sit adjacent to its Renzo Piano-design museum, reports the San Francisco Chronicle's John King. The 12-foot-tall, 1,450 square foot space will be located in a corner of the museum's west garden, replacing an unused aviary. The project is still in conceptual stages, but so far it looks as though it would be rectilinear, lightweight, and glassy, with a large cantilevered flat roof providing shade. Museum guests can bring food out to the pavilion, or just use the space for relaxation. The rather minimal construction should make a good counterpoint to Piano's dynamic, undulating one. "When cultural facilities hire star architects to attract attention and set a new tone, the follow-through is as important as the first-year buzz," pointed out King.
AIA Los Angeles has announced that UCLA SUPRASTUDIO lecturer Julia Koerner’s proposal Cellular Complexity is the winning entry for the 11th annual 2x8 Student Exhibition, a scholarship organization that has showcased projects of over 150 students from more than 15 architecture and design schools in California. This year’s winning scheme, in collaboration with Paris-based architect Marie Boltenstern and architect Kais Al-Rawi, presents a parametric pavilion of twisting planes that transitions in porosity from one end to the other. According to the AIA|LA, the jury appreciated the design concept's creativity and edginess. The installation and exhibition of student work is expected to be complete by February 2014.
While you might not make a habit of visiting parking lots for the fun of it, if you haven't been to SCI-Arc's parking lot lately, you're missing out. Installations dot a big chunk of the concrete expanse, including Oyler Wu's billowing Storm Cloud installation, which was built for the school's recent graduation; the steel frame of P-A-T-T-E-R-N-S's gigantic League of Shadows installation, which will be done by September, and the wooden frame of DALE, SCI-Arc and Caltech's entry for the Solar Decathalon, which is being held this year at the Orange County Great Park. DALE, which measures about 600 square feet, has now been outfitted with steel tracks so that it can open up on wheels and provide outdoor spaces, including a small yard and even a reflecting pool. The furniture inside the net-zero home will also move to create varied spatial arrangements and configurations. DALE will be completed by September, then it will be reassembled at the Great Park by October 3. Some staff and students have complained about the lack of parking at SCI-Arc right now, which is understandable. But we hope this will become a regular attraction. Maybe they'll build a parking structure and make the whole parking lot an architectural display space someday?
A new pavilion created by the Mediated Matter research group at MIT’s Media Lab explores the intersection between material technology, computation, and biological and digital fabrication on an architectural scale. Inspired by the silkworm’s ability to create a 3D cocoon out of a single, 1 km thread, a team of researchers led by architect Neri Oxman created a fibrous, CNC-fabricated scaffold made from 26 polygonal panels and laid out in silk thread. They then let loose 6,500 silkworms onto the frame to fill in the gaps and reinforce the structure. The structure’s silk armature was created by an algorithm, based on site-specific solar trajectories and research on the worms’ behavior, which was then built upon by the worms’ on-site reaction to the structure’s geometries and environmental factors, including heat, light, and density. The worms were attracted to darker and denser areas, leaving a large aperture in the pavilion’s southeast side and producing some areas thicker than others. Mediated Matter’s research with the Silk Pavilion opens up new possibilities for the creation of functionally graded material objects (think the varied, porous interior of bone as opposed to the homogeneity of concrete), fibrous systems for the construction of habitable space, and bio-synthetic structures that are capable of interacting with heir environments. Like their (ideal) mechanical counterparts, these small, squishy 3D-printers can self-replicate. While the silkworms were removed from the pavilion before they could transform into moths, once they metamorphose, those 6,500 grubs could produce 1.5 million more, which in turn could construct 250 additional pavilions.
After creating their 2011 and 2012 graduation pavilions for SCI-Arc, Oyler Wu has once again produced a striking structure LA-based school, this time on the occasion of their 4oth anniversary. Dubbed the Storm Cloud pavilion, the structure salvages the existing steel from the 2011 Netscape, which served as the school’s graduation pavilion two years ago. Looking at Storm Cloud, one can hardly tell it shares much of the bones that made up the older pavilion. “Since the event is in the evening, we wanted create a canopy that has a lantern-like effect when lit, so we came up with the idea of creating funnels that we can place lighting inside of them,” said Oyler Wu principal Jenny Wu of the pavilion’s inspiration. Though the idea was elegant, the couple was challenged by the nature of the stretch fabric itself, which didn’t lend itself to shapes other than a simple rectangle or circle. Oyler Wu overcame this challenge by adopting a “splat” strategy. “This allows us not to have to pattern it,” writes Wu. Instead of cutting uniform, predictable shapes, the pair cut waves at the bottom of the fabric and stretched over the steel structure. Wu provided a clarifying seam drawing explaining her point. The result was a dynamic shade structure that undulated at its based and stretched taut meeting the sky. Lit with colored lights at night, the pavilion was a fitting structure to emphasize the school’s experimental bent and couple’s continually surprising investigations into form.
The Storefront for Art and Architecture and the New Museum in New York City have announced the winners of the StreetFest Tenting Competition for their upcoming IDEAS CITY Festival, arriving Saturday in front of the New Museum on the Bowery. The international competition asked architects to re-imagine the typical street fair tent with a more compelling and sustainable form. Winner Davidson Rafailidis—lead by Georg Rafailidis and Stephanie Davidson of Buffalo—were chosen for their entry, MirrorMirror, which will premiere at 6:00pm on Saturday May 4th. Like Sir Norman Foster’s recent “Vieux Port” pavilion in Marseilles, MirrorMirror features a reflective ceiling that mirrors street level activity to create a more dynamic urban experience. Meanwhile, the pavilion’s gable roof reflects the surrounding skylines, allowing passersby to engage with nearby architecture without craning their necks. The simple design, constructed from aluminum frames and Mylar mirror foil, suggests the overarching objectives of the IDEAS CITY Festival: raising consciousness about the untapped capital of the urban environment. Last year’s winner, The Worms by New York based Family and PlayLab, will be on view once again. The other submissions for this year’s competition, over 80 in all, can be seen in an online exhibition hosted by the Storefront starting May 1st. The biennial IDEAS CITY Festival will run from May 1-4, featuring conferences and workshops, and culminating in a street festival on Saturday along Bowery, Rivington, Chrystie, and Stanton.
In just one short year the Folly competition, co-sponsored by the Architectural League of New York and Socrates Sculpture Park, has become vastly popular among members of the architecture and design community, receiving 40 percent more submissions than last year. This year a jury examined 150 innovative submissions but selected only one winning entry. The prize? The winner, with the help of a $5,000 grant, gets to see the proposed design come to life in the Socrates Sculpture Park. Toshiro Oki, Jen Wood, and Jared Diganci of Toshiro Oki Architects were selected as the winners of this year’s competition for their design called tree wood. Socrates Sculpture Park in Long Island City first established the competition in 2012, asking emerging architects and designers to submit their ideas for a “folly,” a traditional architectural structure or pavilion, typically found in 18th and 19th century gardens. At first glance the folly may seem fanciful, it’s existence nonsensical, but careful observation reveals that the structure was intentionally built and precisely positioned to frame a particular view. This decorative installation not only embellishes an outdoor space, but also shrewdly allows the occupant to enter into a dialogue with his natural surroundings. Toshiro Oki Architects' contemporary interpretation of the traditional architectural folly consists of a simple geometric wooden-framed structure placed in the midst of a verdant thicket of trees. The minimalist man-made structure, made completely of wooden beams held together by 2x4 nails, will be built around the trees and flourishing branches occupying the site, therefore coexisting with, but never disturbing nature. The most enchanting design element of tree wood is the elaborate chandelier that will elegantly dangle from the center of the structure and exist in harmony with the leaves around it. Passersby may occasionally hear the serene musical chiming of the chandelier as the wind softly whistles through the trees, lending a very poetic nature to the folly. In addition to a winner four finalists were selected as well: Pier by Keefe Butler, Elenchus by Julien Leyssene, Curtain Spolia by Georg Rafailidis & Stephanie Davidson, Guesthouse Belvédère by Marc Maurer and Nicole Maurer-Lemmens.