Posts tagged with "Patkau Architects":

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Here are the winners of the 2018 AIA Honor Awards in architecture

This is the first article in a three part series documenting the 2018 AIA Institute Honor Awards. This lists the winners of the architecture category, while additional segments contain the winners in the interior architecture and regional & urban design categories. The American Institute of Architects (AIA) has announced the 2018 winners of the AIA Institute Honor Awards. The list contains projects from all around the world, and of varying programs and uses, and honors firms both large and small. From a girls’ school in Afghanistan to a municipal salt shed, this year’s widely diverse group of winning projects will be recognized at the AIA Conference on Architecture 2018 in New York City, in late June. This year's eight member jury panel included:
  • Lee Becker, FAIA (Chair), Hartman-Cox Architects
  • Anne Marie Decker, FAIA, Duvall Decker Architects
  • Susan Johnson, AIA, Strata; Anna Jones, Assoc. AIA, MOD Design
  • Caitlin Kessler, AIAS Student Representative, University of Arizona
  • Merilee Meacock, AIA, KSS Architects
  • Robert Miller, FAIA, Bohlin Cywinski Jackson
  • Sharon Prince, Grace Farms Foundation
  • Rob Rogers, FAIA, Rogers Partners.
  Project: Audain Art Museum Architect: Patkau Architects Inc. Location: Whistler, British Columbia, Canada From the AIA Jury: A beautiful, dynamic project that literally wraps users around nature, blurring the boundaries between man-made and natural. It creates a cultural magnet to help educate not only art, but eco-friendly design. The elegant structure hovers over a floodplain topography in an area that receives a large amount of snowfall, battling the elements through an architectural form that embraces the setting. Opportunity for people to live with art. The typology of the building is a stepping stone for Canada, a new icon, and a monument for British Columbia. It has helped elevate all of us. Project: The Broad Architect: Diller Scofidio + Renfro, Associate Firm: Gensler Location: Los Angeles From the AIA Jury: Simultaneously sedate and spectacular. It fits the context of the visually exuberant arts buildings in this neighborhood. More than holding its own as a figure, it also engages and takes the user in. The dark body-like, shapely vault is a beautiful counterpoint to the bright, thick, patterned light veil. The design intention is clear and carried through at every scale. The types of space created are unusual but engaging and composed. Project: Chicago Riverwalk Architect: Ross Barney Architects and Sasaki Associates Location: Chicago From the AIA Jury: A gift to city, it embraces Chicago's layered, diverse history by providing a range of amenities that provide forward looking opportunities. Transforms the once neglected downtown riverfront into a vast public space. Design that touches everyone. Subtle moments of education and insight into the ecology of the river, educating visitors and residents. It is the reinvention of urban life that brings attention back to the waterfront. Project: Gohar Khatoon Girls' School Architect: Robert Hull, FAIA, and the University of Washington, Department of Architecture Location: Mazar-i-Sharif, Afghanistan From the AIA Jury: A beautiful and restrained aesthetic with limited means. Architecture is a modern take on Afghan history and masonry construction. This elevates respect for women and girls overall when state resources are used to this extent and design, adding an intent to create an urban oasis and promote community engagement. This space and the process communicates a new era for girls and women very powerfully. It is remarkably resourceful by integrating natural sustainability measures while operating within a weak infrastructure in the country. Project: Manhattan Districts 1/2/5 & Spring Street Salt Shed Architect: Dattner Architects in association with WXY architecture + urban design Location: New York City From the AIA Jury: The Salt storage building took what is usually an industrial construction built as economically as possible into urban art. It raises the bar significantly for civic infrastructure. Unapologetic platonic shape with beautiful skin with commitment to civic expression, environmental responsibility, and sensitivity to the urban context design solution that successfully integrates critical services into the neighborhood. The pursuit of a visual oxymoron to sanitation, and investment therein, is laudable and uplifting to an entire neighborhood and heavily used city corridor. Highly innovative. Project: Mercer Island Fire Station 92 Architect: Miller Hull Partnership Location: Mercer Island, Washington From the AIA Jury: Operations drives design and the execution is flawless. A necessary renovation turned modern reinterpretation of a traditional civic building into a simple box with layers of transparency that visually and physically connect the functions to the street. Great balance of functionality and warmth of materials make this a beautiful facility. Balanced work and relaxation are desired combo for firefighting facilities and certainly that balance is achieved here. As a public project, it is clearly a labor of love. Super judicious use of materials; great scale, sense of public awareness. Best of all this honors the incredibly hard working firefighters deserving of such a light space. Project: New United States Courthouse Architect: Skidmore, Owings & Merrill LLP Location: Los Angeles From the AIA Jury: The design's fascination with natural light and white spaces is nicely contrasted by the golden wood interior figures and floors. The building's form is a representation of site and topography, functionality, environmental performance, civic presence, and public spaces. Traditional materials and architectural elements enliven its civic presence, while modern elements introduced through the glass assembly façade create an iconic image for a 21st Century courthouse building while also providing positive environmental performance. This powerful composition and the generosity of its public spaces gives the project a clear civic presence, separating it from its commercial neighbors. Project: Vol Walker Hall & the Steven L. Anderson Design Center Architect: Marlon Blackwell Architects Location: Fayetteville, Arkansas From the AIA Jury: A complimentary and progressive pairing of modern and traditional forms. Consistent orchestration of natural light and a sparse but powerful use of red to make landmark moments in the building is invigorating. Sets the opportunity for an interesting contrast between the old and new wings. The expanded facility unites all three departments – architecture, landscape architecture, and interior design – under one roof for the first time, reinforcing the School’s identity and creating a cross-disciplinary, collaborative learning environment. The overall design is a didactic model, establishing a tangible discourse between the past and present while providing state-of-the-art-facilities for 21st century architectural and design education. Every space seems equally well resolved, simple, elegant Project: Washington Fruit & Produce Company Headquarters Architect: Graham Baba Architects Location: Yakima, Washington From the AIA Jury: This sits on the landscape beautifully and creates space for meaningful community. The oasis among the warehouses is functional, sustainable, spatial and formal. The design idea is integral and cohesive. An idea with depth. Occupied spaces are oriented towards the heart of the place - the courtyard, avoiding views towards the surrounding freeway and industrial warehouses; earth berms surrounding the building focalize views out to the landscape and blurring the boundary of architecture and site. The owners’ commitment to creating a respite from the industrial environment for their employees led to an exploration of curating views and outdoor spaces. The result is a workspace that encourages quiet contemplation, community and productivity.
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Big names short-listed for Canadian Canoe Museum project

Everyone's favorite canoe museum, the Canadian Canoe Museum in Ontario, Canada, is expanding. The museum has short-listed six firms to design its new facility at the Peterborough Lift Lock National Historic Site. The canoesuem (our word, not theirs) paddled its way through 90 submissions before settling on the finalists which come from Canada, the United States, and Ireland. The Peterborough Examiner reported that Richard Tucker, the canoesuem's executive director, wants the firms to team up with local architects who can make site visits and meet with local officials. Drawings are due on August 11, and a winner will be announced in the fall. The finalists are Kohn Pedersen Fox from New York City; Heneghan Peng Architects from Dublin; 5468796 Architecture from Winnipeg; as well as three teams—Bing Thom Architects from Vancouver and Lett Architects from Peterborough; Provencher_Roy from Montreal and NORR from Toronto; and Patkau Architects from Vancouver and Brook McIlroy from Toronto.
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Updating Washington, D.C.’s Mies van der Rohe Library

Earlier this year, the Washington, D.C. Public Library announced that Martinez+Johnson and Mecanoo had won their competition to design  the next phase of the city's Martin Luther King Jr. Memorial Library.  Check out AN's coverage of the winning design here. The firm beat out two other finalists to revamp van der Rohe's iconic work. Here's AN's guide to the competition and the runners-up. According to a press release from the D.C. Public Library, each team “developed two preliminary design ideas: one of a stand-alone library and one of a mixed-use building with additional floors.” All three teams propose ways to respect and restore the structure’s original facade, but re-imagine the library’s interiors and offer ideas for what can go on top of it. There are also two competing proposals to add “a cloud” into—or onto—Mies’ structure. The Runners-up: The Patkau Architects/Ayers Saint Gross proposal removed existing interior floorplates to create what they’re calling a “Community Mixer.”  Above this courtyard-like space will be “the cloud,” a “new technological form” that “distributes daylight, broadcasts information, and sustainably generates energy.” The STUDIOS Architecture/The Freelon Group team proposed a completely revamped roof with gardens, a café, a pedestrian walkway, an amphitheater and possible housing. And, yes, they’ve got “a cloud” too; it will be “ever-present through the building” and include “new library programs associated with sharing, innovation and prototyping.” Martinez and Johnson + Mecanoo's winning proposal: Read about the winning plan in AN's recent article on the project.
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UC Santa Cruz Shortlist Narrowed To Three

The shortlist to design UC Santa Cruz's new Institute of Arts and Sciences has  been narrowed from seven to three teams: Allied Works Architecture, Tod Williams Billie Tsien Architects, and Patkau Architects / Fong & Chan Architects. Notable drop-offs include Steven Holl Architects and wHY. Finalists presentations will take place on April 3. The $32-to-40-million, 30,000-square-foot institute will include exhibition galleries, seminar rooms, events spaces, offices, a cafe and public gathering areas. The winner will be named by April 30.
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Stunning Site and Stunning Shortlist at UC Santa Cruz

For weeks we've been hearing murmurs about the hottest RFQ in California: the UC Santa Cruz Insitute of Arts and Sciences, a hilltop museum, research center, and innovation hub on one of the most beautiful campuses in the country. Finally the shortlist has been announced, and it features a group of very heavy hitters from around the country. The shortlist includes Steven Holl with TANNERHECHT; Tod Williams Billie Tsien with TEF; wHY designAllied Works ArchitectureAidlin Darling DesignJensen Architects with Ann Hamilton; and Fong & Chan with Patkau Architects. The list was culled from a group of 39 companies, and will be further slimmed to three by April. "We were delighted in the quality and the range of firms," explained the Institute's director, John Weber, who noted that the school was looking for design teams of varying scales and sensibilities. "We want to find the right partner to push us on how the building can respond to the mission of the Institute," Weber said. "The desire to have something like this has been around for a very long time, but it came into focus in the last couple of years," said Weber. The Institute's museum will contain interactive exhibits on topics ranging from climate change to cancer research, and the facility as a whole, measuring 27,000-31,000 square feet, will contain research and teaching facilities, seminar and conference spaces, study areas, a cafe, and more. "The vision is to engage the issues of our time through the arts, sciences,  humanities and technology based on research here at UC Santa Cruz and bringing in material that complements and pushes what’s going on here," said Weber. The  site, he added, is "really spectacular," wedged between a forest of Redwoods and Ancient Oaks above and a grand meadow overlooking the Pacific below.  There will be a public presentation of the final three teams' schemes on April 3 at UCSC. The $32-40 million project's completion date will depend on ongoing fundraising, added Weber.
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Ten Finalists Selected for Renovation of Mies-Designed MLK Memorial Library in DC

Out of a crop of 26, ten teams have been invited to present their technical proposals for the renovation of the Mies van der Rohe–designed Martin Luther King Jr. Memorial Library in Washington, D.C. District officials are hoping to transform the landmark 1972 building, Mies’ last built work and his only in D.C., into a state-of-the-art central library fit for the nation’s capital. The finalists are Cunningham Quil Architects and 1100 Architects, Ennead Architects and Marshall Moya Architects, Leo A. Daly and Richard Bauer, Martinez and Johnson Architects and Mecanoo Architects, OMA and Quinn Evans Architects, Patkua Architects and Ayer Saint Gross, REX and Davis Carter Scott Architects, Shalom Baranes and Davis Brody Bond, Skidmorw Owings & Merill, and Studios Architecture and The Freelon Group. With the library’s plumbing, HVAC and elevator systems in need of replacement, asbestos present throughout the building, and annual maintenance costs soaring to $5 million, the aging athenaeum demands some serious work. Library officials have given their chosen architects a few different options, from a simple update of the building’s ailing systems, to construction of two additional floors or a complete gutting the interior. Either way, the transformation is scheduled to wrap up by 2018.