The Orbit is also following in the footsteps of the earlier proposed project in Toronto by Sidewalk Labs. An offshoot of Alphabet Inc., Sidewalk Labs has redesigned the old industrial waterfront district of Quayside to resemble an Innovative Development and Economic Acceleration (IDEA) district. Both Canadian plans are idealistic in nature and check many of the boxes required for sustainable and sensitive development in contemporary discourse. However, their main drawback is that they are digital master plans, and their biggest ideas, from infrastructure to real estate, require the intervention and cooperation of many different parties—these outside partnerships undermine the authoritative leadership proposed by a utopian plan and jeopardize the guarantees the designers see (although Sidewalk Labs is definitely making progress).
Posts tagged with "PARTISANS Studio":
There have been hundreds of smart cities recently proposed for countries all over the world, but one of the most recent and confident (backed by developer Cortel Group) is The Orbit, a smart city master plan in Innisfil, Canada, just north of Toronto, envisioned by architecture firm PARTISANS. Innisfil is a rural town with a long history of progressive thinking. It was one of the first towns to test out Uber and also accepts cryptocurrency as a payment method for city services and taxation. The entire proposal anticipates boosting Innisfil's population from 30,000 to anywhere from 50,000 to 150,000. The Orbit looks and feels like the utopian Garden Cities which originated in England during the heights of the Industrial Revolution. A suburban dream of order, lawns, and cleanliness away from the filth and chaos of industrial London, these cities were often realized in concentric circles with the ingredients of society each assigned their own belt: Housing, schools, shops, factories, and transportation segregated from each other. While PARTISANS does admit to Garden City inspiration, their reasons for departure from the framework are weak: The design claims to use a unique street grid form the firm has called “squircles”—not quite squares and not quite circles. But really, they just replace 19th-century jargon with 21st-century jargon, and instead of idyllic lawns for children to play on, the plan speaks to more efficient and environmentally friendly suburbanization patterns as an alternative to urban sprawl. The project, which will span over 450 acres, will also include a plan for mass fiber optic cable systems that will provide connectivity across sidewalks, streets, and buildings as well as drone ports and self-driving cars. The firm has also entertained the idea of how health and wellness centers can benefit from such technologies. All the other elements of a hospitable city will be included as well, including a school, farmer's market, library, recreational centers, and art institutions. The Innisfil Council voted unanimously to accept PARTISANS’ proposal after putting out a call for designs looking for a “visionary city of the future centered around a transit hub.” Prompted by the introduction of a new Metrolinx rail station known as GO Transit, which is expected to form the center of The Orbit's layout, it will be joined by two mixed-use towers that will house offices, retail, and residential spaces. The squircles, or roadways, will then wrap around this central hub.
Toronto is known for many great things. Its weather isn’t one of them. For the city's architecture the question is: how can public, urban space be usable and comfortable throughout the year? The architecture collective PARTISANS thinks it might have an answer. Referencing the “maze of awnings…and glass arcades” that defined Toronto streets in the late 19th century, the firm has designed an adjustable awning, somewhat-humorously called the "Building Raincoat," that could be installed to protect the sidewalk (and its users) from the elements. Intended to be applied onto any building, or perhaps pre-planned in new construction, the ethylene tetrafluoroethylene (ETFE) structure latches onto the facade and to street pavers to create a protected space that remains transparent and lightweight, but still maintains the necessary durability to handle any meteorological assault. The Building Raincoat's four layers of EFTE help regulate sun exposure, and the spaces between the two interior layers inflate and deflate automatically to shift the opacity of the surface in order to regulate temperature under the canopy. The firm expects the Building Raincoat to double the number of daylight hours that can be comfortably spent outside each year. Cofounder Alex Josephson told Sidewalk Talk, the publication of Sidewalk Labs and Waterfront Toronto's joint effort Sidewalk Toronto, which hosted a presentation of the prototype of the building raincoat earlier this week, that PARTISANS took inspiration from other similar architectural typologies, like inflatables, that have been used to deal with space in experimental ways. The team iterated an array of possible structures before deciding on the three main qualities they needed: organic, folded, tensile. The raincoats have been developed in collaboration with structural designers Maffeis Engineering and environmental engineers RWDI, which have expertise in sustainability and in climate-conscious architecture. To arrive at the right stable, comfortable, and aesthetically pleasing form, the collaborators have leveraged computer modeling tools from the get-go, integrating them into the design process, rather than just using them during later testing phases. Leveraging these technologies, they’ve developed what Josephson calls a “toolkit,” an array of different related shapes and systems that can be adaptably deployed and maneuvered. “This is real experimentation where the scientific method meets design,” Josephson told Sidewalk Talk. In addition to providing adaptable protection from the elements, engineer Gonçalo Pedro of RWDI said that the Building Raincoat acts as a natural extension of the space it is attached to. It creates flexible transitions and gradations between inside and outside, public and private. While still in the experimental phase, the team hopes that the building raincoat can help shape and shift our relation to public space, allowing us to occupy the street together as much as possible. This month, they've put it to the test and have installed a version of the Building Raincoat at 307, Sidewalk Labs' Toronto headquarters. During the afternoon session of Facades+ Toronto on October 11 PARTISANS, Maffeis Engineering, and Purpose Building will lead "Futuristic Skins: ETFE as Building Envelope," an intensive hands-on workshop focused on the design, application, and future of ETFE.
Toronto’s 10th Luminato Festival will #TurnOnTheHearn from now until June 26. To host the festival, Toronto-based architecture firm PARTISANS, in collaboration with theater and acoustics consultancy Charcoalblue, have repurposed the decommissioned Hearn Generating Station as a cultural center. The 400,000-square-foot space now serves a variety of purposes, including housing galleries, theaters, and cafes. A drone video captures the Hearn transformed: One of the exhibits—dubbed Trove: A View of Toronto in 50 of its Treasures and curated by Luminato Festival Artistic Director Jörn Weisbrodt—features fifty photographs by Toronto-based artist Scott McFarland of treasured objects and artworks from the city's private and public collections, The images are adhered onto the sides of the building. "Trove is like looking in a rear view mirror only the reflection reveals objects rarely before seen and stories yet untold," the press release states. PARTISANS designed a virtual gallery for Trove accessed via an augmented reality app “TheHearnAR." The app was developed by PARTISANS and Norm Li Studios; the duo also developed a video game to #PlayTheHearn that permits the exploration of the space and festival. PARTISANS has set up a temporary studio in the Hearn where it can engage with visitors and produce 3D models of the power plant and surrounding Port Lands. The models, created with the help of Ryerson University design students, will be a part of PARTISANS & Friends: Pop-Up Studio I & II, a two-part studio session in which designers and guests will imagine the future of Toronto. The discussion will range from the city’s infrastructure and architecture to its cultural and economic success. Guests will include: Halifax-based architecture firm Omar Gandhi, Toronto-based architecture firm UUfie, Luminato Festival Art Director Jörn Weisbrodt, and Toronto City Councillor Paula Fletcher.
Sinewy muscle, tree stump joints, and Spanish art nouveau formed the inspiration for the enchanting new Bar Raval in Toronto, whose classy, tree house-like interior is awash with the gleam of sculpted mahogany. The wood has been shaped into voluminous curves and bulges patterned with sinewy lines all generated by computer code, and then oiled to a lustrous finish. Nestled in the heart of the city’s Little Italy, the watering hole is designed to rival the art nouveau histories of Barcelona’s traditional pinchos bars, where stacked pieces of bread are served on skewers. Cutouts in the curvaceous wood frame delineate shelving and windows, the latter of which are shrouded by metallic lingerie to give passersby fleeting glimpses of the interior—perhaps the flicker of candlelight or the swish of a skirt. This air of enigma, Canadian studio Partisans maintains, is a metaphor for the mysteries of Toronto’s culinary and design worlds just waiting to be discovered. Overhead, a terraced protrusion bearing liquor bottles evokes the stump of an ancient hardwood tree, giving the impression that the bar is sunken beneath the ground and adding to the cosy, somewhat secretive atmosphere. Accordingly, the bar is named after El Raval, a once seedy district in Barcelona. The watering hole belongs to Grant Van Grameren and business partner Mike Webster, one of the world’s most celebrated mixologists and masters of Spanish cuisine, art and culture. While brainstorming on the drawing board the team at the Canadian design studio clipped images of tattoos, muscles, and 19th-century building facades, all of which became integrated into the finished product. “The design developed out of a connection between the formal histories of art nouveau, the plethora of cured slabs of meat, and the anatomy of the chefs themselves: a tattooed, muscle-bound group of intellectuals,” Partisans told DesignBoom. “Our design is a three-dimensional tattoo manifest in pure CNC’d mahogany.”