Toronto’s 10th Luminato Festival will #TurnOnTheHearn from now until June 26. To host the festival, Toronto-based architecture firm PARTISANS, in collaboration with theater and acoustics consultancy Charcoalblue, have repurposed the decommissioned Hearn Generating Station as a cultural center. The 400,000-square-foot space now serves a variety of purposes, including housing galleries, theaters, and cafes. A drone video captures the Hearn transformed: One of the exhibits—dubbed Trove: A View of Toronto in 50 of its Treasures and curated by Luminato Festival Artistic Director Jörn Weisbrodt—features fifty photographs by Toronto-based artist Scott McFarland of treasured objects and artworks from the city's private and public collections, The images are adhered onto the sides of the building. "Trove is like looking in a rear view mirror only the reflection reveals objects rarely before seen and stories yet untold," the press release states. PARTISANS designed a virtual gallery for Trove accessed via an augmented reality app “TheHearnAR." The app was developed by PARTISANS and Norm Li Studios; the duo also developed a video game to #PlayTheHearn that permits the exploration of the space and festival. PARTISANS has set up a temporary studio in the Hearn where it can engage with visitors and produce 3D models of the power plant and surrounding Port Lands. The models, created with the help of Ryerson University design students, will be a part of PARTISANS & Friends: Pop-Up Studio I & II, a two-part studio session in which designers and guests will imagine the future of Toronto. The discussion will range from the city’s infrastructure and architecture to its cultural and economic success. Guests will include: Halifax-based architecture firm Omar Gandhi, Toronto-based architecture firm UUfie, Luminato Festival Art Director Jörn Weisbrodt, and Toronto City Councillor Paula Fletcher.
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Sinewy muscle, tree stump joints, and Spanish art nouveau formed the inspiration for the enchanting new Bar Raval in Toronto, whose classy, tree house-like interior is awash with the gleam of sculpted mahogany. The wood has been shaped into voluminous curves and bulges patterned with sinewy lines all generated by computer code, and then oiled to a lustrous finish. Nestled in the heart of the city’s Little Italy, the watering hole is designed to rival the art nouveau histories of Barcelona’s traditional pinchos bars, where stacked pieces of bread are served on skewers. Cutouts in the curvaceous wood frame delineate shelving and windows, the latter of which are shrouded by metallic lingerie to give passersby fleeting glimpses of the interior—perhaps the flicker of candlelight or the swish of a skirt. This air of enigma, Canadian studio Partisans maintains, is a metaphor for the mysteries of Toronto’s culinary and design worlds just waiting to be discovered. Overhead, a terraced protrusion bearing liquor bottles evokes the stump of an ancient hardwood tree, giving the impression that the bar is sunken beneath the ground and adding to the cosy, somewhat secretive atmosphere. Accordingly, the bar is named after El Raval, a once seedy district in Barcelona. The watering hole belongs to Grant Van Grameren and business partner Mike Webster, one of the world’s most celebrated mixologists and masters of Spanish cuisine, art and culture. While brainstorming on the drawing board the team at the Canadian design studio clipped images of tattoos, muscles, and 19th-century building facades, all of which became integrated into the finished product. “The design developed out of a connection between the formal histories of art nouveau, the plethora of cured slabs of meat, and the anatomy of the chefs themselves: a tattooed, muscle-bound group of intellectuals,” Partisans told DesignBoom. “Our design is a three-dimensional tattoo manifest in pure CNC’d mahogany.”