Los Angeles’s homelessness crisis has quite literally reached the offices of City Hall. In recent weeks, a typhus outbreak that has been tied to the explosion of encampments around the city has migrated into the building via flea-carrying rats. The Los Angeles Times reported that at least one city employee had possibly contracted the disease while at work, and many others have spotted rodents around the premises. Apparently, L.A’s City Hall is plagued by a stubborn rat infestation. According to The Times, rats have been spotted at various city-held events, including a Halloween celebration last year during which a rat was observed gnawing on a decorative pumpkin. The rats have been observed living in office plants around the complex while fleas have infested the City Hall carpets, as well. City Council President Herb Wesson recently moved to investigate how much it would cost to have all of City Hall’s carpets removed and replaced with some other type of flooring. Wesson has also launched a review of the complex’s office plants to deduce which ones are most hospitable to the rodents. Wesson has implied that the ongoing demolition of the Welton Becket–designed Parker Center nearby could also be a potential source for the increase in rats around City Hall. Health officials across the state have been battling various disease outbreaks—including a deadly Hepatitis A outbreak in San Diego—that have proliferated as the number of unhoused Californians has skyrocketed in recent years. Los Angeles County officials declared a typhus outbreak in Downtown Los Angeles. A 2018 point-in-time count by the Los Angeles Homeless Services Authority found that 31,285 Angelenos were living outdoors across the city.
Posts tagged with "Parker Center":
Activists in Los Angeles have filed a lawsuit in a last-ditch effort to halt the pending demolition of the city’s defunct former police headquarters, Parker Center. Representatives of the AIDS Healthcare Foundation (AHF), Healthy Housing Foundation, and the Coalition to Preserve LA held a press conference Wednesday morning announcing the new suit, the latest effort in a long-running battle to save the vacant, 300,000-square-foot, International Style complex. The organizations have filed a suit to stop the building’s demolition and to compel the City of Los Angeles to instead convert the structure into a 700-bed temporary housing shelter. The debate began last year as efforts to landmark the structure took off against a backdrop of fierce community opposition to saving the tower. The complex was considered for Historic-Cultural Landmark status but the Los Angeles City Council voted in favor of razing the structure instead, choosing to make space for a new office tower being planned in conjunction with a new masterplan for the surrounding Civic Center area. The Parker Center complex was designed by architecture firm Welton Becket & Associates in 1955 as a state-of-the-art headquarters for the Los Angeles Police Department and was used as a backdrop in the television series Dragnet, a police procedural drama from the 1950s focused on the intricacies of police detective work. The organizations filing suit allege that the City has misrepresented the costs associated with converting the building into a shelter relative to its demolition costs. Further, the group accuses the City of using gassed up figures in its feasibility determination. The City of L.A.’s estimates put the shelter conversion at over $295 million, while an estimate commissioned by AHF indicates that a conversion would cost roughly $102 million. In a statement announcing the lawsuit, Michael Weinstein, President of AHF sad, “City officials are padding their estimate to rehab and repurpose Parker Center as housing because they are bound and determined to tear it down.” Weinstein added, “It is a horrible waste of public funds and shows a lack of interest in the cost-effective use of existing resources at a time when the crisis of homelessness in Los Angeles rages on largely unabated.” The replacement 27-story “luxury office tower” being proposed would cost at least $900 million to build, making it the most expensive municipal office building in the country if constructed. The question of whether to save Parker Center has exposed old, unhealed wounds among several local constituencies, especially for the residents of the surrounding Little Tokyo neighborhood, some of whom saw their properties and businesses taken by force when officials were originally planning and consolidating the Civic Center district in the 1950s. Members of L.A.’s African American and Latino communities detest the building, as well, and see its existence as an extension of the city’s traumatic legacy of racist policing tactics. A judge has yet to hear the case, but current plans called for demolition on the tower to begin as early as August 20. It is unclear if that timeline is still on track.
Various reports indicate that L.A.’s Parker Center, an International Style structure designed by Welton Becket and Associates that once served as the headquarters for the Los Angeles Police Department (LAPD), is set to be demolished starting August 20. The much-maligned building will make way for a new 750,000-square-foot, 27- to 29-story office tower that is being developed as part of a new master plan for the surrounding Civic Center neighborhood. There was a short-lived effort to landmark and perhaps preserve the Parker Center last year that failed in large part due to community opposition to the building. One reason the building is unpopular is that the site for the complex was taken from what once the cultural and commercial core of L.A.’s Little Tokyo neighborhood. Resentment over the displacement of businesses and cultural institutions resulting from the land-grab still runs high in the area and helped to derail the building’s application for Historic-Cultural Monument status. The building is also widely criticized in Latino and African American communities for its associations with the LAPD itself, an organization with many documented cases of brutality and injustice against members of those communities, including the brutal 1992 attack on Rodney King and offenses resulting from the ensuing L.A. Uprising. The building was originally designed as an “ultramodern” and “scientific” police headquarters that focused both on internal efficiency and—ironically—on thoughtful public interfaces. The building’s lobby features an open design, for example, and is populated by a series of site-specific artworks, including a mural by the artist Joseph Young titled Theme Mural of Los Angeles that depicts city landmarks amid abstract color fields. The complex also features a bronze exterior sculpture titled The Family Group by artist Bernard J. Rosenthal. In a 2017 interview with The Architect’s Newspaper, Louis Naidorf, one of the architects who worked on the complex, lamented the building’s sordid reputation. He said, “[I] always assumed architects were supposed to positively affect the lives of the people who used their buildings and that the ‘real client’ for projects like Parker Center were the people who work in the building, the people who walk by the building, the people who were affected somehow by the presence of the building.” Naidorf added, “Your work was a setting for their lives. At a more basic level, [you] can create spaces that are depressing or spaces that are happy.” The LAPD left the building in 2009 when a new 491,00-square-foot, 11-story tower designed by AECOM located down the street opened for business. Earlier this year, the AIDS Healthcare Foundation and other preservationists attempted to convert Parker Center into a shelter for people experiencing homelessness, but the plan failed. Ahead of the planned demolition, the public art elements were removed for storage and eventual restoration. The complex is slated to make way for a key component of a new “Civic Innovation District” that will bring housing, offices, and new open spaces to the area. The new office tower that is set to rise on the Parker Center site has yet to be designed, but official estimates put its cost at $700 million. A detailed plan for the design and construction of the tower has not been announced, but planning documents explain that the city plans to complete the replacement tower around 2020.
The Los Angeles City Council voted unanimously this week to deny Historic Cultural Monument (HCM) status to the Welton Becket-designed Parker Center building in Downtown Los Angeles. The eight-story structure is organized as a long office block, with the two narrow ends of the building wrapped in buff, blank stone and the two broad sides punctuated by continuous lengths of ribbon windows. The street-fronting portions of the building are lifted off the ground on slender piloti, creating an entry portico. The structure was built in 1955 during the post-World War II building boom and reflects classically Modernist building attributes, including the fact that it was built on land cleared for development via eminent domain. That attribute, as well as the building’s problematic history as the headquarters for the Los Angeles Police Department, haunted the building’s HCM nomination. The building sits on land that had once been part of the city’s Little Tokyo neighborhood but was taken over in the 1950s to make more room for the city’s growing Civic Center. The project caused the destruction of a wide swath of the community and displaced at least a thousand residents and many businesses and places of worship. Local residents opposing the HCM nomination argued that this injustice—taking land owned by Japanese-Americans just a decade after many had been interred at various across the west during World War II—overruled any of the architectural or aesthetic value of the structure. At a meeting in early February, the city’s Planning and Land-Use Management (PLUM) committee declined to recommend the structure for HCM-status because of these community concerns. Downtown’s City Councilmember Jose Huizar echoed community concerns at the PLUM meeting, saying, “To call this building a masterpiece specimen of midcentury architecture and to retain its landmark status with the Parker name is to further the revisionist history that dismisses the injustices done to many communities, including Little Tokyo.” Huizar’s testimony made reference to Parker Center’s recent history as one of the central sites implicated in the 1992 Los Angeles Riots. Recently, the City of Los Angeles issued a new master plan for the Civic Center area that calls for the demolition of Parker Center in order to make way for a 28-story mixed-use tower. The new plan aims to turn the Civic Center from a sleepy office quarter into a mixed-use residential neighborhood. The 750,000-square-foot office tower slated to replace Parker Center will contain ground floor commercial spaces surrounded by public spaces and greenery.