Commemorating the 75th anniversary of the Norton Museum of Art in Palm Beach, British architect Norman Foster was on site to see his expansion break ground. The new development, called "The New Norton," will see further galleries added along with visitor facilities all within the "original axial layout of the Museum." In what will be his third project in Florida, Foster has laid the foundations at West Palm Beach for further growth, with the aim of the museum to become a leading cultural institution in the Sunshine State. "The new extension of the museum represents an exciting opportunity to place the reinvigorated Norton at the heart of Florida’s cultural life and to establish its international presence, allowing more people to enjoy the museum’s very special collection," said Foster in a press release. A simple, all-white stone facade and minimalist form stays true to the aesthetic of the 1941 original by New York's Marion Sims Wyeth, where a subtle Art Deco style creates a central courtyard. Later developments meant this original axial configuration, on which the building was based, was lost. Foster's master plan dutifully restores Wyeth's symmetry, adding a sense of clarity to the site. In the process, Foster has explored varying topological arrangements to provide a flexible space able that will now be able to attract a much wider local and international audience. Room for further expansion can be seen via the provision of infrastructure that will facilitate of two more exhibition wings being built on the eastern end of the building. "Creating new event and visitor spaces that will transform the museum into the social heart of the community; as well as increasing the gallery and exhibition spaces, to engage with a wider audience," Foster added. Three double height pavilions will now act as the museum's entrance, countering the low-rise galleries and while merging with the three-storey Nessel Wing. Within these pavilions will be a "state-of-the-art auditorium," Grand Hall, which "will be the new social heart for the local community." Also included is a shop, event space, education center, and restaurant that can operate independently from the museum. These spaces will all be coalesced underneath a canopy. Within the vicinity will be an open public space that will be used as a live performance space and venue for "Art After Dark," an evening show hosted by the museum. Spencer de Grey, co-head of design at Foster + Partners, said, “this groundbreaking ceremony marks the moment where the process that began five years ago with the masterplan finally comes to realisation. Our approach at the Norton has been to make art more accessible by dissolving boundaries – whether that is between the building and landscape or art and the viewer.”
Posts tagged with "Palm Beach":
The Norton Museum of Art in Palm Beach, Florida has unveiled a new master plan including galleries and public spaces designed by architecture firm Foster + Partners, under the direction of Pritzker Prize-winning architect Lord Norman Foster. The new Foster design will upgrade the museums 6.3-acre, art deco–inspired campus and gardens first designed in 1941 by Marion Sims Wyeth. The new plan relocates the main entrance on South Dixie Highway to the west, allowing visitors to once again see through the entire building, capturing views of the Intracoastal Waterway beyond the Norton via a new, transparent grand hall and refurbished glass and iron courtyard doors. The new entrance will be defined by three double-height pavilions, unified with the reworked existing wing by a shared palette of white stone. These pavilions will house a new state-of-the-art auditorium, event space, and a "grand hall"—the social hub of the Museum. Foster's design includes a new museum shop and restaurant with al fresco garden seating which, like the new pavilion spaces, can operate independently of the Museum for events on the Norton’s campus throughout the day and at night. A metal roof canopy will float above the pavilions, shading the entrance plaza. The canopy structure will be gently tapered to visually reduce its profile—a technique he previously employed in Marseilles, France—while providing stability to withstand hurricane-strength winds. The canopy’s gentle luster will cast diffuse patterns of light in an abstracted reflection of the people and flowing water below. A linear series of pools with fountains and a row of hedges between the pools and Dixie Highway will mask the sound of traffic and create a tranquil setting at the entrance plaza. A curved opening in the roof will accommodate the branches of a mature ficus tree and a light well above the lobby will illuminate and define the new entrance. The master plan will be implemented in several phases, beginning with the reconfiguration and extension of the existing museum and the new public amenities within a lush garden setting. Two new wings for galleries can be added to the east in later phases of the long-term master plan.