A new feature-length documentary from Italian filmmaker Giacomo Gatti exploring the impact of 16th-century architect Andrea Palladio and his architecture is set to screen across the world this year, beginning with showings in Italy on May 20. Taking a roaming, non-linear approach, the 97-minute film, Palladio: The Power of Architecture, features the likes of Lionello Puppi, Kenneth Frampton, George Saumarez Smith, and Peter Eisenman reflecting on their relationship to his historic influence and outsize role in the architectural imagination. The film was shot across both the United States and Europe, with students and scholars at Yale and Columbia talking about Palladio’s legacy intercut with footage of major sites like the Villa Foscari (often called La Malcontenta), Villa Capra (or "La Rotonda"), and other locations in Italy. While the film does consider the more formal aspects of Palladio’s and his imitators’ work, the film is no mere celebration or aesthetic survey. It attempts to unpack the broader sociopolitical implications of the architecture that resonate to this day, no less so than in the United States, where, a favorite of the so-called Founding Fathers, especially Thomas Jefferson, Palladio was declared the “Father of American Architecture” by Congress in 2010. (That political body’s own building’s Neoclassicism is itself inspired by Palladio’s aesthetic philosophy, though of course even more recognizably Palladian examples, like the University of Virginia Rotunda and Monticello, exist across the nation, especially in the D.C. area.) The film also wrestles with the place of conservation in architecture and what it’s like to live in a Palladian villa in the 21st century.
Posts tagged with "Palladio":
Thomas Jefferson embraced the architecture of Andrea Palladio as model for 18th century America, but he never actually visited any of the Veneto architect's buildings. Instead he came to know Palladio through Giacomo Leoni's first English translation of Quatro Libri dell'Architettura published in 1721. Now a beautifully-realized photographic exhibition, Found in Translation: Palladio–Jefferson, at the Canadian Center for Architecture in Montreal subtly focuses on Jefferson's translation of Palladian architectural form into buildings for the new democratic nation. Created and conceived by the Italian photographer Filippo Romano and Guido Beltramini, director of the Palladio Museum, the show features side-by-side images of Palladio's Veneto buildings and Virginia 'replicas' in the master's style. The exhibit also features original Palladio and Leoni books. Rather than focus on the American translation—which many scholars and artists have already done—this show highlights the American structures as a way of highlighting the master's resilient but irreducible Italian architecture. Romano's images all foreground the architecture in contemporary situations—being visited, for example, by tourists—to remove a second time from its original context and further highlight the architecture's enduring principles. The show runs until February 15th in the CCA's Octagonal Gallery and bookstore.
Last night we were part of the "special crowd" that was invited to Villa Foscari for the unveiling of Zaha's newest sculpture for Villa Foscari, PALLADIO'S 500TH ANNIVERSARY. Villa Foscari is a patrician villa in Mira, near Venice, northern Italy, designed by the Italian architect Andrea Palladio. It is also known as La Malcontenta, a nickname which it received when the spouse of one of the Foscari's was locked up in the house because she allegedly didn't live up to her conjugal duty. Faces seen, Aric Chen, Laurie Beckleman, Robert Rubin, Joseph Giovannini, Charles Refro, Diana Darling, Ben Prossky (Columbia Univ.), Mayor of Venice, Massimo Cacciari, Liz Diller, Hani Rashid and Lise Anne Couture, and Nigel Coates.