Posts tagged with "Palestine":
For aspiring designers in the Palestinian Territories, educational opportunities are relatively few and far between. Some universities in the area offer traditional design courses for students, but the region’s continuing state of conflict has limited available resources for designers, including access to global markets and networks. The founders of the Palestine-based collective Disarming Design From Palestine are establishing a school to fill the void.
Located in the town of Birzeit in the West Bank, the Disarming Design School is the first contemporary design school in the Palestinian Territories. It offers peer-to-peer learning programs for Palestinian students, as well as residencies for foreign students looking to acquire knowledge of local design and craft techniques. The school is also meant to serve as an important resource for local artisans and designers. Professional workshops, movie screenings, and lectures will be supplemented by a design library and a creative lab. As cofounder Annelys De Vet told Dezeen, the long-term goal is to form an academy that cultivates a critical design curriculum that is “inclusive, community-based and focused on resilience, emancipation, and self-empowerment through acts of design.”
De Vet and her co-founders, Raed Hamouri and Ghaleed Dajani, are already well-established in the Palestinian design world. In 2012, they set up a label to sell Palestinian-designed items on international platforms. Through the sale of useful goods, Disarming Design From Palestine aims to present “alternative narratives about contemporary Palestine” and, more broadly, to explore the role of creative practices under conditions of conflict. Members of the label’s team will serve as tutors for students participating in this summer’s workshops, teaching alongside curators from the Palestinian Museum in Birzeit and academics from the Willem de Kooning Academie in Rotterdam, the Lucerne School of Art and Design, and Sint Lucas School of the Arts in Antwerp.
In a part of the world where international travel can be difficult, Disarming Design is fostering a program that is decidedly global. The next step for the young institution is to collaborate with the Sandberg Instituut to set up a temporary masters program in Amsterdam focusing primarily on design in conflict zones. A predetermined portion of the master's students will be Palestinian and will be expected to return to the school in Birzeit as instructors. Similar to the specialized lecturers and tutors leading the Disarming Design School’s first workshops in the West Bank, they will bring global and local design perspectives to a region of the world in need of both.
Meet the German landscape architecture firm Maier that specializes in skateparks from Palestine to Peru
German landscape architecture firm Maier Landschaftsarchitektur has designed a very colorful addition to Bethlehem, a town you'd be forgiven for foremost associating with the birthplace of a certain Biblical character. Built with the support of charities Skate-Aid and SOS Children's Villages and on the latter's village grounds in the area, the skatepark aims to install feelings of "joy" and "happiness" in the troubled area.
The park is split in two, comprising two bowls, one open and the other closed. The park gains an increased lifespan thanks to its rolling landscape that protects it from damage. Currently, around 126 children reside in the SOS Children's village in east Bethlehem, an area which has been subject to political instability, prevailing violence, high unemployment, and increased poverty.
The freedom to play is an important part of any childhood and so Maier, lead by German landscape architect Ralf Maier, hopes to give the children of the village that chance. Fortunately, skating, as a recreation, has no religious or political affiliations embedded within the sport. Neither are there any allegiances with common enemies—like with the Giants and the Dodgers, for example. Subsequently it's an easier way to unify communities such as the SOS Children's Village.
Working with Skate-Aid, SOS Children’s Villages, and Betonlandschaften (concrete landscapes) Maier has been able to install skate parks all over the world, across Germany, Africa, to Palestine and even Peru.
In Kigali, Rwanda, another skatepark was completed as recently as 2016. Here a mini-ramp, and ledges and curbs for grinding have been included to cater for all abilities. Meanwhile, an existing tree is the focal point of the space. Located in the middle of the park, it acts as a "volcano" surrounded at the base by curved concrete so skateboarders can interact with it.
In an email, Ralf Maier said that a "key aspect" was the "painting of skatepark with the logo of skate-aid. It gives the park colorful nuances and keeps a picture in your mind."
The same principle was also applied to the skatepark in Bethlehem. In this case, a group of young artists from aptART (Awareness & Prevention Through Art) complimented the skatepark with a splash of color. The vibrant hues employed on the curvaceous concrete enliven the space which would otherwise be suspect to anonymity, fading into the gray surroundings of the vicinity.
Here, the children have a place that is both visually and physically stimulating, but more importantly, have a place to call their own.
The Salam Centre for Cardiac Surgery consists of a hospital with 63 beds and 300 local staff, with a separate Medical Staff Accommodation Compound sleeping 150 people. The centre is built as a pavilion in a garden with both primary buildings organised around large courtyards. The hospital block is of the highest technical standard with complex functions including three operating theatres optimally placed in relation to the diagnostics laboratories and ward. Mixed modes of ventilation and natural light enable all spaces to be homely and intimate yet secure. Seeing the abandoned containers that had been used to transport construction materials for the Salam Centre for Cardiac Surgery, the architects were inspired to reuse them to house the centre’s staff. Ninety 20-foot containers form the accommodation block, each unit consisting of 1.5 containers, with a bathroom and small veranda facing the garden. Seven 40-foot containers are occupied by a cafeteria and services. Insulation is through an ‘onion system’ of 5-centimetre internal insulating panels and an outer skin comprising a ventilated metal roof and bamboo blinds. A solar farm powers the water-heating system.Revitalization of Birzeit Historic Centre in Birzeit, Palestine From AK Award and Riwaq - Centre for Architectural Conservation:
This five-year project, part of a rehabilitation master plan initiated by Riwaq, has transformed the decaying town of Birzeit, created employment through conservation and revived vanishing traditional crafts in the process. Community involvement was encouraged from the start, including local NGOs, the private sector, owners, tenants and users, all working with the municipality. Both historic buildings and public spaces have been rehabilitated into community activity hubs. Replaced sections of wall remain distinguishable from the original structures, without harming architectural coherence. Lost features were replaced where there was clear evidence for their former appearance, such as floor tiles with Palestinian motifs. Affordable traditional techniques and local materials were used throughout. Where no historical models were available, new elements were made in a bold contemporary spirit.Rabat-Salé Urban Infrastructure Project in Morocco From AK Award and Marc Mimram Architecture:
Linking Rabat and Salé to form an urban hub, the Hassan II Bridge and its associated access works relieve both cities’ historic sites and populations of atmospheric and sound pollution. The design respects the overwhelming horizontality of the built and natural environments, allowing Rabat’s 12th-century Hassan Tower to retain its vertical dominance of the skyline. The concrete supports, in subtly varying arced forms, are deliberately delicate and lace-like in appearance. Besides providing transport connections, the structure also offers an urban roof over the alluvial plain of the Bouregreg River, creating a protected public space for markets and leisure activities.Rehabilitation of Tabriz Bazaar in Tabriz, Iran From AK Award and ICHTO East Azerbaijan Office:
The Tabriz Historic Bazaar Complex was officially protected in 1975 and has been covered by special stewardship measures until 2010, when it was added to the World Heritage List. The complex covers 27 hectares with over 5.5 kilometres of covered bazaars. Three different protection areas have been established (a nominated area, a buffer zone and a landscape zone), subject to special regulations incorporated into the planning instruments. The management framework is based on the participation of the ‘bazaaris’, together with municipal authorities and ICHTO’s Tabriz Bazaar Base. Since 2000, numerous complexes within the bazaar have been rehabilitated with the participation of the owners and tenants. Infrastructure has been improved and public facilities have been built.The Tabriz Bazaar is a unique example of urban conservation and development project in which heritage plays a catalyst role in rejuvenating the tangible and intangible memory of the historic city of Tabriz.Islamic Cemetery in Altach, Austria From AK Award and Bernardo Bader Architects:
The Cemetery serves Vorarlberg, the industrialized westernmost state of Austria, where over eight percent of the population is Muslim. It finds inspiration in the primordial garden, and is delineated by roseate concrete walls in an alpine setting, and consists of five staggered, rectangular grave-site enclosures, and a structure housing assembly and prayer rooms. The principal materials used were exposed reinforced concrete for the walls and oak wood for the ornamentation of the entrance facade and the interior of the prayer space. The visitor is greeted by and must pass through the congregation space with its wooden latticework in geometric Islamic patterns. The space includes ablution rooms and assembly rooms in a subdued palette that give onto a courtyard. The prayer room on the far side of the courtyard reprises the lattice-work theme with Kufic calligraphy in metal mesh on the ‘qibla’ wall.