Posts tagged with "Painting":
@robyniko responded saying he’d start off “easy” with Louis Kahn’s Fisher House, which apparently screams “for the twilight treatment.”
I'm in. Let's start off easy with one of Kahn's beautiful boxes (eg the Fisher house). Tell me this thing isn't *screaming* for the "eerie twilight" treatment. pic.twitter.com/uZlLGcTViM— the "schtick" haver (@robyniko) August 18, 2018
Several other interested viewers chimed in with requests for @robyniko, and the series began to form. He set Philip Johnson’s Glass House within a breathtaking creekside mountain vista, and then put Le Corbusier’s Villa Savoye inside a Christmas winter wonderland. He also placed Mies van der Rohe’s Farnsworth House within a meadow and forest landscape.
I have a lot to do and my wife would kill me if she knew I spent time on this, but you don't get to pick when you get the call to be a hero (reposted bc I had* to add the glow around the windows)(* I in no way had to do this) pic.twitter.com/CuiOBRXEOe — the "schtick" haver (@robyniko) August 18, 2018
Ask and ye shall receive. I present to you, Philip Johnson's Glass Cottage: pic.twitter.com/n3icl0DXFp— the "schtick" haver (@robyniko) August 19, 2018
Ok i really have to stop now. Merry Corbsmas: pic.twitter.com/S7sTv54Eod— the "schtick" haver (@robyniko) August 19, 2018
@robyniko’s Twitter bio discloses that he’s a self-proclaimed procrastinator, but this mashup series was undoubtedly encouraged by those scrolling in earnest and tweeting at him: “You definitely had to do this,” from @SWardArch, and, “I hope these end up in your portfolio,” from @ianwrob. The Architect’s Newspaper reached out to @robyniko to get more details on why he decided to pursue the unlikely project. “It was one of those asides that you chuckle about imagining and then move on,” he said, “but I was home for the weekend without my family and decided to indulge my curiosity about how these famous modernist homes would fit into Kinkade’s universe.” @robyniko noted that though he approached the project as a way to distract himself, it ended up conjuring something worthy of discussion. “I think that, given the difference in who typically appreciates Kinkade’s ‘never-was’ nostalgia versus who likes modern architecture,” he said, “it can be part of a conversation about architecture, representation, and how the public responds to both.” And the response was clearly strong. When @robnyiko uploaded his final rendered masterpiece, the oceanside Gehryhaus—a relocation of Frank Gehry’s residence in the Santa Monica suburbs—his followers realized all of these water-adjacent buildings represented in the thread would be likely to flood. In a later tweet, @robnyiko jokingly concluded that Kinkade’s work is a commentary on climate change, a theory he backs up with an attached screenshot of a Google Image search showing row after row of blown-out Kinkade paintings with skies that evoke the smoke and haze of this summer's wildfires.
Ok this might have to be the last one for today. I present to you, the Farnswoods House: pic.twitter.com/qRSE1LpWmE— the "schtick" haver (@robyniko) August 19, 2018
Maybe Kinkade’s work isn’t a nod to global warming, and maybe these modernist homes strictly belong where they were originally built. But this mashup presents a unique perspective on how a piece of architecture can be irrevocably altered when it's transplanted into new surroundings, especially those of Kinkade's somewhat surreal universe. More than that, these world-renowned buildings become nearly unrecognizable in these alternate settings, presenting questions about the relationship between the stark, minimalist designs and the soft, meadowy landscapes. As both Kinkade's work and modernism as a movement can be potentially polarizing forms of art, can these genres combine to form a common ground for people to see them in a new light?
Pack your bags for a rocky seaside getaway at the Gehryhaus! You'll love the *squints at copy* homey chain link fence & softly weathered *checks notes* corrugated steel siding while you eat a homemade breakfast in the soft glow of the *deep sigh* aggressively geometric sun room. pic.twitter.com/Wv6mfHGN1u— the "schtick" haver (@robyniko) August 20, 2018
Two Cuban artists uniquely capture Detroit’s built environment—both its decay and hope for the future
The Architect’s Newspaper’s April 2017 issue takes a deep dive into Florida to coincide with the upcoming AIA Conference on Architecture in Orlando (April 27 to 29). You can see all those articles on this page. Here, Senior Editor Matt Shaw’s editorial from that issue highlights what we’ve explored in the Sunshine State.
Emilio Sanchez in South Florida Collections marks the artist’s first show in South Florida in over a decade. The Cuban-American painter’s work is largely centered on his time in Cuba and the Caribbean and, later on, in New York City. His paintings depict the vernacular of his surroundings, often finding inspiration in existing structures and scenes and transforming them into abstract and surreal portraits. “His keen eye and remarkable ability to edit out incidental elements and details imbue the work with a dreamlike quality, as if the buildings he depicted existed in a parallel universe born of memory, longing, and imagination,” said co-curator Victor Deupi, an architecture scholar, in an interview with Cuban Art News. The exhibition encompasses six decades of Sanchez’s professional career, displaying paintings from the 1940s through the 1990s. Alongside his paintings, the museum will display sketchbooks, doodles, and other personal documents to paint a better picture, if you will, of this artist’s prolific work.
EMILIO SANCHEZ IN SOUTH FLORIDA COLLECTIONS Lowe Art Museum, University of Miami 1301 Stanford Drive Coral Gables, Florida Through May 21, 2017
Styled like illuminated manuscripts, Lari Pittman’s paintings stand in a Michael Maltzan Architecture-designed exhibition
Lari Pittman: Mood Books, features an exhibition design by Michael Maltzan Architecture (MMA) and is currently on view at The Huntington Library, Art Collections, and Botanical Gardens in San Marino, California. Pittman’s works consist of six large-scale art books that contain a total of 65 hallucinogenic paintings styled by the artist in the manner of illuminated manuscripts. Michael Maltzan described Pittman’s works to The Architect’s Newspaper during a recent studio visit as “architectural in scale,” which the firm sought to accommodate via an elaborate and expressive series of billowing, stark white pedestals. MMA’s lofted forms serve to highlight the weighty books, with the smooth, white-painted plywood reliquaries accentuating the bulk and eye-popping color of Pittman’s paintings. The pedestals connect to form one long sequence, an alternating display of spreads that will change throughout the course of the exhibition’s duration as the book pages are turned by gallery attendants.
Lari Pittman: Mood Books The Huntington Library, Art Collections, and Botanical Gardens 1151 Oxford Road San Marino, CA Through February 20
Fly Away, named for the perennially reinterpreted gospel “I’ll Fly Away,” is a collection of paintings and sculptures by Rashid Johnson at New York’s Hauser & Wirth gallery. Johnson’s work has been referred to as “post-black,” and often deals with the African-American experience in a range of media, from photographs to music. Following the theme of last year’s Rashid Johnson: Anxious Men at the Drawing Center, the artist uses black soap and wax as materials in Fly Away. Inhabiting one room of the exhibition is “Within Our Gates,” a collection of black metal shelving populated by objects like live plants, books, and shea butter.
According to Hauser & Wirth, the enclosed objects are signifiers inspired by the African diaspora. The room also contains an upright piano that will be played in drop-in performances by Antoine “Audio BLK” Baldwin, a New York–based piano player and music producer. Baldwin will play original jazz compositions during the first week of the exhibition, with periodical unannounced visits afterward. Johnson’s work will also be featured in an exhibition at the Kemper Museum of Contemporary Art in Kansas City, Missouri, early next year.
Rashid Johnson: Fly Away Hauser & Wirth 511 West 18th Street New York September 8–October 22, 2016