On January 21, the City Council of Glendale, California, unanimously approved the construction of a daringly-designed office building from the Los Angeles-based architecture firm P-A-T-T-E-R-N-S and Santa Monica-based Sharif, Lynch: Architecture. When complete, the Janoian Building will be the new home of All For Health, Health For All, a local community health center began in 1999 by Dr. Noobar Janoian, and will include rentable office space, ground-floor retail, and a small amenity space in the terrace. As approved, Glendale residents can expect to see a 5-story, 70-foot-tall complex rise on the site. The five-story building’s shifting character on the corner of Broadway and Isabel Street is designed to visually connect the urban promenade of the stylistically-diverse Glendale Civic Center. “Responding to the brief of providing a commercial office building in a very formal context,” the architects explained, “the project aims to construct an authentic dichotomic image: one that can be confused for a strange civic building, too mute to be publicly engaged, but yet too eccentrically unusual to be privately used.” The building's irregularly-striated brise-soleil system and exterior voids along Isabel Street contrast the smooth, unbroken glass facade to break up the structure's otherwise imposing presence. A series of exterior soffits and cantilevers unify the building’s envelope while adding continuous open balconies accessible via the medical office spaces. The health center will be set back along Isabel Street to make room for a small pocket park, for which Armenian artist Zadik Zadikian was commissioned to create a public mural as a backdrop that reflects the community’s diverse citizenship. Construction on the Janoian Building will begin this summer and is expected to be completed by late next year.
Posts tagged with "P-A-T-T-E-R-N-S":
Architects Skidmore, Owings, & Merrill (SOM), P-A-T-T-E-R-N-S, and developer City Century have unveiled renderings for a trio of high-rise, mixed-use towers in Downtown Los Angeles’s bustling entertainment district. The newly-revealed mega-project is called Olympia and is billed to include 1,367 residential units, 40,000 square feet of retail space, and 115,000 square feet of open space. Those programmatic components will be distributed across a trio of towers rising 43-, 53-, and 65-stories in height that will be positioned over a 3.25-acre site at the intersection of Olympic Boulevard and Georgia Street. The project will be sandwiched between the L.A. Live sports and entertainment complex and the Gensler-designed Metropolis mega-development, a similar mixed-use project containing luxury housing and shopping amenities. The Olympia project is being designed by SOM and P-A-T-T-E-R-N-S and will feature glass-clad residential floors with over-sized floor plates expressed across the facades of the rectilinear towers. Those floorplates shift in and out at various intervals and contain outdoor amenity spaces at various heights. Stuart Morkun, executive vice president of City Century is quoted in the Los Angeles Times as saying, “We’re seeing opportunities in L.A. as the entertainment, media and fashion hub. There is a growing desire by a new generation of professionals who want an urban lifestyle. Downtown can provide that.” The project is one of many luxury, mixed-use, high-rise complexes going up in the immediate area, with the aforementioned Metropolis project, the Harley Ellis Devereaux-designed Circa, and CallisonRTKL-designed Oceanwide Plaza projects being but a few of the developments currently in the works along the blocks immediately surrounding the L.A. Live complex. Developers for the project expect for the entitlement process to play out over the next 18 months with a four-year construction timeline to come afterward. The developer has not announced whether the units will be for sale or rent.
A controversial $1.2 billion mixed-use project designed by Los Angeles—based architecture firms P-A-T-T-E-R-N-S and Gensler has won unanimous approval from the Los Angeles City Council, pushing Downtown L.A.’s booming, luxury-driven growth into one of Los Angeles’s most economically disadvantaged neighborhoods. According to documentation supplied to the City of Los Angeles, the project aims to generate 1,400 market-rate housing units coupled with office, restaurant, and art gallery programs totaling up to 1,664,000-square feet of floor area. The development features a smattering of canted, glass-clad towers surrounded by a mid-rise layer of articulated apartment blocks with punched openings and projecting and recessed volumes. The project is to be divided up between two adjacent blocks and built in phases, with the so-called “West Block” containing an existing, 12-story, 180,000-square foot office tower with 30,000-square feet of restaurant and retail spaces on the ground floor as well as an 8,000 square foot rooftop terrace and restaurant space. Plans for that site, to be built first, also call for a 20-story, 208-room hotel tower. A shorter, seven-story tall apartment tower containing 100 units and an eight-story, 1,158-stall parking garage with ground floor commercial areas will also occupy the site. The second phase of the project, referred to in documentation submitted to the city as “East Bock,” will host two towers, 32-stories and 35-stories in height, respectively, adding 895 for-sale units with a cluster of three- to seven-story apartment blocks adding a further 428 rental and 14 live-work units. This block will also contain a four-story subterranean parking garage with 1,354 parking stalls. With only a paltry five percent of the overall units to be reserved as affordable housing, the project has been controversial among community and working class housing activists due to the impact it will have on current residents' ability to remain in the area. The project’s size, scale, and location threaten to fracture a largely working class, renter-occupied neighborhood with a relatively low-to-average median income by introducing high-end, transit-oriented development. The developers behind the project have promised to add $15 million to an affordable housing fund as well as providing $3 million for community organizations for job training and youth programs, but activists caution that it will not be enough to stem large-scale displacement. Construction on the project is due to start by the end of 2017 or early 2017, with the completion of the second phase of the project wrapping up in late 2021.
While you might not make a habit of visiting parking lots for the fun of it, if you haven't been to SCI-Arc's parking lot lately, you're missing out. Installations dot a big chunk of the concrete expanse, including Oyler Wu's billowing Storm Cloud installation, which was built for the school's recent graduation; the steel frame of P-A-T-T-E-R-N-S's gigantic League of Shadows installation, which will be done by September, and the wooden frame of DALE, SCI-Arc and Caltech's entry for the Solar Decathalon, which is being held this year at the Orange County Great Park. DALE, which measures about 600 square feet, has now been outfitted with steel tracks so that it can open up on wheels and provide outdoor spaces, including a small yard and even a reflecting pool. The furniture inside the net-zero home will also move to create varied spatial arrangements and configurations. DALE will be completed by September, then it will be reassembled at the Great Park by October 3. Some staff and students have complained about the lack of parking at SCI-Arc right now, which is understandable. But we hope this will become a regular attraction. Maybe they'll build a parking structure and make the whole parking lot an architectural display space someday?
Today the United States Artists (USA), a national grant-making and advocacy organization, named fifty artists to receive the USA Fellowships, which includes six in design and architecture whose accomplishments, in everything from landscape architecture to digital technology, have distinguished them in their field. These fellows—hailing from New York, Los Angeles, and Arkansas—will receive unrestricted grants of $50,000 each. Among the winners are two architecture firms, a landscape architect, and an academic. P-A-T-T-E-R-N-S From United States Artists:
Marcelo Spina and Georgina Huljich founded their architecture firm, P-A-T-T-E-R-N-S, in Los Angeles in 1999. In their practice, they integrate digital technology with an extensive consideration of form and innovative materials. Working at various scales, they have recently completed a ten-story apartment building in Rosario, Argentina, and a mix-use corporate headquarters in Chengdu, China. Huljich is on the architecture and urban design faculty of UCLA, and Spina is on the design faculty at the Southern California Institute of Architecture (SCI-Arc).Stephen Luoni / Community Design Center From United States Artists:
Stephen Luoni is the Director of the University of Arkansas Community Design Center (UACDC), a non-profit that specializes in interdisciplinary public works projects combining landscape, urban, and architectural design. Luoni’s design and research have won him more than 80 honors, including Progressive Architecture Awards and American Institute of Architects Honor Awards.SCAPE / Landscape Architecture From United States Artists:
Landscape architect Kate Orff founded her firm, SCAPE, in 2004. She merges ecology and strong form to create rich, bio-diverse, textured landscapes that magnify the relationship between people and place. SCAPE’s projects range from a pocket park in Brooklyn to a 1000-acre landfill regeneration project in Dublin, Ireland. Orff is an Assistant Professor at Columbia University and the director of its Urban Landscape Lab.Reiser + Umemoto From United States Artists:
Jesse Reiser and Nanako Umemoto started their internationally recognized firm, Reiser + Umemoto, RUR Architecture, in New York in 1986. They established their firm as “an innovative laboratory in which significant social, cultural and structural ideas are synthesized into a tangible, dynamic architecture.” Reiser is a Professor of Architecture at Princeton University, and Umemoto has taught at various schools in the U.S. and Asia, including Harvard, Hong Kong, and Columbia Universities, as well as The Cooper Union for the Advancement of Science and Art.
We just got our first look at next year's SCI-Arc graduation pavilion, League of Shadows, by Los Angeles-firm P-A-T-T-E-R-N-S. Whoah. The pavilion, which will seat 1,200 people, will be built in the SCI-Arc parking lot for graduation events in spring 2013. The three-fingered structure will be made up of multi-story, angled frames (ahem) patterned with dark, vaulted, and layered multi-colored fabric strips, with seams like sails. The pavilion's significant height will provide long shadows (hence the project's name) and its location on the south end of the SCI-Arc parking lot will make it a sign for the school. Entries from the four competing architects will be on display in the SCI-Arc Library Gallery from October 19 to December 2.
The Architectural League of New York's Emerging Voices program is one of the country's most prestigious venues for showcasing significant design talent. This years list is no exception, with a mix of young and more established firms, working in a variety of scales and formal and social approaches. The lecture series will begin on Wednesday, March 9 with Brooklyn's Interboro Partners and Lateral Office of Toronto. Wednesday, March 16: de leon + primmer architecture workshop of Louisville, Kentucky and WXY architecture + urban design of New York. Wednesday, March 23: Ruy Klein of New York and Taylor and Miller Architecture and Design of Great Barrington, MA. Wednesday, March 30: Ball Nogues Studio of Los Angeles and P-A-T-T-E-R-N-S also of Los Angeles.