On April 12, Boston’s Pinkcomma Gallery is opening its Brutal Destruction exhibition. In the context of contemporary demolitions of Brutalist buildings and complexes, such as Paul Rudolph’s Shoreline Apartments and Orange County Government Center, Brutal Destruction joins the growing reappraisal of maligned Brutalism as architecture worthy of historic preservation. Curated by Chris Grimley, of the Boston-based interdisciplinary practice over,under, Brutal Destruction is a collection of photographs of concrete architecture undergoing the process of demolition. By examining the widespread dismantling of Brutalist structure, the exhibit seeks to stir up debate regarding their disfigurement and society’s seeming incapacity to repurpose these half-century old architectural works. Grimley frames Brutalism within the larger narrative of the architectural conservation movement. Similar to Brutalism, historicist and classical styles such as the Victorian or Second Empire faced similar rhetorical and public attacks and were cast as outmoded and outdated forms. Grimley suggests that just as we regret the mass demolition of historic buildings in the mid-twentieth century, we should pause to properly assess America's concrete heritage before wiping it out entirely. The exhibition is part of the ongoing Heroic Project, a book and advocacy web archive cataloging Boston’s substantial Brutalist legacy.
Posts tagged with "over-under":
To commemorate its 120th anniversary, the Van Alen Institute is opening a new street-level space in New York City next Tuesday. The space, designed by Collective–LOK and located at 30 West 22nd Street, functions as a programming hub, event space, and gallery. Collective–LOK is a collaboration between Jon Lott (PARA-Project), William O’Brien Jr. (WOJR), and Michael Kubo (over,under). The team's proposal, called "Screen Play," won the Institute's 2013 Ground/Work competition, which received over 120 design submissions. "Titled Screen Play...is a highly flexible space utilizing a subtle interplay of surfaces and screens to allow for the diverse range of uses demanded by the activities of the Institute, from multimedia exhibitions and lectures to workshops and private meetings," Van Alen said in a statement. "Each changing function of the bowtie-shaped floor plan will be partitioned by silver accordion walls and a series of four semi-transparent curtains that descend from discreet tracks embedded within the perforated metal mesh ceiling." The opening of this street-facing space comes as the non-profit works to broaden its audience in New York City and build its online presence. The Institute has recently adopted a new visual identity designed by Bruce Mau Design and is set to launch a new website by Helios Design Labs and Laurel Schwulst. The new space kicks off with Elsewhere: Escape and the Urban Landscape, a multi-year initiative that will explore "escape in the urban environment." A public celebration for the opening will be held on December 12 at 10:00p.m.