After nearly a decade in the works, the renovation of Cincinnati's grand Music Hall has a construction timeline. The $129 million construction project crept along for years, the building languishing while preservationists sought to raise funds for its restoration—even as the fortunes of the surrounding neighborhood of Over-the-Rhine surged. Music Hall landed on the National Trust for Historic Preservation's list of endangered historic places just months prior to receiving a critical $25 million Ohio Historic Preservation Tax Credit last year. Now, officials say, the 1878 landmark will shut down in June for renovations and reopen to the public in fall 2017. The Music Hall Revitalization Company still needs $6 million by January to close a lingering budget gap for the project, but MHRC board chair Otto M. Budig tells the Cincinnati Enquirer that a new wave of donors has him “confident that we’re not only going to raise that last $6 million, but maybe a few million more for an endowment.” Architects on the project include Washington, D.C.–based Martinez + Johnson Architecture, and Perfido Weiskopf Wagstaff + Goettel of Pittsburgh. Cincinnati Center City Development Corporation (3CDC) is the lead developer.
Posts tagged with "Over the Rhine":
Cyclists in Cincinnati will soon have a separated bike lane along Central Parkway—a major connector between neighborhoods including Downtown, the West End, and Over-the-Rhine—following a narrow City Council vote last week. On April 30th, City Council members voted 5-4 to approve the city plan with a modification, adding $110,000 to the $625,000 project. Chris Wetterich of the Cincinnati Business Courier reported the city now will pave a tree-lined right-of-way near a building in the 2100 block of Central Parkway, responding to concerns from building owner Tim Haines and his tenants. As Wetterich reported, the bike path will still be built, but it’s unclear what implications the move could have for the project’s future:
Councilwoman Yvette Simpson reluctantly supported the measure but said she fears that council set a precedent by which other businesses will expect the city to provide free on-street parking in front of their buildings.Portions of the pathway—which will run through Downtown, the West End, Over-the-Rhine, University Heights, Clifton, and Northside—have been fine-tuned before. Community feedback led to some tweaks in the design between Elm Street and Ludlow Avenue, scaling back plans to widen the street in favor of a re-striped bikeway. Construction on the protected bike lane is supposed to begin soon. The city's website says, "Spring of 2014."
In what the Cincinnati Enquirer called “a meeting filled with fire and suspense,” City Council voted 5-4 to halt construction on its $133 million streetcar project. The Enquirer has a breakdown of how and why, in their own words, each council member voted:
“We don’t want to waste money,” said Councilwoman Amy Murray, who voted with the majority. “This is really hard. (But) I don’t feel confident of the numbers I have.”Councilwoman Yvette Simpson nearly salvaged the plan with a proposal to keep going with $35,000 per day of streetcar construction while an independent analysis was done. Vice Mayor David Mann was ultimately unmoved by that bid. The project was a focal point in Mayor Mark Mallory's State of the City address last year, which came shortly after the 18-stop line broke ground. The route was to run from the river front through downtown and past Findley Market in the Over-the-Rhine neighborhood. Before work began, however, Ohio Governor John Kasich moved to strip the project’s funding. Cincinnati voters ultimately voted down a ballot measure that would have banned rail funding in 2011, and the light rail line was back on track. Streetcar supporters will “regroup” on potential legal action to keep the streetcar project alive.
Dear readers, Eavesdrop had the opportunity to explore Louisville, KY—our hometown—and Cincinnati, OH (a.k.a. Porkopolis) over the weekend. It’s been six or seven years since our last trip to Cincy and we have a couple things to say about it. It’s kind of a real city, like dense and old, with just enough corporate headquarters looming over the skyline. We finally got to see the HOK designed Great American Tower in real life and it’s just as bad in person as its renderings. You may remember that we thoroughly made fun of its fugly, Princess Di inspired, steel tiara—something about lipstick on a pig. Let’s update that to a more current comparison. That tiara is more Honey Boo Boo than Princess Di. Eavesdrop is not a fan of hats or tiaras on buildings—i.e. the Pappageorge Haymes-designed One Museum Park in Chicago with its sailor cap. The American Institute of Steel Construction disagrees, recently giving said tiara a design award. Cincy’s little sibling across the river, Covington, KY, has its own shiny shocker: Daniel Libeskind’s Ascent at Roebling Bridge, which is essentially a nautilus that mated with a Vegas hotel that was birthed onto the banks of the Ohio. And–just announced!–Covington is so hip that they’re turning their 102-year old City Hall into a boutique hotel. Despite a few eyesores, things in downtown Cincy are definitely looking up. The Over-the-Rhine neighborhood was shockingly vibrant in a way that should make Louisville’s NULU district extremely jealous. Louisville could use its own version of 3CDC, Cincinnati Center City Development Corporation, whose name adorned many banners and reconstruction projects. In Louisville there was nary a person walking the streets of East Market, NULU’s main drag. Cincy, please send some of that development juice downstream!
In its ongoing march to reclaim downtown neighborhoods marred by blight and suburban exodus, Cincinnati this week added Pendleton to the Neighborhood Enhancement Program. The district is known for its art center, and was a natural choice for the program now in 14 areas of the city. Like its neighbor to the west, Over-the-Rhine, Pendleton has struggled with crime. The “90-day blitz of city services” offered by NEP is designed to begin the process of long-term revitalization for the neighborhood by addressing that issue. Kennedy Heights saw a 16 percent drop in crime after it embarked on NEP earlier this year. The program will be reevaluated every 90 days, and again six months after completion. Cincinnati hopes the neighborhood’s defining characteristics will be its long-term salvation: its art and its artists. The city will add historic arts district signage along a new “boulevard of art,” drawing at first on $10,000 in seed money from a bevy of corporate and community sponsors. If the atmosphere at Wednesday’s announcement was a prologue for what’s to come, the future looks bright—Pendleton Neighborhood Council President David White’s speech was delayed slightly for a dance party to Martha and the Vandellas' "Dancing in the Streets."
Cincinnati’s Over-the-Rhine neighborhood is surging back from disrepair, becoming the poster-child for Porkopolis' return to progressive urbanism. After two years of construction, the historic neighborhood’s Washington Park reopened to the public Friday. The $48-million renovation is the latest investment by Cincinnati in its urban character—much was made of Washington Park’s likelihood to attract and sustain investment nearby. A number of amenities were added, including a children’s playground, a dog park, a fountain, an event plaza and a stage for live performances. Some historic elements of the 1855 park remain, including a replica of a Civil War-era cannon. But the thrust of the project was reinvention. Once 6 acres, Washington Park is now 8 acres and boasts a new playground as well as a 450-space subterranean parking garage. Part of the original park was a cemetery; the renovation team had to move 53 bodies still buried underneath to put in the underground parking structure. Public transport, walkability, and green space are part and parcel with an economically vibrant urban core. Along with Fountain Square and the Smale Riverfront, the reopening of Washington Park could be a milestone in the redevelopment of Cincinnati’s urban identity.