Posts tagged with "Opera House":

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Hong Kong's newest opera house makes waves with an aluminum fin facade

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The Xiqu Cultural Center, located in Hong Kong’s Kowloon district, was developed as a regional hub for traditional Chinese opera. The project, designed by Vancouver and Hong Kong–based architecture firm Revery Architecture, was inspired by the diaphanous theater curtains. About 13,000 curved aluminum fins, arranged as a series of waves, clad all of the structure's elevations. The project rises as a box-like volume enclosing a multi-story entrance atrium and performance spaces. The flowing character of the facade, paired with subtle openings at each corner, produces a dynamic enclosure that floods the interior with natural light. Costing over $300 million, the project is the first of dozens of cultural centers planned for the area surrounding the newly opened West Kowloon railway station.
  • Facade Manufacturer & Installer SINGYES/MRW
  • Architects Revery Architcture
  • Facade Consultants Front Inc.
  • Location Hong Kong
  • Date of Completion 2018
  • System Custom-unitized curtainwall and rainscreen aluminum panel system
  • Products Marine-grade aluminum alloy 5754
Every panel is of a similar dimension, approximately 8-feet wide and 20-feet tall, and is composed of CNC-cut marine-grade aluminum. Because of the marine-grade aluminum, the facade is capable of withstanding the intensely humid environment of Hong Kong, which naturally corrodes weaker aluminum products. Venelin Kokalov, principal-in-charge of Revery Architecture, said the goal of projecting a natural appearance was crucial to the design team. “The original design was based on copper, which proved to be too expensive. This propelled the search for ways to use a more common material like aluminum and a means to bring out its natural qualities.” To this point, the aluminum was glass-bead blasted rather than painted or glazed with a coating. The facade's fins are structurally glazed to a steel-reinforced aluminum frame and are further supported by intermittent welded studs. The aluminum frame is, in turn, hung off the primary structure with three-way adjustable unitized curtain wall brackets. Working with facade consultant Front Inc. and manufacturer SINGYES/MRW, the design team developed a parametric model to ensure the utmost cost-effective design, fabrication, and installation methods for the facade. The aluminum half-pipes are essentially cut in two to create two identical pieces, each installed with their flat ends facing each other.  Following the fabrication and bead-blasting of the fins, Revery constructed a full-scale mock-up of a facade section for review. "It was only after viewing the full-scale mock-up that we, together with the client, were convinced that this was the right material, and the stainless steel brackets were further modified to reduce the scale of the bracket," continued Kokalov. "We were pleasantly surprised at how much the fins’ appearance varies in different light conditions, seeming to change from grey to pink to gold depending on the ambient light."
 
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Snøhetta wins competition for the Shanghai Grand Opera House

Snøhetta just won the competition for the Shanghai Grand Opera House, set to rise in the Expo Houtan neighborhood of the Chinese city. The Oslo and New York–based firm's design centers around a massive corkscrew stair that connects the theater's roof to an entry plaza that then runs down to the banks of the nearby Huangpu River. The grand public plaza and gently-sloped roof are meant to create a generous new public space in the vein of what the firm did for its Oslo Opera House. Other aspects of the Shanghai Grand resemble the Oslo project: three theaters pop through the overall roof, and a large glass wall surrounds the main lobby. The new building trades in the Oslo Opera's crisp, sculptural form for a looser, radiating geometry. Interestingly, the designers did not mention the Oslo Opera House as a related project but named several others in the firm's oeuvre. “The Shanghai Grand Opera House is a natural progression of our previous work with designing performing arts centers,” says Snøhetta founder Kjetil Trædal Thorsen in a statement. “It is a culmination of the competence and insight gained through projects such as the Norwegian National Opera and Ballet, the Busan Opera House in South Korea, the Isabel Bader Centre for the Performing Arts in Canada, and the Théâtre Nanterre-Amandiers renovation in Paris. The Shanghai Grand Opera House is a product of our contextual understanding and values, designed to promote public ownership of the building for the people of Shanghai and beyond." Like Oslo, most of the building's exterior is off-white, presumably concrete, but the lobby is lined with bright red silk. There will be three theaters in the building: a 2,000-seat main auditorium, 1,200-seat second stage, and a 1,000-seat third stage. The smaller spaces are meant for less traditional shows to connect with a "younger audience," according to the designers. The project will be completed in collaboration with the Shanghai-based firm ECADI.
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Citrus-inspired performing arts center is unveiled by SPF:a

Culver City, California–based SPF:architects (SPF:a) recently unveiled plans for the Anaheim Performing Arts Center (APAC), an agriculturally inspired 11-acre complex in California’s Orange County. SPF:a’s vision includes a 2,000-seat concert hall, a 1,700-seat opera house, and a 600-seat black box theater, along with a museum, restaurants, and offices. For the project, SPF:a studied Anaheim’s most famous agricultural product: the orange. The fruit was the basis of the puckered geometries and the perforated copper-anodized aluminum panel cladding that wraps them. The site’s gridded layout follows that of an orchard as well, with each building representing a tree. Judit M. Fekete-Pali, SPF:a president and CEO, said in a statement, “The design strategy helps break down the architectural masses—no more soulless, vast, and uninviting interior public spaces. Each program element operates independently and together.” The 500,000-square-foot campus is projected to cost $500 million and will be completed in 2021.
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Metropolitan Opera House designed by Toyo Ito opens in Taichung, Taiwan

Toyo Ito’s Metropolitan Opera House has opened in Taichung, Taiwan. The Japanese architect's latest project was ten years in the making, with designs revealed in 2006 and construction beginning in 2009. The six-story complex is 624,000 square feet in size and features a 2,014-seat grand theater, an 800-seat theater, and a 200-seat black box theater, as well as rehearsal spaces and a restaurant. From an engineering perspective, the building is architecturally complex, erected entirely without beams or columns. It relies on 58 curved wall units to achieve its grand, curved interiors. Support for its construction was donated by the city government to the Ministry of Culture in Taiwan, according to Taipei Times. "I aimed to create the architecture of this opera house in such a way that the inside and outside are continuous in a like manner to how bodies are connected to nature through organs such as the mouth, nose, and ears," Ito told Domus. Ito has earned numerous awards for his designs, including a Pritzker Prize in 2013, and a Thomas Jefferson Medal in Architecture in 2014. The International Museum of the Baroque, designed by Ito, opened in Puebla, Mexico earlier this year. The National Audit Office in Taipei stated that the Metropolitan Opera House will likely run at an annual deficit of $4.7 million, according to Taipei Times. In response, vice supervisor for the theater’s promotional affairs Lin Chia-feng called the government's focus on "profits and losses" a "narrow approach." "The theater also has a mission of assisting and fostering the development of local and national performance troupes,” Lin said. 
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Major upgrade unveiled for Jørn Utzon's Sydney Opera House

The government of the Australia's Southeastern state of New South Wales (NSW) has released images of an upgrade to the Sydney Opera House. Designed by Pritzker Prize winning Danish architect Jørn Utzon and built in 1973, the opera venue is listed as a World Heritage Site. The interior refurbishment will be the building's biggest upgrade in its 43-year history. Carried out by "controversial" Australian studio ARM, the work is part of a $155 million (USD) Cultural Infrastructure Fund scheme put forward by NSW state authorities. This year, ARM were awarded the Australian Institute of Architects Gold Medal, the country's highest architecture award. NSW Deputy Premier and Minister for the Arts Troy Grant said the work represents the "biggest upgrade to the Opera House since it opened 43 years ago.” As for the upgrades themselves, extensive changes will be made to enhance the hall's acoustic performance. According to a survey from 2011, the Sydney Opera House was named as the third worst classical music venue in Australia in a list of 20. Changes then will see automatic drapes installed along with bespoke acoustic reflectors and in the concert hall. New automated stage risers will also improve acoustical performance meanwhile, for performances using amplified sound, a 3D surround-sound system will be put in place. In addition to this, a new, quieter air-conditioning system will be installed in a bid to reduce background noise. "For the first time the Concert Hall will deliver the true ambitions of the original creators of this incredible building,” said Sydney Symphony Orchestra Managing Director Rory Jeffes. The building's acoustic properties however, while a primary focus, aren't the only changes in line. Accessibility will be greatly improved thanks to the addition of 26 wheelchair seating options inside the concert hall along with numerous elevators installed throughout the building. “The Opera House, a ‘masterpiece of human creative genius,’ belongs to us all and is central to our identity as Australians,” said Louise Herron, CEO of the opera house. “These renewal projects are designed to ensure the Opera House continues to evolve, welcoming and inspiring people in as many ways as possible.” Meanwhile, Sydney resident Graham Sachse commented how it was "remarkable the opera house was being refurbished. "Sydney-siders tend to take the Harbour Bridge and the Opera House for granted," he said speaking to AN. "They sort of just blend into the cityscape in the day to day rush. The NSW State Government does not have a great track record with historic building conservation or public works especially in the 1960s and '70s. The Queen Vitoria Building was saved minutes away from the wrecking ball and we lost iconic hotels like the Australia Hotel and the Adams Hotel and all but one of the grand old picture theaters." Sachse went on to add: "Let's hope that whoever is designing the refit [ARM] gets it right." Construction for the upgrades is expected to begin in 2019 with the building being opened and available for use again in 2021 two years before its 50th anniversary in 2023.
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Architects and artists want to turn this vacant Detroit home into a community opera house

Detroit's 90,000 vacant homes and residential lots have proven to be fertile ground for artistic exploration, giving rise to verdant floral installations and canvases for sought-after graffiti artists. Now architects and artists from The D and beyond hope to turn an abandoned property at 1620 Morrell Street into something truly surprising. Dubbed House Opera | Opera House, the project aims to turn a decrepit, 2,000-square-foot house into a public performance space “where Detroiters could tell stories through music,” according to a Mitch McEwen, the project's principal architect. She spoke to WDET for their story, “From Blight to Stage Right”:
It evolved from a small group of artists in New York to a large group of folks across the country … neighbors have started to talk about performances or people in their families who perform that might get involved. And so we've really expanded from an immediate, emergency kind of dialogue to one that's about culture and talent that's already in the neighborhood, and how it can have a stage there at the House Opera.
McEwen bought the two-story home for just $1,200 in a public auction, paid off its delinquent property taxes, and got to work raising money for its second act. So far the project has received financial support from Graham FoundationKnight FoundationTaubman College – University of Michigan, and the Michigan Economic Development Corporation, as well as numerous individual benefactors including Mark Gardner, Theaster Gates and Dr. Larry Weiss.
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Santiago's Savior? Graphene Paint Considered for Valencia

As AN reported earlier, Santiago Calatrava's legal battles with a number of his former clients are ongoing. The Spanish architect is embroiled in a number of disputes regarding issues of budget, maintenance, and functionality the costliest of which concerns the rapid deterioration of the facade of an opera house Calatrava designed in his hometown of Valencia, Spain. Now Graphenano, a Spanish manufacturer of graphene paint is offering a possible solution for the beleaguered architect. The company claims that a coating of their product would be enough to save building's problematic mosaic exterior. Graphenstone is a paint from a mixture of limestone powder and graphene and has already been used to protect the facades of older buildings in other parts of Spain. (Image: Courtesy Graphenano)