Speaking of One World Trade, Condé Nast’s highly publicized move-in did not go entirely as planned. According to Gawker, Vogue, which is occupying floors 25 and 26, had to delay the relocation of its editorial department due to an infestation of rats. The rodent problem was evidently so dire that the fashion magazine’s editor-in-chief, a one Anna Wintour, went so far as to issue an order to her staff that they must ensure her office is a rat-free zone before she sets foot inside. There was no indication of what measure might be taken should one of those little cheese-loving rascals appear among her papers when she does arrive. One only hopes that Ms. Wintour is an understanding boss who would offer her team some slack, especially where pest control is concerned, considering that it is not in the normal scope of an editorial job. Gawker also reported that Vogue’s sales and marketing staff did make the move on schedule. Eavesdrop is not sure what this might say about these types of jobs and their relative rat-comfort levels.
Posts tagged with "One World Trade":
Sculptor Kenneth Snelson is tired of having his name all over the derided spire atop One World Trade Center. It has been widely reported that Snelson consulted with Skidmore, Owings & Merrill (SOM) on the 441-foot-tall spire that brings the tower to its highly symbolic height of 1,776 feet. But he said he was only peripherally involved in the early stages of the design and is not all that connected to what now towers above Lower Manhattan. Snelson said everyone involved in the design of the spire had the best intentions, but as for its final iteration, he’s no fan. “I don’t know why somebody doesn’t decide, ‘well, we should remove the spire,’” he said.
While the critics sure don't like it, many other casual observers are big fans of Lower Manhattan's World Trade Center. This morning, SOM announced the winner its #WelcomeOneWTC photography contest it held to mark the grand opening of New York City's latest controversy-laden skyscraper. Of about 350 entries, New York–based photographer Gerry Padden took the top honor and will receive a "one-of-a-kind scale model of the tower, handcrafted by the firm's model shop in Manhattan, as well as a limited-edition print of One World Trade Center, taken by renowned photographer James Ewing." Ewing was among the contest judges, which also included top officials at SOM. According to SOM:
One World Trade Center has long captured the imagination of locals and visitors alike, who have watched the building materialize from drawings to a 104-story, crystalline skyscraper that stands boldly in Lower Manhattan. More than 13 years in the making, the 1,776-foot office tower—the tallest in the Western Hemisphere—recaptures the New York skyline, reasserts downtown Manhattan's preeminence as a global business center, and establishes a new civic icon for the country.The photo was taken over the summer from a rooftop in Brooklyn's DUMBO neighborhood.
New York Times architecture critic Michael Kimmelman has weighed-in on 1 World Trade, New York's tallest,most superlative, open-but-not-yet-completed skyscraper. And, spoiler, he is no fan. Kimmelman's piece is so chock-full of quotable critiques, it's hard to decide where exactly to begin. But let's start with the politics. "Like the corporate campus and plaza it shares, 1 World Trade speaks volumes about political opportunism, outmoded thinking and upside-down urban priorities," wrote Kimmelman. "It’s what happens when a commercial developer is pretty much handed the keys to the castle." He described the tower's exterior as "opaque, shellacked, monomaniacal" and the overall design as "symmetrical to a fault." The finished product is "an abbreviated obelisk." As for the antenna, well, Kimmelman said counting that as part of the building's total height is like "counting relish at a hot dog eating contest." Ultimately, he finds the building to be a frustrating failure—a bland building that could be anywhere on the globe, an office tower that gives next to nothing to the city it calls home. To Kimmelman, the failings of 1 World Trade should be a warning to New Yorkers. "The public had a big stake in making [1 World Trade] great," he wrote. "That stake wasn’t leveraged. There are other giant projects like Hudson Yards, Penn Station and Roosevelt Island that will reshape the city’s streets and skyline. Their design is everyone’s business."
In a story that’s equal parts Spy Kids and Man On Wire, a New Jersey teenager climbed to the top of World Trade Center on Sunday because… YOLO? The New York Post reported that the 16-year-old climbed through a construction gate a Ground Zero and got into an elevator at the World Trade Center where a friendly (confused?) construction worker took him up 88 flights. He then got out, climbed up the remaining 16 flights, snuck past a sleeping security guard, and hung out for two hours atop the tallest tower in America. Since all good things must come to an end, on his way back down, the adventurous teen was caught by a non-sleeping construction worker. Now, get this—the friendly elevator operator who brought him up there has been reassigned and, brace yourself, the sleeping construction worker was fired. For all those hoping to take in the view from the top of the tower—but not brave enough to scale up a 1,700-foot construction site—there’s good news. Time recently published some incredible panoramic photos from the top of the building. Those will just have to do for now.
PBS's four-part TV series, Super Skyscrapers, deals with uber-high buildings around the world. It is rare to follow the process of constructing a building, let alone a monster-sized one. Yet here, a special characteristic of each of the four skyscrapers is highlighted within the context of maximum height: One World Trade Center's safety measures, Leadenhall's prefabrication, One57's high luxury, and Shanghai Tower's vertical city aspirations. Interestingly, the architects’ roles in the buildings is downplayed. We do meet SOM's David Childs, who tells us about the shape of One World Trade; glimpse Graham Stirk of Rogers Stirk Harbour who tells us Leadenhall's triangular form solved a mandate of not blocking the view of St. Paul’s Cathedral; and we see some of the Gensler team behind the Shanghai Tower. However, the name Christian de Portzamparc is not once uttered in the One57 episode. One World Trade Center, New York The series begins with One World Trade Center during the final year of construction as it climbs to its 1,776 foot height. There are breathtaking shots from the very top of the structure looking down the building to the streets below, the water’s edge, and New York City traffic. Another view catapults up a very long elevator shaft. The history of the design process is bypassed except for mention of a global competition that produced some “wild ideas” (over a shot of Daniel Libeskind)—“but then a real plan evolved.” The program emphasized that after 9/11, the new World Trade Center had to be “the safest and strongest in the world,” protected from explosions, storms, earthquakes, and any other catastrophe, natural or man-made. The building’s concrete core is much tougher than pre-9/11 buildings, with the life support systems embedded in “the world’s tallest bunker.” Safety features include wider stairs so people could rush both up and down simultaneously, filters to purify air in stairwells to protect against biological or chemical attack, pressurized stairwells to keep smoke from entering when doors open, and luminous tape in stairwells (like in an airplane) to show the way without lights. A highlight of this episode is seeing the “spire” erected (it’s called a spire instead of an antenna so that the top counts towards the building’s measured height). Made in Quebec, the spire's 18 pieces—weighing 40 tons—are first seen on a barge sailing in New York Harbor past the Statue of Liberty. Once ashore, they travel by night through city streets in a slow processional before being hoisting by a 1,400-foot-tall vertical crane-lift, the tallest in the United States. Footage from the top of the tower is thrilling. The lighting will be like an old-fashioned lighthouse with 288 LEDs for a horizontal beam of light visible for 15 miles. Hundreds more LEDs on the exterior of the spire can change colors and create vivid patterns. The construction is also a contradiction of advanced technology and the archaic—some of the fastest elevators in the world running up to 2,000 feet per minute, alongside metalworkers welding, hammering, and screwing bolts like in a Lewis Hine photograph from the 1930s. Leadenhall Building, London Like a giant Lego set, the Leadenhall Building in the heart of the City of London is a pre-fabricated skyscraper with a perimeter-braced diagrid exoskeleton put up by 1/3 the standard-sized crew. This 48-story structure nicknamed the “Cheese Grater” is appetizingly close to Foster’s Gherkin. A two-year construction period is lightening speed for a building in the heart of a major capital. The tower's tapering triangular shape together with the placement of all core functions—elevator, bathrooms, mechanical, and electrical systems—in a separate but connected, stand-alone tower on the north side permit unobstructed views of St. Paul’s Cathedral. The majority of construction took place in the north of England and northern Ireland, including the 90-foot-long, steel mega-columns—all 11,000 of them—which are simply bolted into place on arrival. On each floor are three modular structures called “tables” (four columns joined by the floor structure) which are fully loaded with guts inside (plumbing, electrical, HVAC) and will be visible since they are sprayed a bright yellow. Only 24 bolts are used to secure the modules—no welding, no concrete required. Pre-cast concrete floors are fixed to the “tables” and installed by six workers and one crane driver (pouring on site would have taken three times as long and used double the manpower). The pre-fab installation process was enabled by 3D computer models made by “digital engineers” who plotted out the sequences in 15-minute intervals in advance. One57 This episode is all about money and time. One57 will be the tallest residential tower in the western hemisphere with a 30-story hotel and 94 residential condos including two 10,000-square-foot penthouses. The Central Park views are its calling card, and there is much time spent on the interiors—the just-right Carrara marble for the bathrooms, custom wood kitchens made in Wiltshire, England, and advertising photographs of the aerial views taken from miniature drone helicopters. We meet former diamond dealer, Gary Barnett, President of Extell Development, but not the tower's architect, Christian de Portzamparc. The Skyscraper Museum’s Carol Willis quoted Cass Gilbert: “A skyscraper is a machine that makes the land pay.” Shanghai Tower Set in Pudong, Shanghai, where the near-future was depicted in the movie Her, the newest addition to cluster of the nearby super-towers, Shanghai World Financial Center and Jin Mao Tower, Shanghai Tower will be the second tallest building in the world at 2,073 feet (second only to the Burj Khalifa in Dubai). In fact, Pudong now has double the number of skyscrapers as New York. Understanding that there has been overdevelopment with resulting pollution and congestion, Gensler counters by saying Shanghai Tower will be an island, a vertical city. The skyscraper will house 30,000 people on 121 floors split into 9 “districts.” To demonstrate the city concept, a model of the tower is shown on its side, making an analogy with city blocks (although one city block in Pudong is the equivalent of six in lower Manhattan). There are actually two curtain walls with an “atrium” or “sky garden” in between, much like a thermos. These perimeter gardens have internal air currents which will actually power wind turbines at the very top. These two curtain walls are hung around the same core, like a skyscraper wrapped around another skyscraper. The building was constructed from the top down using a ring-beam structure nicknamed the "Flying Saucer," rather than the bottom up, so it’s like a hanging garden. To minimize effects of severe winds, the corners were rounded, and torqued to shift to 120 degrees as the building rises -- the more it twists, the more the reduction of wind. Super Skyscrapers “One World Trade Center” “Building the Future” Leadenhall “The Vertical City” Shanghai Tower, airdate 2/19/14 “The Billionaire Building” One57, airdate 2/26/14 Super Skyscrapers is broadcast on Wednesdays on PBS. The series is half-way through the broadcast run on PBS, however all episodes can be viewed in their entirety online.
The 1973 World Trade Center twin towers by Minora Yamasaki were not great buildings but in various light conditions or in the dark of the night they would take on a mute sculptural quality that New Yorkers now remember with fondness or nostalgic reverence. Now something quiet similar may be happening with the replacement to the tower—One World Trade Center. In certain light and atmospheric conditions the top floors of the building seem to glow like a bright incandescent light build. Walking down Church Street on Tuesday, May 21 about 10:00a.m. nearly every pedestrian headed south on the street stopped in amazement and if they had camera phones pointed them towards the tower which had become shrouded in shimmering clouds or fog and had taken on a magnificent glowing presence. The effect only lasted for a few fleeting minutes when the clouds moved on and horizontal shafts of light streamed out of the upper floors of the still unfinished structure. The top floors of the glass tower-unlike the lower floors- are translucent allowing views in and out of the building and this may be causing the glow. But whatever is causing this and whether it will remain when the building is finished is anyone's guess but for the time being the effect is nearly magical.
Anticipation was running as high as the tower itself as construction crews were standing by to raise the final two sections of the spire to the top of One World Trade Center today, a move that would have officially made the tower the tallest building in the Western Hemisphere at 1,776 feet, but high winds brought on delays. The final two sections of the 408-foot-tall spire, capped by a shining, pointed beacon, were scheduled to rise this afternoon, but the Port Authority decided to wait for for clearer skies to top-off the tower. The 800-ton spire, once completed, will serve as a television broadcast antenna, while the crystalline beacon, packed with 264 LEDs for a blistering 316,800 lumens, will shine into the sky each night, from sunset to sunrise once everything is up and running. Created by J.R. Clancy, Ballantyne Strong, and TDK Engineering, the beacon will also contain a rotating mirror to reflect different colored lights for the holidays, as we have all come to expect of New York's tallest buildings. The spire has stirred up controversy in the past, as budget cuts that removed an artistic cladding from its design may have downgraded the appendage to an antenna, as opposed to the more lyrical "spire." In the eyes of the Council on Tall Buildings and Urban Habitat, the organization that ranks the world's tallest buildings, this slight change could round down the height of One World Trade to 1,368 feet, leaving Chicago's Willis Tower secure in its position as Tallest in the West. Even if One World Trade doesn't make the grade, the views from the top will still be one of a kind.
A couple weeks ago, we took a look at the trippy designs of the newly unveiled observation deck for Lower Manhattan's One World Trade tower, rapidly adding to its antenna that will take the building to 1,776 feet. But while those renderings were long on the multimedia-rich halls that will presumably be filled with long lines waiting to get to the top, the big unveil was a bit short on the actual view. The Port Authority of New York and New Jersey has corrected that, however, posting a new photo taken from the very top of the tower, and we're not disappointed. Note that Cass Gilbert's 1913 Woolworth Building, appearing as just another tower in the center of the photo, was once the world's tallest until 1930. See you in line for the view in person!
Look out, there's been a major announcement at the World Trade Center. No, really. Look out and see all of New York City at your feet, from the 100th through 102nd floors of One World Trade. While the lines are sure to be long, plenty of multimedia on the way to banks of high-speed elevators should provide some entertainment and history lessons. Beginning in 2015, visitors will move through trippy video hallways, into a cave-like foundation room. After a quick 60-second elevator ride up 100 floors showcasing the vertical growth of New York, doors will open onto the One World Observatory and its mesmerizing 360-degree views from floor-to-ceiling windows. It's certainly not an experience for those with vertigo. The facility will be operated by Legends Hospitality and is expected to generate $875 million in revenue over 15 years. Admission prices to get to the observation deck have not been released. All renderings courtesy Port Authority of New York & New Jersey.
After a 1,500-nautical-mile voyage from Canada, half of the World Trade Center's antenna has arrived in New York, and, this morning, the first segments were hoisted 104 stories—over 1,300 feet above the streets of Lower Manhattan—for installation. During AN's site tour in September, the "roots" of the antenna were clearly visible, ready to accept the structure. Building this antenna is no small effort, either. Like the scale of everything at the World Trade site, the structure is gigantic, measuring in at 408-feet tall, higher than most skyscrapers in the rest of the country. Once finished, the antenna will bring the building's overall height to 1,776 feet. There remains some contention on how to describe the antenna structure—as simply an antenna or, more poetically, a spire—and despite what seems a semantic argument, the results could have tall repercussions. The Port Authority and the Durst Organization—both who use the term spire—opted to remove an architectural cladding designed by SOM and artist Kenneth Snelson from the antenna earlier this year, trimming millions from the building's price tag. Without that sculptural finish, however, the Council on Tall Buildings and Urban Habitat (CTBUH), the organization charged with ranking building heights, could opt to exclude the antenna from the overall building height, where an integrated spire would count. That would mean One World Trade won't clock in as the tallest building in the Western Hemisphere, or even the tallest in New York City.
For the eleventh anniversary of September 11, The Architect's Newspaper has been reviewing progress at the World Trade Center site. Last Thursday, AN visited SOM's One World Trade to survey the view from the 103rd floor and check in on construction of the tower's spire. Friday, a trip to the top of Fumihiko Maki's Four World Trade on Friday showed the less-publicized view of the site. From both vantage points, the hum of activity—both from construction crews and visitors to the memorial plaza—was readily apparent. Of particular interest were substantial developments at the Vehicle Security Center, where a new entryway on Liberty Street will send security measures beneath a new St. Nicholas Greek Orthodox Church. It was heartening to read in today's New York Times that the conflict between Governor Cuomo and Mayor Bloomberg over the Memorial Museum, reported here last year, was resolved in time for ceremonies this morning. For all the talk of delays, an extraordinary amount work has been accomplished. As a tribute, AN has compiled a video montage showing continued progress at the site on this historic day.