The view from LaGuardia Place includes the symphony of Skidmore, Owings & Merrill’s 7 World Trade Center at 250 Greenwich Street and its ever-rising companion, One World Trade Center, beyond. I see the buildings every day from the Center for Architecture, and have become a fan of 7 WTC’c magical properties, both geometric and optical. It is a building made out of reflections, refractions, inflections, and colors, expressed in glass and stainless steel. The obtuse angle of the extruded parallelogram gestures to the southeast, while the north face is frontal to the West Broadway view, making two surfaces for the sky to paint its themes and variations, and impossible to imagine that the curtain walls are the same all around. We’ve covered the technics and subtleties of its curtain wall (“Good Connections,” Oculus, Fall 2005, by Carl Galioto, FAIA). It creates a continually transforming ephemeral glowing surface that merges with the sky, and we reject those detractors who call the building boring. That’s like saying the sky is boring. Tell that to JMW Turner! The building is a beauty, tall, slender, elegant, and sharp. It was the first LEED Gold skyscraper in the City. By Benjamin Kracauer Each “Building of the Day” has received a Design Award from the AIA New York Chapter. For the rest of the month—Archtober—we will write here a personal account about the architectural ideas, the urban contexts, programs, clients, technical innovations, and architects that make these buildings noteworthy. Daily posts will track highlights of New York’s new architecture. Read more at www.archtober.org/blog.
Posts tagged with "One World Trade Center":
As night descended on a memory-laden New York City on Sunday, September 11, 88 light cannons were powered up, shooting beams of light into the air representing the profiles of the original Twin Towers. We stopped by Saturday night, as crews were putting the finishing touches on the display and double checking that all the lights performed flawlessly, and the close-up result was nothing short of amazing. The Tribute in Light display is perched atop a parking garage adjacent the Brooklyn Battery Tunnel, standing close to One World Trade Center, which itself was wrapped in red, white, and blue lights for the commemoration. On the garage roof, two twin 48-foot square rings of light projected four miles into the partially cloudy Saturday night sky, creating an aura of tranquility that brought to mind sitting in a great cathedral or perhaps superman's lair. The only movement around the solid blue beacons were millions of circling insects drawn to the display's beams, occasionally flying too close to the hot lights and catching fire, leaving small trails of smoke wafting from the tops of the cannons. The twin beacons could be seen for miles around, up to 60 miles on a clear day, and we spotted them from several locations in Manhattan and Brooklyn. For the first time this year, Tribute in Light was powered entirely by biodiesel fuel, making the powerful light display not just a moving gesture but also a green one. Now the Municipal Arts Society who sponsors the annual light show is hoping to make it financially sustainable as well and has launched a fundraising campaign to establish an endowment. Donations can be made online or an instant $10 can be donated by texting TRIBUTE to 20222. Click on a thumbnail to launch the slideshow.
With our office just two blocks up from Ground Zero, we are feeling the exhilaration and pride right up to our 5th floor windows. And when we saw NBC’s Matt Lauer at the corner Starbucks preparing for a ‘live from’ segment, we didn’t hesitate to buttonhole the guy and give him our latest timely issue—online today!—featuring a complete rundown on the Memorial Museum, along with some first views of the underground construction site that is taking shape as a museum as large as almost any in the city—with the potency of history.
[ As the World Trade Center continues its ascent, AN stops by the massive construction site for a weekly update. ] Lunchtime at the World Trade Center site is a colorful sight even on an overcast and foggy day. Hundreds of construction workers in bright yellow and orange safety vests pour into neighborhood delis and pizza joints, but most crowd into the tiny local gourmet food store, the Amish Market. There, burly gents in hard hats hum to the Nat King Cole soundtrack while choosing prosciutto over pastrami. Make no mistake, these guys know food. Back at the site, just two bays of the Deutsche Bank remain to tear down, a row of windows appeared on the northwest corner of One World Trade, and the steel mullions for a glass curtain wall began to wrap their way around Snøhetta's Museum Pavilion.
[ As the World Trade Center continues its ascent, AN stops by the massive construction site for a weekly update, nevermind the weather! ] This week, through a haze of snow, we got a glimpse of the last bits of the former Deutsche Bank building. Shrouded behind a fence covered in blue nylon, the once 41-story tower is the last remaining physical remnant of 9/11 to be cleared away piece by piece. With visibility low, the sounds of the site take over. From this vantage, the groaning sound of metal being bent and twisted distinguishes itself from sounds of construction, the swirl of cement inside mixers, the hum of truck engines, and the rhythmic clang of metal banging on metal.
At first glance, it seems that the riot of square white panels suddenly appeared on the base of One World Trade, but photos from the past few weeks show that they were going up all along. Closeup shots taken today reveal metal bolts protruding out from the panels. The curtain wall fasteners for the metallic scrim?
The Architect's Newspaper's main office is just two blocks from the Word Trade Center site, so we're keeping a photographic eye on increasingly visible developments at the site. One World Trade will soon break the skyline and all throughout the site there are signs of vigor. Over the last couple of weeks, windows began to appear on some of the structures. It's hard not to be awed, regardless of how unfashionable that may be in an area where locals studiously observe a nonchalant protocol, as though the massive tower were just another visiting celebrity. So don't mind us as we join the out-of-town gawkers and snap away.
On Wednesday, architects and developers gathered to hear colleagues hold forth on the topic of “Innovation by Necessity” at New York’s Center for Architecture, a panel that seemed to promise a semi-sleepy discussion of building information modeling (BIM) at the World Trade Center site. But after several speakers outlined the logistics of the vast construction project, the panel veered into another topic entirely: an eye-opening primer on security strategies at Ground Zero. Moderated by The New York Times’ Charles Bagli, the event brought three speakers together representing the site’s major stakeholders: government, architects, and contractors. First up, Robert Harvey, executive director of the Lower Manhattan Construction Command Center, delivered a sweeping presentation of development around the site (with some details sanitized for security purposes), along with the 50-odd projects below Canal Street that his office coordinates using a high-tech 4-D mapping system. Next, Frank Sciame took the podium. His company, F.J. Sciame Construction, is perhaps best known for working with name architects on complicated designs, and was tapped by Governor George Pataki in 2006 to control soaring costs at the World Trade Center Memorial and Museum. It’s not a surprise then that Sciame homed in on BIM as a tool to analyze and streamline the memorial’s daunting complexity. But when Carl Galioto, senior principal at HOK and an acknowledged expert on BIM, began to discuss security and design issues related to 1 World Trade Center, the crowd was riveted. Galioto, who also worked on Larry Silverstein’s 7 World Trade Center, noted that though Silverstein may not like to hear it, 7 was a prototype for the newer tower. And far more divulging than Harvey’s presentation, Galioto delved into the particulars of floor plans and the design of the tower’s core. In the wake of September 11, Galioto noted, many observers called for escape routes in tall buildings to be located on the exterior, as opposed to the core, as was the case at the Trade Center’s original towers. Galioto compared this to lifeboats set loose within the dangerous environs of the ocean. Buildings anchor on land, he said, and therefore designers must return to the core for both safety and security. To strengthen the core, the structure first needs to be fortified from the outside in. To that end, Galioto described a system of multiple lines of defense inspired by star-shaped forts of the 16th century. In the case of the World Trade Center, the buffer zones are both practical and at times aesthetically disguised. For example, the first zone includes a large park to the south and a smaller one to the north. The second protective zone centers on the base. Here, to the east and west, next to public highways and streets, Con Ed’s utilities hulk next to the concrete shell. The lobby opens onto the larger buffer park to the south. The entire process repeats itself once again in the core, with stand-alone zones of protection—cores within cores. Extensive studies were conducted on how people descend stairs (they sway from side to side) to design the structure. In the fire escapes, doors open away from the direction of traffic, and provide enough distance for people to merge into the descending flow from floors above, just as cars merge on a highway. Perhaps because Galioto was the last to speak, or maybe because he was discussing life or death issues, when the conversation opened to the floor, BIM was left behind and the focus remained on security. At one point, a member of the audience who has worked in Israel asked if New Yorkers weren’t overreacting a bit. Bagli fielded the question first. “In Israel, you have a lot of soldiers on the street,” he said, before adding that machine gun–toting Carabiniere in Rome’s airport didn’t make him feel safe, either. Harvey replied that, in the end, protecting Lower Manhattan was a balancing act. “Downtown is unique,” he said. “It’s the nerve center of the economy. You have to balance risks and mitigation.”