Chicago may be better known for NeoCon--that’s the design show, not right-wing political philosophy--but the contemporary and modern art equivalent, Artropolis, appears to be holding ground with another solid run at the Merchandise Mart over the last weekend. Artropolis, the Midwest‘s answer to Art Basel, is comprised of three fairs: Art Chicago; NEXT, an invitational exhibition of emerging art; and the International Antiques Fair. AN’s Midwest Eavesdrop took a spin around the preview party to peep who turned out for the free booze and what was showing at the fairs. Kavi Gupta and his namesake gallery were positioned front and center with work by a sampling of his artists, including Susan Giles’ contorted-architecture-as-sculptures and Tony Tasset. Both artists were included in the large-scale works displayed inside and out of the Mart’s first floor. Liz Nielsen, director of the Swimming Pool Project Space curated the Goffo section of NEXT, including an interesting architectural model of the International Space Station. Daniel Baird’s model depicts the Station rebuilt to scale on Earth and left to decay. Back at the bar, Eavesdrop spotted Justin Cooper, who is included in the current show Production Site at the Museum of Contemporary Art and David Csicsko the artist and designer who created the mosaics installed at the recently renovated Belmont L station. Was it performance art or hipster desperation? But the unexpected highlight of the evening was the distribution of leftover Dominoes pizza outside of the Mart at the end of the party. Free booze, drunken art students, and garbage bag pizza nicely juxtaposed with the well-heeled climbing into their limos.
Posts tagged with "On the Scene":
DRAMA At SFMOMA In mid-March, Curbed SF revealed, via an unnamed source, six of the eight architects that it claimed had been shortlisted for SFMOMA’s planned expansion, which would house the late Donald Fisher’s art collection. The list included international big-hitters like David Adjaye, Diller Scofidio + Renfro, Steven Holl, OMA, Snøhetta, and Renzo Piano. And so began rumor-mill heaven. Since that post, the veracity of which has been questioned (although first taken at face value by the likes of the LA Times’ Christopher Hawthorne), we’ve heard from various sources that Peter Zumthor and TEN Arquitectos are being considered, that Gensler is also on the shortlist (not a coincidence perhaps, since Art Gensler is the vice chairman of the SFMOMA board), and that Norman Foster, who was basically booed out of town after winning a stimulus-aided renovation of the city’s 50 UN Plaza building, turned down the competition altogether. A call to Diller Scofidio + Renfro revealed that the firm had heard nothing from the museum. And one architect told us the list was no list at all, hinting that it came straight from the lips of CCA director (and loyal AN source) David Meckel. Meanwhile the museum said, not surprisingly, that it can “neither confirm nor deny” the leaks. But oh what fun it is to pontificate. SCARLET LETTER IS BLUE New social networking/architecture site Architizer hosted its LA launch party at the new A+D Museum space on March 18. The usual suspects all showed up in their best duds, but far and away the best-dressed was KCRW radio host Frances Anderton’s daughter Summer. Looking stunning in an eclectic and colorful boho-chic ensemble, Summer, 5, wore sparkling “Twinkle Toes” shoes, embedded not with the usual lame single blinking red LED light, but a whole kaleidoscope of dazzling bright white wonders. Oh, and Architizer founders Marc Kushner and Benjamin Prosky weren’t too shabby either, working the monochrome dark suit, Mad Men thin-tie look that added a touch of class to the event where the site’s omnipresent “A” logo was emblazoned on everything from t-shirts and lapels to a stack of chairs arranged in a rickety A formation. FIRMING UP It seems every month we hear of another struggling firm being swallowed up by a biggie. First Ellerbe Becket was taken over by AECOM. Then WWCOT merged into DLR. Now we hear from our rumor-mongering friends that Bay Area firm Fisher Friedman is on the block, and its primary suitor is NBBJ, who already took over Cambridge firm Chan Krieger Sieniewicz this month. Send hostile bids and golden handshakes to Eavesdrop@archpaper.com
Last week, the Rockefeller Foundation handed out its Jane Jacobs Medal, now in its third year, at a fête at Thom Mayne’s sumptuous new Cooper Union building. Guests were initially relegated to a basement parlor for drinks before being ushered across the hall into the jaw-dropping Frederick P. Rose Auditorium, which is said to be the little sister of the famed 1858 Great Hall in the main building. Maybe—but only if she were wearing a gauzy, wrinkled sheath dress of aluminum lace. Could there be nicer acoustical baffling? Cooper president George Campbell, Jr., introduced Judith Rodin, president of the foundation. Before beginning her remarks, Rodin gave a shout out to a trio of city commissioners who were equal parts guests of honor and comrades at arms: Planning’s Amanda Burden, Transportation’s Janette Sadik-Khan, and, newest of the pack, HPD’s Rafael Cestero. Rodin noted that exactly 50 years ago this month, the foundation awarded its first two grants, one of which happened to go to a housewife from Manhattan. “It was to support her monograph, that single most import book on the rebuilding of the city,” Rodin said. “That kicked off 50 years of thinking about and working on urban issues.” It is in Jacobs’ honor that the awards were created in 2007, one for Lifetime Leadership, the other for New Ideas and Activism. This year’s honorees were Damaris Reyes, executive director of the Good Old Lower East Side, and Richard Kahan, founder and CEO of the Urban Assembly schools. (You can watch a nice video profile of the two shot by the Municipal Art Society, co-sponsor of the awards, below.) First up after Rodin was New Yorker architecture critic and man about town Paul Goldberger to award Kahan his medal. He had many beautiful things to say, repeatedly comparing the former head of the Urban Development Corporation to Jacobs herself: “Like Jane Jacobs, Richard Kahan loves New York and sees it with a clarity that uncovers its humanism.” “He’s a skeptic, like Jane Jacobs, but like Jane, he’s never let his skepticism spill over into cynicism.” “He was in training to be Robert Moses, not Jane Jacobs, but fortunately for us, that’s not how it worked out.” Kahan thanked Goldberger, and then admitted that while he was honored to be receiving the lifetime achievement, “not to be ungrateful, but I’d rather be getting the award for the up-and-comer.” Circling around to Goldberger’s point, Kahan said that Moses versus Jacobs “presents a false dichotomy.” Indeed, the genius of New York was both its intimate scale and its immense monumentality. He said you have to empower the community so it can be a part of big change. Mary Schmidt Campbell, dean of the Tisch School for the Arts at NYU, invoked Howard Zinn’s A People's History of the United States in her introduction for Reyes, and in many ways echoed Kahan saying that Reyes, too, was at the front ranks spending most of her adult life fighting for the rights of public housing residents and the disappearing culture and community of the Lower East Side. In a stirring speech that at times brought her to tears—“I always cry, even though I told myself I wouldn’t tonight”—Reyes recounted her trials and travails in Manhattan’s most mixed neighborhood. “Today the benches are gone, and the street life with it. Mom and Pop shops are disappearing as people are evicted and rents continue to rise. We fight, and we continue to hold out.” Reyes received a standing ovation. The other ovation goes to 41 Cooper. After the medal presentation, guests made their way to the Alumni Roof for some delectable drinks and treats, including a steak bar and make-your-own mash potatoes. Charlie Rose, accompanying Amanda, was ever so gracious to take a picture with our friend and big fan, Nancy. Meanwhile Commissioner Sadik-Khan was chatting it up for part of the night with Paul Steely White of Transportation Alternatives, no doubt cooking up new schemes to foil the city’s drivers. At one point, we bumped into Charles Renfro, Giuseppe Lignano and Adda Tolla of LOT-EK, as well as about a dozen other spiffily dressed folks we took for designers but didn’t happen to know. Former MAS president Kent Barwick told us he would shortly be back in action at the advocacy group, "the resident crank in the attic." "Whenever they need to know about the Peloponnesian War, they'll come ask me," he joked. And his successor, Vin Cipolla, confided in us that he has a soft spot for Solange Knowles though not Beyonce. Also, he promised big things from the MAS in the coming months, after some reorganizing and rethinking. Ron Shiffman, the Pratt professor, community planning advocate, and former city planning commissioner, got a shout-out from Kahan during his speech for being an inspiration. On the roof, Shiffman told us that he was sorry they don’t make ‘em like Kahan anymore, who, after a period of butting heads, came around to plan such path-breaking projects as Battery Park City and the Bronx Center. “You can’t do planning like he did,” Shiffman said, a note of disappointment in his voice. “Not anymore.”
We don't always give props to other design pubs, but after a great weekend at Dwell On Design, how can we not? After the expo, the panels, and the awards, on Saturday night the Dwellistas hosted a wonderful evening at the Geffen Contemporary in Downtown LA that started with LA's first ever mobile restaurant row (Apparently the Kogi taco truck has helped spawn a phenomenon), and then became a night at the movies. There were seven—yes SEVEN—food trucks in all, including Sprinkles Cupcakes, Locali ice pops (well this was mobile, but not exactly a truck), Coolhaus ice cream, Let's Be Frank hot dogs , the Green Truck, Barbie's Q, and Tacos Ariza. Phew... And YUMMY. (especially Green Truck's Grass-fed burgers. Must be some good grass!) Next came the big event: a screening of two great design-related movies. The first was the Greening of Southie, which examines the ridiculous amount of work—and pain—behind Boston’s first residential green building (the Macallen Building, designed by Office Da). The filmmakers, Ian Cheney and Curt Ellis, spent months on the construction site in South Boston, and were able to not only capture the excitement and challenges of green construction, but question LEED's methodologies (no accounting for miles transporting all these green materials?) as well as the costs of gentrification that such building can bring to working class and poorer neighborhoods. The second movie was Visual Acoustics: The Modernism of Julius Shulman, director Erick Bricker's moving, and informative, homage to master photographer Shulman. The film includes intimate and interviews and impromptu moments with Shulman, great examples of his photos, fun history lessons on Modernism, and talks with many of LA's leading architectural voices. Also visits to the homes he captured, from Case Study House 22 to the Kaufmann House.. It's great, and you'll be seeing more of it, I promise you.