Posts tagged with "OLIN":
• • •Each team will receive a stipend of $20,000 to develop a plan and budget for the challenge. The final designs will be showcased at the Philadelphia Horticultural Society's annual Flower Show from March 3 – 11, 2018, at the Pennsylvania Convention Center at 12th and Arch Streets in Philadelphia. The winning design will then help to raise funds and take further steps in implementing the project.
Starr serves on Manhattan Community Board 1 (CB1), which met earlier this month to discuss the proposal, the latest in a series of public meetings that commenced in April 2016. (According to a BPCA spokesperson, her firm, Starr Whitehouse bid unsuccessfully on the Wagner Park redesign.)*CB1, for its part, wants more information. Although it affirmed its pledge to work with BPCA on the plans, CB 1’s Battery Park City Committee believed the expansive character of Wagner Park should be preserved. It expressed concern over the expanded commercial space, especially given the abundant retail options on Pier A. Its resolution states that "it has not been made clear to members of the Committee why the existing structure, which was built in 1994, must be replaced by a new building or why the new building is necessary." The original architect, too, is less than thrilled with the proposal. “The design premise is an insult to the Statue of Liberty,” said Rodolfo Machado, founding principal of Machado Silvetti. “This project seems totally non-site-specific; the symbolic content of the park is completely lost. It’s very banal.” He had not heard about the BPCA proposal until AN reached out for comment last week. Perkins Eastman principal Stan Eckstut maintained that Machado Silvetti’s design is sound, but added that the pavilion was not constructed for the restaurant that today occupies its ground floor. Water, though, has seeped through the bricks and built up inside the walls, causing deterioration. There’s also not enough space for maintenance operations, so the BPCA wants to add 1,800 square feet of space for maintenance, bringing the total to 4,300 square feet. The project's budget has yet to be finalized, but it's estimated it will cost tens of millions of dollars. The next step, BPCA officials said, is engineering and design, which includes the development of an RFP for a more detailed program that is set to come out within the next 90 days. Though this plan affects only a sliver of New York’s 520 miles of coastline, the rebuild-and-replace approach raises larger questions about the future of climate change design in New York City. At Machado’s suggestion, AN reached out to architects for comment on the proposed changes to Wagner Park and the future of resilient landscapes in New York. We’ll update readers as more comments come online. Nader Tehrani, founding principal of NADAAA and dean of the Irwin S. Chanin School of Architecture at The Cooper Union:
[It’s] unfortunate that there is a move to demolish these pavilions and replace them with structures that do not acknowledge the colossal scale at which pavilions would need to operate in relation to the NYC skyline, nor acknowledge the critical urbanistic connections to the Statue of Liberty…or the other more nuanced connections within Battery Park City. It might be that these pavilions, like many other structures and landscapes on the edge of Manhattan, would need to be revisited in terms of resilience, and their ability to absorb the cyclical fluctuations of a piece of infrastructure. But to deny them of the critical urbanistic function they offer is to deny NYC some of its paradigmatic qualities. At the end, rising tides will become a consistent challenge in the coming years. If at every turn, the alibi of impending doom is adopted as the basis for the demolition of critical values that make up the discipline of urbanism, then we will end up with a series of barriers (both physical and cultural) that deny us of engaging the very reasons we build urban cultures.Toshiko Mori, founding principal, Toshiko Mori Architect:
I think the park has become a type of fixture in our downtown life. The design is a bit idiosyncratic but it is very well-detailed and there is something very endearing about the structure which takes into account multiple scales of elements occurring on the site from high rises downtown to the view of the harbor to the experience of park at human scale. In particular, the front esplanade is an excellent design, it makes for a beautiful transition from the building to the lawn. Its gentle arc and steps and stone details help negotiate this important edge in a very graceful manner. Isn't it possible to leave it as is and let it flood like they do in Venice? Or take care of flooding issue in a less obtrusive manner?Zack McKown, founding principal of Tsao & McKown:
I would like to know more, especially regarding alternative ways of dealing with sea level rise that could preserve the Wagner Park structure by Machado Silvetti. Their design enhances an urban place that offers uniquely strong visual connections to the Statue of Liberty. They employed a powerful and erudite architectural vocabulary that elevates one's appreciation for an appropriately monumental civic celebration and at the same time delightfully challenges one to ponder its mysterious formal origins.The project that is being proposed has no comparable ennobling or engaging qualities that I can see from these drawings.
At a presentation last night to Manhattan Community Board 1 (CB 1), the Philadelphia-based firm and its client, the Hudson River Park Trust, debuted their conceptual pier plans before an eager audience. Extending almost 800 feet from shore, renderings depict a Pier 26 shaped by an angular, elevated walkway that draws visitors above the waterline to take in views up and down the shore, sit quietly among native scrub, or galavant on an abstracted play-forest—a special habitat for New York children.
Based on meetings last year with Tribeca and lower Manhattan neighbors, OLIN teased out a need for open recreational space and native habitat but combined those wants with an even stronger desire for contemplative, relaxing outdoor spaces, into what the firm hopes will be an “iconic destination,” explained partner Lucinda Sanders. “We really tried to think of a place for you, not for tourists.” The pier, which sits south of Canal Street between Hubert and North Moore streets, juts almost 800 feet into the Hudson, a canvas of possibility on a blank concrete slab.
The plans hope to fill gaps in the offerings on other west side piers. In addition to standard-issue ballfields around the pier’s midsection, OLIN proposed a netscape—a pliable mesh surface that sags and bounces as people get on but brings everyone as close as possible—or legally feasible—to the water’s edge. Farther out, stadium-style seating could double as outdoor classrooms, while closer to shore, a large lawn could hold movie nights for 750-plus people. Migrating birds would have an exclusive, biped-free resting spot at the pier’s tip, while recreational boats could dock alongside the structure.
“There’s a whole hell of a lot of programming—but it’s fantastic,” said CB 1 member Bruce Ehrmann, echoing the room’s appreciative oohs and aaahs.
Wind turbines could power the pier’s estuarium (to be designed by New York’s Rafael Viñoly Architects) or other functions, but there was unexpectedly strong pushback from the assembled on the turbine’s potential noise and bird-killing capabilities. The board also worried about the cellphone-gobbling potential of the mesh nets. Sanders noted the firm is looking at ways to mitigate the loss of phones and keys, perhaps with a sub-net.
All told, the Trust estimates Pier 26 will cost $30.7 million. All of the funds are secured. There’s no plan for the foreseeable to transfer air rights to facilitate nearby development, a la Pier 40, so the area’s spaciousness will be preserved.