Only six years old, London-based architecture firm PLP formed as a break away from KPF. Despite its age, the firm already has some noteworthy projects under its belt including the award winning The Edge in Amsterdam. Principals David Leventhal and Andrei Martin have recently designed one more, the Nexus Tower in the Pearl River Delta in China. The skyscraper comprises three stacked volumes, all of which are oriented differently upon a central axis acting as an elevator shaft. Martin is quick to say that this is not the core of the building, explaining that each volume has it's own core, situated on its outer edge. Such a feature "challenges the central core [office] typology," explained Martin. The Nexus Tower boasts quadruple-height informal spaces, all clad in glass, so that incumbent offices can advertise (for free) to passers by how much "fun" their employees are having. Exterior elevator shafts on each volume's "core" also aid legibility. This allows the public to witness inter-floor circulation as elevators travel up and down the facade, giving the impression of activity within the building. Set to rise 1,968 feet, the Nexus Tower will be the tallest of the structures within PLP's larger master plan. Other structures include The Platform for Contemporary Arts, a performing arts complex; The LZ Park Tower, a 984-foot office tower; and The Concourse, a large scale retail and leisure facility. Height and the lateral loads the tower must sustain were heavily influential in the design of the Nexus Tower. By fanning out the volumes, lateral loads could be divided up, reducing the overall impact. This also gave the building some visual diversity too, with each volume having a different view out over the city, mountains, and suburbs. The subsequent roof areas were adapted as terracing and green spaces. There is currently no construction timetable for the tower.
Posts tagged with "Office Buildings":
As the United States capital,Washington, D.C. is a de facto magnet for smart people who want to make an impact on government. The city doesn't often make headlines for its contemporary architecture, though occasionally, a sharp new project breaks into the parade of undistinguished office buildings. One of those is a newly unveiled 11-story structure by Brooklyn-based REX at 2050 M Street, between Washington and Dupont Circles. While the client is Tishman Speyer, CBS will be the 400,000-square-foot building's primary tenant. The project's executive architect is Houston's Kendall/Heaton. The building responds to D.C.'s strict zoning codes and its prevailing office building typologies: the Neoclassical, Beaux Arts, or Brutalist box, and the smooth, soulless glass box. Zoning requires buildings to have similar height and mass, but do not regulate, or encourage, aesthetic harmony. As a result, statement buildings with similar width and height, but widely divergent styles, compete for attention. To reconcile this peculiarity, REX's building combines the mass of a stately Neoclassical building with a transparent, fluted glass facade. According to REX, the facade is comprised of "nine hundred identical, insulated-glass panels—11.5 feet tall by 5 feet wide—are subtly curved to a 9.5 foot radius through a heat roller tempering process." The floor-to-ceiling "mullion-less" windows allow sightlines that extend through the interior. The result is an exterior that catches light at regular but unexpected angles and throws pleasantly distorted images of its neighbors back at the viewer. To offset the rigidity of glass, the lobby is clad in decidedly non-vegan cowhide, and is large enough to accommodate a site-specific sculpture by an as-yet-unnamed artist. When it is complete in 2019, 2050 M Street hopes to achieve LEED Gold certification. See the gallery below for more images of the project. 2015 was a successful year for REX. In September, principal Joshua Prince-Ramus won the Marcus Prize. The biannual honor (and cash prize) is given to an architect "on a trajectory of greatness." As part of his Marcus Prize acceptance, Prince-Ramus will teach a graduate studio on adaptive reuse at University of Wisconsin–Milwaukee School of Architecture this Spring.
In the office of the future, you can ride your bike to your desk, says global architecture firm NBBJ
In pondering the post-2025 office of the future, global architecture firm NBBJ believes in the power of "nudge architecture" as a counterpoint to alienating corporate culture and sedentary cubicle lifestyles. Asked by Fast Company to envisage the workplace a decade from now, the firm responded with a design where fitness and face-to-face social interactions are at the forefront. The firm projected bike paths throughout the building that would allow workers to ride their bikes right up to their desks, with ramps at every entrance. “The key ingredient is mobility, as we’re going to be wearing our computers, screens and everything else,” said NBBJ chair and partner Scott Wyatt. “But even today we have spectacular mobility as we aren’t chained to desks, file cabinets and computers. We can start to create spaces that better respond to human needs.” In a bid to dissipate hierarchical divides, stairs and elevators will be eliminated in favor of building atop a seamless, switch-backing incline. This graded layout means no more ensconcing of respective departments – Finance, HR, Management and Sales will have to learn to tolerate one another’s society. Ramps leading from one staggered “level” to the next create “extensive sight lines” where co-workers have more opportunity to interact, maintains NBBJ. According to Fast Company, the idea riffs off the long-held ‘Allen Curve’ theory, which estimates that workers are four times more likely to communicate with someone who is six feet away than a colleague who is 60 feet away, and unlikely to ever debrief at the water cooler with someone on another floor. The firm’s more conventional suggestions include bringing the outdoors indoors with exposure to indoor plants and natural light. There is talk of using dynamically shaded glass that adapts to changes in brightness gradations – which could allow for an all-glass edifice (roof included). NBBJ gets sci-fi creative with its suggestions of a building that is entirely responsive to user’s needs. As an example, the firm envisions sensors that differentiate between quiet and loud zones. This information is then relayed to a computer that shifts the floor plates accordingly to shape these spaces in real-time. The firm takes the mobility concept further with conference rooms that not only self-assemble when needed, but can migrate workers around large complexes during meetings so that you don’t need to walk from one building to another in a large campus-style office. The focus is on space-saving economies, said NBBJ partner Ryan Mullenix – and not yet another technological invention providing a ready excuse not to walk. “When you don’t have to fill 50 percent of your space with conference rooms, things can begin to move."
Bjarke Ingels and James Corner give Philadelphia's 214-year-old Navy Yard a boost into the 21st century
Bjarke Ingels is giving Philadelphia's antique Navy Yard a jolt into the 21st century. BIG teamed up with James Corner Field Operations to bring a $35 million office building, called 1200 Intrepid, featuring double curves designed to mirror the contours of Corner's surrounding landscape. "Our design for 1200 Intrepid has been shaped by the encounter between Robert Stern’s urban master plan of rectangular city blocks and James Corner’s iconic circular park,” Ingels said in a statement. “The ‘shock wave’ of the public space spreads like rings in the water invading the footprint of our building to create a generous urban canopy at the entrance.” The 94,000-square-foot, four-story structure just broke ground in the Navy Yard. It stands adjacent to the Central Green, a park that boasts circular plots occupied by a variety of trees and plants, pedestrian pathways, and a hammock grove. In addition, it offers a fitness station, a table tennis area, and a running track that 1200 Intrepid's design responds to. The park and building are part of Pennsylvania’s plan to transform this segment of South Philly from an industrialized business campus to a multi-functional industrial space that will accommodate 11,000 employees working for companies ranging from the pharmaceutical industry to Urban Outfitters. The plan to revitalize the Naval Yard began in 2004 when the state commissioned Michael van Valkenburgh Associates, Robert A.M. Stern, and numerous experts to create a master plan that “includes environmentally friendly workplaces, notable architecture, industrial development, great public spaces, waterfront amenities, improved mass transit, and residential development,” according to the Navy Yard website. Ingels’ building will help reach the Yard’s estimated goal of supporting up to $3 billion in private investments, 13.5 million square feet of development, and 30,000 people. Although 1200 Intrepid has yet to secure tenants, according to the Philadelphia Business Journal, it is set to open its doors in 2016. The project is being developed by Pennsylvania-based Liberty Property Trust and Synterra Partners.
The future of the mobile office is on its way, and it's blurring the lines between the home and the workplace. Spacious is the name of a "coworking hotel" concept being touted by its founder and CEO, Preston Pesek, as the future of the workplace, combining a traditional coworking space, a hotel, and retail into a giant live, work, play experience. And what better way to house the modern nomadic workforce than shipping containers? New York–based architects at LOT-EK—who designed the coworking space—have built their reputation on living and working inside shipping containers. The firm's principles, Ada Tolla and Giuseppe Lignano, explained on their website that the modular design is organized around a roughly 50-foot-tall central atrium that "opens to the street with a large glazed opening visually connecting to urban life." The massive space helps to uncramp the potentially claustrophobic sensation of typing away inside an 8-foot-6-inch tall container all day long. "The building design is a response to natural human cycles of productivity," Pesek said in an email. "Sometimes we need social interaction for stimulation, and sometimes we need privacy to be productive. The building offers a spectrum of environments for public engagement and quiet privacy, on demand, as needed." Guests can belly up to long, shared desks overlooking the activity of a sort of "public plaza" lined with retail space. Members can also choose a private bedroom/office combo. Each 8-foot-by-40-foot shipping container can hold two bedrooms and bathrooms that convert into offices by folding beds up against the wall. Two shipping containers can be combined to create larger rooms. Pesek's promotional website said repurposing shipping containers is a sustainability and financial no-brainer. Each container ranges from $2,800 to $4,000—and diagrams show upwards of 80 would be needed. That cuts down on the cost of raw materials, leaving more room in the budget for sprucing up the interior. Details on the project's website let the renderings do most of the talking, but it does explain that Spacious is all about reducing temporally wasted space—and, in turn, bring down real estate prices. "Our daily movements create vacancy gaps in the spaces where we live, work, and play," the site reads. "Even the densest cities reveal an abundance of available, usable spaces hiding just under the surface." Members would be able to book the secure hotel rooms—with full hotel amenities—on demand. And if you venture out during the day, you can earn a rebate by loaning your room to others. The larger coworking space would be open to anyone in need of coffee, doughnuts, and some free wifi. You likely won't be able to plug into your local Spacious any time soon, however. A location for the New York City flagship has not been announced, and Pesek said it's too early to disclose details about a timeline. Spacious still plans to ship out its concept to other cities in the future. [via Motherboard.]
As multi-use, coworking-type spaces continue to be all the rage, East Williamsburg is hopping on the bandwagon with a tentatively named ‘Morgantown’ creative community. Planned on an industrial lot on Johnson Avenue, the large complex will comprise office spaces, a retail corridor, rooftop dining, and communal courtyards. An “on-site artisanal food production space” is also in the works and will be located at the courtyards planned on Bogart and White Street, according to brokerage firm TerraCRG, which represents the property owner. The lot will have more than 40,000 square feet of outdoor space and over 23,000 square feet of office space, not including retail. The lot was the former headquarters of commercial printing company A.J. Bart, which recently sold the land plot for $26.75 million. The structure is projected to be three stories tall, according to DTZ, the commercial real estate firm responsible for attracting tenants. According to renderings, a mural will cover an entire wall facing Johnson Avenue. Construction of the complex is starting immediately, with a projected completion date of early 2016. Tenants, however, should be free to move in starting late this year.
http://www.bco.org.uk/Conference/Conference.aspx In 2015, the BCO will be venturing abroad to the city that many regard as the birthplace of the modern office – Chicago. In the BCO’s first long haul adventure since the highly memorable and successful Conference of 2007 in New York, and in the year of our 25th Anniversary, we will be going back to the source and at the same time asking the question “what of the future”? What can we learn from the innovation which created the first “skyscraper” – the Home Insurance Building – which topped out 130 years ago at all of 180ft tall, which we can apply to the workspace which we are creating today and in the future? Cities in America are facing the same challenges as we are in the UK, seeking to find a way to accommodate the demands of a technology hungry and sophisticated new demographic – both at work and at leisure, and in Chicago we will be comparing how different (and how similar) the responses have been on either side of the Atlantic, and looking at how those responses might shape the new cities and new workspaces springing up in Asia and the Far East.
If approved, this terraced building will rise in Williamsburg, Brooklyn, bringing the neighborhood new office space for tech and creative companies—and momentarily interrupting its unceasing march of bland and boxy new apartments. The "Williamsburg Generator," as it has been dubbed, would be the neighborhood's first ground-up speculative office building in four decades—but it is not a done deal just yet because the Gensler and HWKN–designed building sits within an area zoned for manufacturing. The Wall Street Journal reported that the project's developer, Toby Moskovits, who heads the women-led Heritage Equity Partners, will seek a special permit to get the project approved. While it would include 20 percent light manufacturing, some are already saying it is not appropriate for the industrial-zoned area. This issue will certainly be hashed out when the project enters ULURP in the next few weeks. As for its design, the Generator's brick and glass exterior is intended to evoke the neighborhood's industrial past while still giving it that glassy, modern feel. According to a press release from the development team, the interior layouts will be flexible and modular to accommodate the startups that will populate its halls. A public passageway will also cut through the building's two main volumes.
The future came into focus last week for the site of a defunct mall in downtown Columbus, Ohio. By the time City Center mall closed in 2009, only its parking structure remained a popular destination. Columbus Downtown Development Corporation replaced the dead mall with Columbus Commons, a nine-acre park slated for mixed-use development over the coming years. Renderings from NBBJ, published March 25 in Columbus Underground, show the latest phase of that project: a modern, 17-story mixed-use tower that developers The Daimler Group and Kaufman Development are calling Two25 Commons. Another NBBJ tower dubbed 250 High is already under construction on the south end of the Commons site, set to rise 12 stories. The new building will have 20,000 square feet of ground floor retail, 125,000 square feet of office space across five floors, and 11 stories containing 170 apartment and condo units. It will have underground parking and a connection to the existing parking structure via a new pedestrian bridge over Rich Street.
http://youtu.be/tZTRTv56k58 We have given Apple flack for the suburban nature of its new campus in Cupertino. But we’ve been impressed with the company’s recent attempts to make things more eco-friendly, adding shuttles, bike lanes, a bus transit center, and walking paths. Now we hear Apple is purchasing 130 megawatts worth of energy a year from First Solar. The purchase will power the new HQ as well as all of its other California offices, a large data center, and the 52 retail stores in the state.
Chicago's biggest buildings cut their energy use 13 to 23 percent since a new city program to publicize consumption data went into effect, according to a city report released Tuesday. That translates into an average savings of up to $200,000 per building per year, the report said. You can read the full report on the City of Chicago's website. In 2013 City Council passed a Building Energy Use Benchmarking ordinance requiring non-industrial buildings larger than 50,000 square feet to report their energy usage. That's less than one percent of Chicago’s buildings—about 3,500 in all—but an energy-hungry cohort that the city said accounts for 22 percent of all energy use by buildings. The move was praised by sustainability advocates but criticized by the Building Owners and Managers Association of Chicago, which doesn't want such data made public. Chicago Mayor Rahm Emanuel has called the program an important of the city's wider sustainability initiative. Buildings account for 71 percent of the city's greenhouse gas emissions, according to 2010 data. In 2014, 348 buildings spanning 260 million square feet reported data to the city. “Building size or age appears to have little effect on energy intensity,” reads the report, “but building space use is a primary driver of energy intensity,” or energy use per square foot. Office space made up 60 percent of all greenhouse gas emissions. As the program moves forward, more buildings fall under its reporting requirements. Commercial and municipal buildings larger than 50,000 square feet and residential buildings larger than 250,000 square feet must report their data by June 1. Buildings that joined the program last year need only benchmark and report in 2015. Every third year they need to have the city verify that data. Deadlines for additional buildings covered by the ordinance will phase in through 2016.
Open offices have gone from unavoidable interior design trend to the target of some serious backlash. I moderated a panel last week for DisruptCRE's annual conference that tried to suss out what's driving office space design and culture today. I was joined by 1871 CEO Howard Tullman, Gensler global design leader and design principal Carlos M. Martínez, IdeaPaint president John Stephans and SpaceTrak CEO Kristine O’Hollearn. We met on the 99th floor of the Willis Tower. As the Chicago Tribune's Meg Graham put it:
Offices are no longer as simple as a couple of cubicles and a water cooler. But taking down walls and throwing in a ping pong table doesn’t automatically inspire innovation, panelists said Thursday at DisruptCRE. … The panelists discussed a growing hesitation toward the open-office trend. “We think that ‘open’ is over, that we’re going backward to more contained spaces, more identity, more sound control,” Tullman said. “We’re discovering that there’s a myth about multitasking — which is actually that you’re doing a lot of things poorly.”You can watch a video of the entire panel on Vimeo, and embedded here, in which we discussed how to encourage collaboration without embracing chaos.