Posts tagged with "odense":

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C. F. Møller Architects wraps glass house in a seemingly weightless pre-fab concrete screen

"The eye-catching screen reflects the innovation and creativity that characterizes the various institutes which it unites."

The University of Southern Denmark has a new, shared research and education facility by C. F. Møller Architects that combines four academic research institutes into one shared academic research facility. The various groups are connected by a central canyon-like social space with bridges that span the atrium overhead, linking the institutes. The organization of the building is primarily influenced by SDU’s 1970’s era structuralist campus design by architects Krohn & Hartvig Rasmussen that incorporated reinforced concrete construction and cor-ten steel in a linear site layout. The building envelope is predominantly a glass curtainwall with a custom exterior concrete screen made from pre-fab panels of white CRC concrete (Compact Reinforced Composite, a special type of Fiber Reinforced High Performance Concrete with high strength) featuring circular openings with an underlying solar screen and natural ventilation.  
  • Facade Manufacturer HiCon (CRC panels); HS Hansen (window units)
  • Architects C. F. Møller Architects
  • Facade Installer HS Hansen
  • Location Odense, Denmark
  • Date of Completion 2015
  • System compact reinforced panels on steel frame
  • Products "Hansen Fasad" windows from HS Hansen, custom fiber-reinforced high performance concrete screen
The architects say that the composition of the screen avoids a dull repetitive patterning, yet manages to save costs due to a modular assembly comprised of only 7 unique cast profiles. Data from key views, solar shading, and structural requirements provide parameters to control circular opening sizes (from 4 inches to 6 feet in diameter) and locations with respect to interior functions. Structural integrity of the panel connection points added further challenges to the design of the custom screen. Julian Weyer, partner at C. F. Møller, says a collaboration between the fabricator and installer simplified the process: “mockups were used to qualify the design process and especially the design possibilities and constraints of the concrete screen.” The circular patterning of the CRC screen extends onto the roof where variously sized circular skylights bring daylight into the central atrium. This establishes one of the most successful spaces in the building. “The experience of the day lit ‘canyons’ inside and between the labs feels both intimate and spacious,” Weyer says. The building meets the strict Danish building code requirements for low-energy class 2015, which addresses various environmental criteria including minimal energy consumption, good indoor climate and use of materials with a low environmental impact in a life cycle perspective. While the project was designed roughly at the same time as Henning Larsen Architects’ Kolding Campus, a mere 7-minute walk away, the two SDU projects were not directly influential on each other, however Weyer says both contribute to “an already solid Danish tradition for open ‘learning landscapes’ and innovative educational buildings” citing prior C. F. Møller projects such as the Maersk Building in Copenhagen, the A.P. Møller School in Schleswig and the Vitus Bering Innovation Park in Horsens as notable precursors.
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A competition is launched in Odense, Denmark to expand the Hans Christian Andersen Museum

In an ode to one of the first writers to inspire a dedicated museum, the city of Odense, Denmark, has launched a competition to develop a 63,583-square-foot visitor attraction based on the fairytales of Hans Christian Andersen. This new feature, sited mostly underground, will be tacked onto the existing Hans Christian Andersen Museum, which is located in the little yellow corner house in the old city precinct where the writer was born. According to the contract notice, the city-center attraction will inspire empathy, imagination, and play to form the basis for learning about Andersen’s fairytale world, which includes household-name children’s fables such as The Emperor’s New Clothes, The Little Mermaid and The Ugly Duckling. In addition to the extra underground real estate, 3,498 square feet of the existing buildings will be adapted as part of a downtown regeneration project. Two years ago, the city of Odense launched a similar competition at the same site for a "House of Fairytales," receiving entries such as The Tower of Labyrinth by architect Rodion Kitaev to a roughly conical tower with a statue of the writer dipped in gold at the top by Adam E. Anderson. The winners of "House of Fairytales"—Transborder Studio, Rodion Kitaev, and London-based Leith Kerr Architects—have been encouraged to compete for the new contract. Five teams will receive $22,000 each during the first stage of the competition, and finalists will receive an additional $30,000 to compete in the final round. Due by August 5, proposals may be submitted in English, Danish, Swedish, or Norwegian.