Posts tagged with "New York":
On April 19, for the afternoon keynote of The Architect’s Newspaper’s Facades+ conference in New York, architect Ian Ritchie discussed his decades-long involvement in forward-looking glass architecture. Beginning with the tongue-in-cheek statement, “Glass is the answer; what was the question?” the British architect detailed the technological specifications and design considerations behind his projects. Ranging in size from personal residences to convention centers, the projects convey his expertise with manufactured materials.
As head of his own practice, Ian Ritchie Architects, Ritchie’s process is influenced by a range of fields, from neuroscience to poetry.
Ritchie began with one of his earliest projects, the self-constructed Fluy House (1976). Composed of a prefabricated set of materials, including a lightweight steel frame and pre-cast concrete floor slabs, Ritchie described his early curtain wall as “glass acting as a windbreaker,” a thin protective barrier between shelter and the site’s surrounding countryside.
Ritchie also described projects he worked on as a founding partner of the engineering firm, RFR Engineers. For example, he talked about unique projects such as engineering I.M Pei’s Louvre Pyramids, which entailed the creation of a full-scale Kevlar mockup and the use of "phantom fixing” to insure the transparency of the glass structure’s final design.
Next, in talking about the design of Reina Sofia Museum of Modern Art’s circulation towers and the Messe-Leipzig Glass Hall, Ritchie described how unique engineering devices such as externally suspended and grid-worked glass panels bring the tectonics of design and engineering into public view while creating open and accessible spaces.
In line with his firm’s straightforward forms, Ritchie was critical of the contemporary trend of hyper-engineered glass facades with multiple curves and contortions, asking, "Is architecture intelligence or indulgence?" Instead, he emphasized the natural, biological forms that influence his creative process and, ultimately, his firm’s output.
Ritchie’s drive to bridge the highly technical, manufactured character of glass with natural objects and processes was also highlighted by his presentation of the firm’s recently completed, 150,000-square-foot Sainsbury Wellcome Center.
Located in London’s Fitzrovia, a central city district surrounded by architectural conservation areas predominantly comprised of Georgian architecture, Ritchie saw the Sainsbury Wellcome Center as a “melting ice block spilling into the surrounding neighborhood." To fulfill this analogy, the firm opted for translucent cast glass with vertical, corduroy-like detailing that imitated the stone rustication and brick-and-mortar facades of the surrounding area.
Ritchie concluded with a call for architects to recognize that current glass design and architecture may be surpassing contemporary engineering capabilities. In his view, too many architects are acting as sculptors, an approach that will fail to “make glass warm and haptically friendly” to the public.
- Drawings’ Conclusions at Anyspace curated by Jeffrey Kipnis and Andrew Zago brought to New York by Cynthia Davidson; The Drawing Show at the Yale School of Architecture Gallery, originally at A+D Museum Los Angeles curated by Dora Epstein Jones, Drawing Codes curated by Adam Marcus and Andrew Kudless on view at the Taubman Gallery at the University of Michigan, originally at the CCA in San Franciso, Drawbot 2 is on display at the AA[n+1] gallery Paris, France curated by Emmanuelle Chiappone-Piriou and Leslie Ware, and The Projective Drawing at the Austrian Cultural Forum curated by Brett Littman.
- A fascinating discussion of this condition was recently put forward by John May in the article “Everything is Already an Image” published in Log 40 (MIT Press, 2017)
“Penn Station is currently untenable. It is congested, chaotic and poses a serious threat to public safety in this time of heightened terrorist threats,” said Dani Lever, press secretary for the governor, in a statement to the New York Times. She emphasized that any potential development would be done in “consultation with community leaders and elected officials, environmental reviews and local government reviews.”The Cuomo administration has previously played a major role in the redevelopment of the Penn Station area, including backing the transformation of the James A. Farley Post Office into the Moynihan Train Hall. While the city has reportedly been in talks with the MTA and developers Vornado Realty Trust, who own much of the property surrounding Penn Station, Wednesday was apparently the first time that any party outside of Albany had seen the proposal. When reached for comment by Politico, Cuomo spokesperson Peter Ajemian suggested that their reporting on the day-old plan was already outdated.
"Throughout the budget process, documents are exchanged hundreds of times over to advance solutions for New Yorkers," said Ajemian. "The document you’re basing your story on is outdated, inaccurate and not comprehensive."The governor’s office has suggested that the original broad outline was simply a starting point, and would likely be narrowed down in the back-and-forth as budget negotiations continued. Still, with Governor Cuomo’s self-imposed March 30th deadline looming, it’s unclear if the plan will make the final cut. The full version of the leaked document can be found here.
- Nice Grand Arenas, Nice, France
- Montpellier Cité Créative, Montpellier, France
- Draga district, Sibenik, Croatia
- Cultural Center of Castelo Branco, a dramatic form cantilevered over an ice skating rink in a small Portuguese city
- Film Theatre of Catalonia, whose simple concrete facade was designed to fit into a gentrifying Barcelona neighborhood
- Prague National Gallery Entrance Hall, a sensitive design for a museum entry in a historic Prague complex.
Emerging Voices 2018Helen Leung, Elizabeth Timme, LA-Más, Los Angeles Luis Aldrete, Estudio de Arquitectura, Guadalajara Introduced by Paul Makovsky 1.5 AIA and New York State CEUs The fourth evening of the annual Emerging Voices lecture series. Emerging Voices spotlights individuals and firms based in the United States, Canada, or Mexico with distinct design voices and the potential to influence the disciplines of architecture, landscape architecture, and urbanism.
Nonprofit urban design group LA-Más focuses on underserved Los Angeles neighborhoods. It collaborates with community members, government agencies, and developers with a goal to grow cities equitably through design projects and policy initiatives. Recent work includes Go Avenue 26, enhanced public transit access near a major highway overpass in East Los Angeles; and “Backyard Basics: An Alternative Story for the Accessory Dwelling Unit,” a conceptual proposal exploring how collectively developed accessory dwelling units could serve as a model for affordable housing along the LA River.
Since establishing Estudio de Arquitectura in 2007, Luis Aldrete has designed residential, hospitality, and cultural facilities, where he works with local craftspeople to employ construction techniques developed over generations. Recent projects include BF Residence, a Guadalajara house whose program nods to the traditional Mexican hacienda; Rinconada Margaritas Residential Complex, a high-rise development in Guadalajara that responds to an adjacent ravine; and Pilgrim Route Shelters, an infrastructural network of shelters designed with other collaborators to support an annual Jalisco pilgrimage.Paul Makovsky is Vice President of Design at Metropolis Magazine. He served on this year’s Emerging Voices committee.
Emerging Voices 2018Jesica Amescua and Mariana Ordóñez Grajales, Comunal: Taller de Arquitectura, Mexico City Stephanie Davidson, George Rafailidis, Davidson Rafailidis, Buffalo Introduced by Stella Betts 1.5 AIA and New York State CEUs The third evening of the annual Emerging Voices lecture series. Emerging Voices spotlights individuals and firms based in the United States, Canada, or Mexico with distinct design voices and the potential to influence the disciplines of architecture, landscape architecture, and urbanism.
Founded in 2015, Mexico City-based Comunal: Taller de Arquitectura provides design services to underserved communities. Their work centers around five methodological axes which they feel are fundamental to “developing inclusive, participatory, and contexutal projects.” Recent work includes Childbirth Houses, designs for midwife workspaces informed by extensive dialogue with an indigenous Chiapas community; and Territory and Inhabitant, a research project for a house that could be built in Yucatán for less than $10,000.
Stephanie Davidson and Georg Rafailidis established Davidson Rafailidis in 2008. Both are members of the architecture faculty at the University of Buffalo and have also taught at the RWTH Aachen University in Germany and the University of Toronto. Recent projects include He, She & It, a structure with three distinct workspaces for a Buffalo couple; Café Fargo (Tipico Coffee), a coffee shop in a former corner store also in Buffalo; and Mirror, Mirror, the winner of a competition aimed at reimagining the street festival tent.Stella Betts is a co-founding Principal of the New York-based LEVENBETTS and a past Emerging Voices winner in 2009. She has taught at Columbia University Graduate School of Architecture, Planning and Preservation, The Cooper Union, and Cornell University’s College of Art, Architecture, and Planning, among other institutions. She served on this year’s Emerging Voices committee.
Zaq Landsberg, Islands of the Unisphere Flushing Meadows Corona ParkLandsberg recreates several islands from the adjacent Unisphere, which will form a publicly accessible archipelago representing the diversity of Queens. Rose DeSiano, Absent Monuments Rufus King Park These mirrored obelisks will stand upon blue and white Dutch Delft photographic tiles which interact with Native American pattern work. Staten Island: Jackie Mock, The Pencil Museum Faber Park The Pencil Museum is a collection of antique writing instruments, located on the former grounds of Johann Eberhard Faber's Mansion. Faber was the owner of the Johann Eberhard Faber Pencil Factory, the first of its kind in America. Adam Frezza & Terri Chiao, Stick Stump & The Lawn Lumps Tappen Park Frezza & Chiao's exhibit is a collection of playful forms meant for public interaction.
Emerging Voices 2018Ersela Kripa and Stephen Mueller, AGENCY, El Paso Fernanda Canales, Mexico City Introduced by Sunil Bald 1.5 AIA and New York State CEUs The second evening of the annual Emerging Voices lecture series. Emerging Voices spotlights individuals and firms based in the United States, Canada, or Mexico with distinct design voices and the potential to influence the disciplines of architecture, landscape architecture, and urbanism.
AGENCY was founded in 2010. Partners Ersela Kripa and Stephen Mueller use research, publication, and design to explore broad-ranging issues such as material ecology, government policy, and ethics. Recent projects include Fronts, a research project and book focusing on the relationship between military doctrine and informal urbanism; Breach, which explores the simulated environments developed to train military and security forces; and Border Dispatches, a series of Architect’s Newspaper articles about the U.S.–Mexico border.
Fernanda Canales grew up in Mexico City, where her eponymous firm was founded. She believes “architecture is about creating connections between people, territories, and history.” Recent projects include Bruma House (with Claudia Rodríguez), a residence divided into different modules organized around a central patio, with each location based on views, orientation, and vegetation; Reading Rooms, flexible community spaces that can be built by residents of low-income neighborhoods; and The Monterrey School of Higher Learning in Design, a new campus on the city’s outskirts.Sunil Bald is a co-founding Principal of the New York-based studioSUMO and a past Emerging Voices winner in 2010. After an initial term as Louis I. Kahn Visiting Assistant Professor at Yale, Bald has continued to teach design studios and visualization at the School. He served on this year’s Emerging Voices committee.