Frank Gehry, who is currently working on Facebook's new Silicon Valley campus in Menlo Park, California, will design a new office for the company's New York-based engineering team at 770 Broadway in Manhattan. The move will nearly double the company's current workspace. In a note from Serkan Piantino, Facebook New York's engineering team site director, the new offices will share many of the same features of Facebook’s California headquarters, but with a twist that is uniquely New York. Approximately 100,000 square feet across two floors will be updated with open, collaborative spaces, conference rooms, cozy and casual work areas, writeable surfaces, and integrated video conferencing equipment. There are also plans to build out a full service kitchen for Facebook employees. At 770 Broadway, Facebook will join tenants AOL/Huffington Post, Adweek, JCrew, and Structure Tone. The move from their current offices at 335 Madison Avenue is scheduled for early 2014 under a 10-year lease with building owners Vornado Realty Trust.
Posts tagged with "New York City":
As cities across the country struggle to bring new life to aging athenaeums and cash-strapped local libraries, the AIA has honored six outstanding examples of library design in this year’s AIA/ALA Library Building Awards. In the past we have seen a Walmart transformed into a library, a controversial starchitect renovation in New York, and an interactive, LED light-show—now take a look at these honored projects. From democratic design in the nation’s capital to a stunning Beaux-Arts restoration in St. Louis and high-tech solutions in North Carolina, this year's winning projects present a range of answers to the challenges facing our fading repositories. The jury for the biannual award included Jeanne M. Jackson, FAIA, Chair, VCBO Architecture; John R. Dale, FAIA, Harley Ellis Devereaux; Charles Forrest, Emory University Libraries; Kathleen Imhoff, Library Consultant; J. Stuart Pettitt, AIA, Straub Pettitt Yaste and John F. Szabo, Los Angeles Public Library. Anacostia Neighborhood Library Washington, D.C. The Freelon Group From the AIA: The small-scale residential context provided the inspiration for the design of this new branch library, located in a low-income, underserved neighborhood in Washington, D.C. The project not only fulfilled programmatic needs but also provided a stimulus for community pride and economic development. The residential scale is reflected in the library design as a series of pavilions for program areas that require enclosure: the children’s program room, the young adults’ area, support spaces, and public meeting rooms. The remainder of the level one plan is high, open space for the main reading room, stacks, computers, and public seating areas. A large green roof structure provides shelter over all program areas. Central Library Renovation St. Louis Cannon Design From the AIA: Cass Gilbert’s grand Beaux-Arts library, now 100 years old and a St. Louis cultural landmark, was in need of a transformative restoration that would increase public access and modernize it for the 21st century. On the interior, the centrally located Great Hall is surrounded by five wings, four dedicated to public reading rooms and the fifth, the north wing, to a multistory book depository closed to the public. The transformation of the north wing truly rejuvenated the library and brought it into the next century. Old book stacks were removed, and a new “building within a building” was inserted. Now, a multistory public atrium provides an accessible and welcoming entry. The new “floating platforms” surround the atrium without touching existing interior walls. Glass-enclosed upper levels house the collection with compact high-density bookshelves. The windows of the north wall, now clear glass, bounce natural light deep into the interior and provide striking views. New York Public Library, Hamilton Grange Teen Center New York City Rice + Libpka Architects From the AIA: The center, located on the previously empty third-floor space of Harlem’s Hamilton Grange branch library, designed by McKim, Mead and White, is NYPL’s first full-floor space dedicated to teens. In an effort to attract and engage neighborhood youth, the 4,400-square-foot space challenges the norms of library design. The light-filled floor is divided into specific zones that foster small-group interaction and socialization. Visibility is maintained across the entire floor. Two programmatic elements—a 20-foot-diameter Media Vitrine and a bamboo bleacher—occupy the center of the space and work to define the seven zones between and around them. The vitrine’s open-top glass enclosure upends the notion that multimedia spaces must be dark, hyperisolated rooms. The bleacher allows views out to the street from the existing high south-facing windows and provides a sunny hang-out for a range of group sizes. Custom L-shaped lounge benches bracket this space and can be rolled away to allow for other uses and activities. James B. Hunt Library Raleigh, North Carolina Snøhetta and Pear Brinkley Cease + Lee From the AIA: An $11 million reduction in the budget for this library during the schematic design phase prompted the design, construction, and client teams to formulate a range of new ideas to maintain functionality and quality. The building would need to be highly programmed and reasonably versatile as well as comfortable and stimulating to visitors. One innovation was the introduction of an automated book delivery system (ABDS), which effectively reduced the total area of the building by 200,000 gross square feet and allowed more space for collaboration and technology. The ABDS is supported by user-friendly browsing software that matches and even enhances the traditional pleasure of browsing a collection. Oak Forest Neighborhood Library Houston NAAA + AWI + JRA From the AIA: This 7,600-square-foot modern brick and glass structure opened in 1961. Fifty years later, there was still great nostalgia for the library’s mid-century modern design, but the building no longer met the standards of the Houston Public Library system or the needs of the surrounding neighborhood. The 2011 renovations and additions respect the character of the existing library and enhance its accessibility and functionality. The original building’s restored signature green tile mosaic still graces the parking entry area on the north, but now the neighborhood is welcomed by a tree-shaded second entry and outdoor reading room framed by new dedicated adult and teen areas on the west. The original tile mosaic and globe light canopy of the old circulation desk were restored to create a toddler-sized reading nook. Each age group—from toddlers through teens and adults—now has appropriate facilities, furnishings, and technology. A new lobby and circulation space, lit by a continuous shaded clerestory, occupies the seam between old and new and unites the two entries. South Mountain Community Library Phoenix richärd+brauer From the AIA: The building integrates the varied uses of a contemporary public library with the needs of a state-of-the-art central campus library, allowing each to function both independently and collaboratively. The design is modeled after that of an integrated circuit, providing insulation between disparate functions and promoting interaction and connection between like functions and spaces. The simple massing of the building is attenuated to focus views on the surrounding mountains and provide shade and transparency. The site was once home to fertile agricultural valleys and citrus groves, and the building consciously merges interior and exterior spaces to connect to the area’s rich history. A series of rooftop monitors and light shafts flood natural light into the first-level core. The rain screen, formed of bent planks of copper, calls to mind the pattern of an abstracted bar code. Variegated cedar strips reinforce the digital aesthetic of the building. Further echoing the design of a circuit board, building systems are organized and expressed within an internally lit independent distribution soffit.
When Madison Square Garden’s 50-year special permit expired last year, it launched a fiery debate over the future of the arena atop Penn Station. Critics, urban planners, and government officials have called for a 10-year term limit to encourage the relocation of MSG allowing for an overhaul of the crowded station. Today the Municipal Art Society of New York unveiled four different visions for a re-imagined Penn Station and MSG from firms Diller Scofidio + Renfro, H3 Hardy Collaboration Architecture, SHoP Architects, and Skidmore, Owings & Merrill (SOM). Each firm offered up its own rendition—some focused more on expanding infrastructure, while others honed in on opportunities for cultural and educational programming and new amenities within the station. But all the firms decided to relocate the arena, make room for green space, and create a new light-filled and spacious train terminal. And on the more far-reaching side, they envisioned and described this new station as a civic hub that will anchor and reinvigorate the surrounding neighborhood and serve as a “gateway” (a buzz word liberally used at the unveiling) for the city. The presentations were a fantastical exercise in design if all variables—funding, political might, and private interests—miraculously came together. H3 Hardy Collaboration Architecture was the first to take the stage. The firm recommends re-locating Madison Square Garden to a 16-acre site on the waterfront by the Javits Center, which would then pave the way for a new Penn Station to be built with an eight-track high-speed rail, a three-acre park, retail space, and a roof garden. The Farley Post Office would then be transformed into a Center for Education and the four corners of the station would be privately developed “hybrid buildings.” SOM has concentrated on providing a robust infrastructure with a network of high-speed rail lines for the North East Corridor, better commuter rail service, and rail lines linking to the major airports in the area. The station will have a ticketing hall in center of building and then two concourses below with retail spaces. The firm would move Madison Square Garden to an adjacent location and imagines private development will crop up around the station. Charles Renfro of Diller Scofidio + Renfro described their “Penn Station 3.0” as a “grand civic space founded on growth and innovation.” The transit node would become “both a front door and living room” that would be “alive 24/7” and organized by “fast, transit-oriented programs” and “slower” activities including retail, cultural space, and restaurants. MSG would then be moved to the west end of the Farley building. “In closing, we basically would put a wrecking ball to the site,” said Elizabeth Diller. SHoP Architecture’s Vishaan Chakrabarti started off talking about safety as a critical challenge to the current Penn Station aggravated by a “lack of air” and “disorientation” caused by MSG. The firm envisions an open, light-filled station that would be at the heart of a new district they’ve dubbed “Gotham Gateway.” They would relocate MSG to the Morgan site and create “a link from east to west and north to south” connecting the station, a new park, and the arena. While the other presenters focused on design, SHoP dipped its toe in public policy side of the equation. The firm is calling for the creation of a “Gateway Task Force” consisting of the Vice President, US Transportation Secretary, the governor, and the mayor, which would serve to facilitate a relocation of MSG, spearhead the Gateway Project (including funds for new tunnel, track and station), and provide necessary amenities.
Chicago’s bike-for-rent made its test premiere during the annual “Bike the Drive” event on the Windy City’s Lake Shore thoroughfare Sunday, and Wednesday opened the new service for membership sign-ups. Chicago’s Department of Transportation unveiled its bike share plans in April, tapping Portland, OR–based Alta Bicycle Share, which also runs New York and DC’s bike-share programs, to roll out 400 stations and about 4,000 three-speed “Chicago Blue” bicycles across the city. “Divvy,” as the Chicago program is called, recently released a map of planned stations, 75 of which the city said will be online by the end of June. But Chicago's four-wheeled share service also saw big news this week, when car rental giant Enterprise bought local nonprofit I-GO, a car-share program launched 10 years ago by the Center for Neighborhood Technology. Meanwhile Memorial Day marked the official debut of New York City’s bike-share, with more than 6,000 trips logged in a matter of hours.
Are you a @citibikenyc Annual Member? Check out the video on how it works: vimeo.com/67075897 #bikenyc — NYC DOT (@NYC_DOT) May 28, 2013This video from StreetFilms captured the media frenzy, as well as testimonials from the likes of Mayor Michael R. Bloomberg (who mounted but did not ride a bike) and musician David Byrne:
For nearly a decade now, New Yorkers have been turning their focus on revitalizing the city's waterfront, a trend that has only grown in the wake of Hurricane Sandy. WXY Architecture’s East River Blueway and Bloomberg’s Vision 2020 are two examples of initiatives that seek to build sustainable, accessible, and engaging shorelines for the city. But with summer approaching and the days heating up, what city dwellers may want most from their estuaries is a cool, clean dip. Brooklyn-based design firms Family Architects and PlayLab hope to make that dream possible, but they still need $250,000 to get started. In two weeks, the group will launch a campaign to create a smaller mock-up of +Pool, the floating, plus sign–shaped pool that could land in the East River by May 2015. The mock-up will test the pool's innovative filtration system that cleans water directly from the river to make it safe enough to swim in. The system would use a three-level filtration system within the pool's walls, which filters the river water, making for a pleasant and healthy immersion. The design of the 9,000-square-foot facility combines an Olympic-length lap pool, kids pool, sports pool, and lounge pool, opening the water park up to all levels of swimmers. +Pool previously raised over $40,000 on Kickstarter and has attracted support from engineering firm Arup, local politicians, and the architectural community. Stay tuned for your chance to dip into your wallet for a dip in the pool!
The South Street Seaport's Pier 17 won't be around much longer in its current form as it awaits a $200 million overhaul by SHoP Architects, but this summer, the neighborhood surrounding it has some exciting plans in store that bring the hottest trends in temporary urbanism to the waterfront site. Starting on Memorial Day Weekend, the See/Change program will bring film screenings, a SmorgasBar, and pop-up shipping container boutiques in hopes of enticing New Yorkers back to this once-trendy Lower Manhattan neighborhood. The centerpiece will be a stage at Fulton and Water streets. A blanket of grass will cover the cobblestone street and wood-and-canvas beach chairs will be positioned to create an improvised theater for weekly concerts and film series called Front Row Cinema. South of the stage, restored shipping containers will be configured as an asymmetrical, two-story structure for small retail shops. The second level will host SmorgasBar, a subsidiary of the well-known SmorgasBurg, which will turn east on Front Street to Beekman Street where Brooklyn-based food vendors will lure visitors with maple bacon sticks and oysters, among other treats. Plans are also in the works for Cannon’s Walk at 207A Front Street. The calm courtyard, which has been a place to relax and evade tourist hustle and bustle, has been handed over to Brightest Young Things, an experiential marketing agency. The New York Times reports Svetlana Legetic of the company says the space will be converted into a “surprise jewel box space where anything could happen.” Moreover, plans have changed for Pier 17. Previously scheduled to close for renovations, the mall will remain open to assist merchants who lost the holiday season to Hurricane Sandy damage. The seaport has long represented a hub of chain stores, but most ground floor shops remain shuttered to conceal overhauls still taking place. See/Change is an opportunity to bring new life and commerce to the neighborhood.
Reclaim NYC, the grassroots organization established for post-Hurricane Sandy relief in the design community, will hold its second furniture exhibition and charity sale during New York Design Week from May 16 to 18 at 446 Broadway, a 5,000-square-foot gallery in the heart of Soho. All event proceeds will go to local communities affected by Hurricane Sandy via the Brooklyn Recovery Fund, a sub sect of the Brooklyn Community Foundation. Founded in 2012 by Jennifer Krichels and Jean Lin, both design writers, editors, and enthusiasts, Krichels recalled her “ah-ha” moment in the aftermath of the storm recently for AN. “While running in Prospect Park I noticed all the [fallen] trees being chopped up, and had an idea to reuse some of the wood—there was so much!” Collaborating on the details with Lin, the duo said participation from the design community quickly gained momentum and the first Reclaim NYC event was orchestrated in approximately one month. The December 2012 show featured more than 30 designers’ work with reclaimed lumber and various interpretations of reused storm debris. “It turned into a way to represent something positive and return the proceeds raised [to those in need], some of whom were designers.” Six months later, many parts of New York have rebounded from the storm’s damage—but not all of them. Many parts of southern Brooklyn and the Rockaways have yet to begin rebuilding after the storm and are still in need of substantial aid. There have been accounts that FEMA will need to spend at least five years in New York to oversee a full recovery, similar to efforts in New Orleans necessitated by Hurricane Katrina. “It’s no longer a hot topic but [aid] is still really important,” Lin said. “People are still affected by it everyday.” For the second iteration of Reclaim NYC, Krichels and Lin called upon designers to create pieces inspired by the idea of collaboration. A roster of 25 teams was organized to arrange established designers with emerging voices, or group designers from varying backgrounds for an opportunity to share their areas of expertise in a new way. One team that will show at Reclaim NYC is comprised of furniture designers, a biophysicist, and musicians. Together, they designed a wooden table treated with a wood-eating enzyme that etched a pattern into the table’s surface, guided by sound vibrations. “This collaboration encapsulates exactly what we hoped would happen at the show: To bring out real design,” Lin said. With two exhibitions under their belts, Krichels and Lin hope Reclaim NYC is able to move beyond the realm of charity and evolve with the community’s needs to integrate design, education, and mentorship for younger designers, as well as foster opportunities for the design community as a whole. “[We hope] to build something not based in commerce but in collective opportunities to show what the design community can do when it works together.” “Making Reclaim NYC into a charitable outlet and a charitable incubator has come out of conversations with friends and designers, to fit a sustainable model,” Lin added. “As editors and design lovers, we cherish what they’re bringing to the table.” Reclaim NYC will open on May 16 at 12:00 pm and run through May 18, closing at 1:00 pm. A presale of featured items will launch on Monday, May 13 on shop.lin-morris.com, and at60inches.com, an event supporter. A complete list of featured design teams is as follows: Lindsey Adelman x Nancy Callan Brad Ascalon x Naula Workshop Kevin Michael Burns x Adam Pellecchia Colleen and Eric x Leo Hubbard x Benjamin Cameron Dana D'Amico x KWH Joe Doucet e13 x Sciencewerk x Zach Klein x Ike Edeani Egg Collective x Hangar Design Studios Allison Goding x Jerry Nance Grain x Emilie Baltz Stéphane Hubert Design x Sean Brewer Asher Israelow x Wyn Bauer Ladies & Gentlemen Studio x Nicholas Nyland smck studio x d’emploi Daniel Moyer x FilzFelt x submaterial Brendan Mullins x Kreh Mellick Marius Myking x Vidar Koksvik RUX x Stickbulb x David G. Flatt Ltd. Scout Regalia x Reunion Sit and Read x Noah Lambert Souda x Sure We Can Jonah Takagi x Mark Supik & Co. Token x Uhuru UM Project x Baggu VOLK x Dressed in Yellow To learn more about Reclaim NYC, visit reclaimnyc.org, or follow their Facebook page for the latest news.
The big biking news this week is that the first phase of New York City's Citi Bike bike share system will finally launch on May 27th to program members (and to everyone else the next week), and New Yorkers' enthusiasm (and a little controversy) is mounting. Some New Yorkers, over 8,000 according to Transportation Commissioner Sadik-Kahn (with more than 4,000 of them in the first 24 hours), could not wait to start pedaling and have already signed up for annual memberships. Meanwhile, malcontents from across the City have spoken up in attempts to stop Citi Bike from rolling onto their blocks. Following initial delays from a malfunctioning electronic system, last fall's Hurricane Sandy caused damage to some of the docking stations stored at the Brooklyn Navy Yard, forcing the DOT to delay and downsize the first phase of the program from 420 stations to 330 around Brooklyn and Manhattan. Once the second and third phases are rolled out, however, there will be a total of 600 stations and 10,000 bikes available throughout New York City, rounding out what will be North America’s largest bike share system. Not only will the system provide healthy transportation alternatives for thousands of New Yorkers, but it will also create 170 jobs and generate $36 million in economic activity annually, the NYC DOT claimed in a press release. Despite general enthusiam for the program, a few disgruntled citizens have been stirring up controversy throughout City. One outspoken Fort Greene resident recently pasted fliers on newly installed docking stations, claiming that Citi Bank advertising and commercial activity have no place landmarked residential blocks. In nearby Brooklyn Heights, the co-op at 150 Joralemon Street is bringing a lawsuit to the DOT for blocking their garbage collection. Meanwhile in TriBeCa, the New York Post reported that a lone restaurateur held a street-side sit-in to protest the installation of a bike station in front of his French Bistro. In the West Village, a co-op on Bank Street filed suit against the City after a station was installed directly in front of its entrance, citing it as a threat to public safety. While the suit was dropped, part of the bike rack was removed and replaced by a mysterious, massive stone bollard, WNYC reported. City Comptroller John Liu has also raised safety concerns, arguing for mandatory helmet laws in a press release. Liu also raised the issue that the bike share program could result in an increase of legal claims against the City, but overall, his message was positive. Bike advocates have been shooting down criticism of the program through social media, and the Brooklyn Spoke blog launched the tongue-in-cheek Bike Share Criticism Challenge taking aim at the most common criticisms. During the first week of operation, only those with a 95$ annual membership will be able to ride, but by June 2 daily and weekly passes will also be available. Check the station map to find the bike share station nearest you, and the price guide to see you’re your ride is going to cost you.
At a New York City Planning Commission review session this week, the staff at New York City Department of City Planning recommended a 15-year limit on the permit extension for Madison Square Garden (MSG), which would be an “aggressive but realistic” time frame to reach an agreement on the future of the arena. This gives MSG a few more years to come up with a plan for relocation or extensive improvements than the proposed 10-year renewal recommended by Manhattan Borough President Scott Stringer. Look for an extended story on the fate of Madison Square Garden in the next print issue of AN. (Photo: Wally Gobetz / Flickr)
What: Tracey Emin’s Roman Standard Where: Petrosino Square (Spring and Lafayette Streets, NYC) When: May 10 to September 8, 2013 This summer, Nolita’s Petrosino Square in New York will feature Roman Standard, a thirteen-foot-tall pole with a solitary bronze bird perched at the top. From the ground, the towering sculpture by Tracey Emin, sponsored by Art Production Fund, White Cube, and Lehmann Maupin in collaboration with NYC Parks & Recreation, is so lifelike that onlookers may mistake it for a real bird. According to the artist, the figure is a sign of “hope, faith, and spirituality” that should serve as a source of reflection. The showcase will be on view from May 10 to September 8, 2013. Emin pulls inspiration from the militaristic representations of traditional Roman Standards and desires to demonstrate the power that an outwardly unimportant creature can personify through stature and space. In an attempt to design a public display full of magic and mystery instead of oppression and supremacy, the artist suggests that successful works of this variety can be inspiring without being monumental. Roman Standard is Emin’s first public art project and was commissioned by BBC in 2005 as a part of the art05 festival. Following a lucrative Times Square appearance in February, the Petrosino Square exhibit marks her second public project in the New York City. She is a renowned contemporary artist and is globally recognized for her brutally honest approach to art. In concurrence with Roman Standard, Lehmann Maupin will host the two-part installation, Tracey Emin: I Followed You To The Sun. Highlighting more than 100 original works, the exhibition will be on view through June 22, 2013 at both of its New York galleries. The show will expose Emin’s most personal tales.
All too often public buildings can fall short on creativity, but with the launch of the Design + Construction Excellence Program in 2004, the Bloomberg administration has raised the ante and tapped a number of top architecture firms from around the world to work on a slew of new city projects. The New York City Department of Design and Construction (DDC) announced today that they have selected 26 emerging and leading architecture firms out of pool of 264 applicants to participate in the next wave of the program, including the likes of BIG-Bjarke Ingels Group, nArchitects, and TEN Arquitectos. “Working in partnership with these talented architects and DDC’s client agencies, we will continue to build New York’s libraries, firehouses, police precincts, EMS stations, cultural institutions, and other projects with creativity, beauty, and an emphasis on community improvement,” said Commissioner David J. Burney in a statement. From this group of firms, six will be considered for projects costing more than $15 million, and twenty will be assigned to projects of less than $15 million. The DDC selected the following twenty firms for the under $15 million group: Abruzzo Bodziak Architects, Bade Stageberg Cox Architecture, Belmont Freeman Architects, Biber Architects, Cooper Joseph Studio, FR-EE Fernando Romero Enterpris, Gray Organschi Architecture, Hanrahan Meyers Architects, Leroy Street Studio, Levenbetts, Matthew Baird Architects, Monica Ponce de Leon Design and Architecture, Moorehead & Moorehead, nArchitects, Rice + Lipka Architects, Smith-Miller + Hawkinson Architects, Spacesmith, Studio SUMO, WXY, and Yoshihara McKee Architects. The six firms that will focus on projects of more than $15 million include: Allied Works Architecture, BIG-Bjarke Ingels Group, Ennead, Steven Holl Architects, Studio Gang Architects, and TEN Arquitectos.
The American Academy of Arts and Letters has announced its 2013 architecture awards recipients. The winners were chosen from a group of 32 individuals and practices nominated by Academy members. An exhibition of their work will be on display at the Audubon Terrace in New York City from May 16 to June 9, 2013. The Academy’s architecture awards program was established in conjunction with the 1955 inauguration of the annual Arnold W. Brunner Memorial Prize in Architecture, which is presented to a leading architect from any country who has made a noteworthy contribution to architecture as an art. Alberto Campo Baeza from Madrid, Spain won the $5000 prize this year. He has practiced and taught architecture for over 35 years at prominent universities in the U.S. and abroad. He turns architecture into art through utilizing timeless forms. Campo Baeza received the 2013 Heinrich Tessenow Gold Metal. Two Arts and Letters Awards of $7500 recognizing American architects whose work holds a strong personal bearing were presented to Teddy Cruz of San Diego, California and Thomas Phifer of New York. Teddy Cruz is an architect, academic, and activist who investigates the politics and economics that compel urban conflict. Thomas Phifer, who has led his own New York City practice since 1996, blends the beauty and simplicity of Modernism with awareness of the natural environment. Barry Bergdoll and Sanford Kwinter of New York each won an Arts and Letters Award of $7500 given to Americans exploring ideas in architecture using any method of expression. Barry Bergdoll, a 19th- and 20th-century architectural history scholar, is the Philip Johnson Chief Curator of Architecture and Design at the Museum of Modern Art. Sanford Kwinter is a witer, editor, and Professor of Architectural Theory and Criticism at the Harvard Graduate School of Design, where he co-directs the Master in Design Studies program.