A formal dedication for a creative urban intervention called ARTfarm brings flowers and greenery to a formerly barren step street in the Bronx. Architects Valeria Bianco, Christian Gonsalves, Shagun Singh, and Justin Taylor designed and built the project with help from Architecture for Humanity and the Bronx Museum of the Arts. Drawing inspiration from a nearby farmers' market, ARTfarm recycles wooden cabinet doors and crates into 59 planters for a variety of plants and transforms a concrete and stone stairway into a lush tiered garden. ARTfarm received $5,000 in funding from the New York Department of Transportation Art Program, pARTners. The program seeks to transform New York's public realm through art and design to create a safer, more inviting streetscape. “From concrete step streets to chain link fences on ordinary street corners, we’re bringing art to streetscapes citywide to redefine these in-between spaces,” said Commissioner Sadik-Khan in a release. “With the help of our local partners, New Yorkers are rediscovering slices of neighborhoods near and far through colorful artwork that makes these places more attractive, welcoming destinations for everyone.” ARTfarm was built by local school children, community residents, and Architecture for Humanity volunteers and will be in place for eleven months. The installation is located on Step Street at 165th Street and Carroll Place in the Bronx.
Posts tagged with "New York City":
The battle for Midtown Manhattan has taken a new twist. Radio broadcasters located in the nearby Empire State Building have raised concerns that Vornado Realty Trust's proposed 15 Penn Plaza will swat their signals from the sky. Standing at over 1,200 feet tall, broadcasters worry the Pelli Clark Pelli designed 15 Penn Plaza could reflect or disrupt radio frequencies, causing a phenomenon known as multipath where multiple waves are sent to the same signal. Radio World reports that experts have been watching the proposed tower closely as it was recently given a thumbs up after a contentious approval process in which Empire owner Tony Malkin argued 15 Penn Plaza would diminish from the historic significance of his building. From Radio World:
"Vornado officials have not indicated an interest in building rooftop broadcast facilities atop the new tower, according to observers. "The Empire State Building is home to 19 FM stations and most of the city’s digital television transmitters. Many radio and television broadcasters migrated there after the collapse of the World Trade Center’s twin towers in the attacks of Sept. 11, 2001 (see sidebar). "Multipath issues are nothing new in the city because of its monstrously tall buildings, but the proximity of the skyscraper to the Empire State Building — approximately a quarter-mile — raises a red flag for some in the broadcast community."
Last night, the 1500 Gallery in Chelsea held an opening for Brasilia, a show of iconic photographs dating from the creation of the freshly minted Brazilian capital. Indeed, the show is meant to be a celebration of the Semicentennial of Oscar Niemeyer's city in the jungle. The show was organized by Brazilian photographer Murillo Meirelles and will be up through November 27. Pictures of pictures, and more from the opening, after the jump.
As we reported a few weeks ago, the Landmarks Preservation Commission is gearing up to create a huge new historic district on the Upper West Side. Last night, the commission held a meet-and-greet with the neighbors, at which the tentative boundaries for the new district—technically five contiguous extensions to five existing districts—were unveiled. As the map shows, it's quite a lot of real estate, and though smaller than the extant Upper West Side historic district (2,000+ versus 745) it will become, should it be approved, one of the largest in the city. What's most interesting, though, is how much of the Upper West Side will now be under the commission's purview. It will be interesting to see how the development community reacts.
The fabulous Peter Marino has designed a fabulous new store for Chanel in Soho, which opened Friday for Fashion Night Out. It’s so fabulous that Chanel Global Creative Director Peter Phillips created a new makeup line paying homage to Marino’s sleek lines and the sleeker girls who hobble about the cobblestone streets surrounding the store. As for the renovation itself, it was inspired by the artsy spirit of the neighborhood and features an acrylic Chanel No. 5 bottle that stands over 10 feet high and will display video art as well as video of runway shows from Paris. The newly outfitted boutique has a gallery feel to it, complete with commissioned artworks by Peter Belyi, Alan Rath, and Robert Greene. More makeup and makeover after the jump.
They're currently in the works in a shop in Gowanus, and we'll have more pictures come Friday, after the in situ party Thursday night (see you there), but here, finally unveiled, are the dozen winning sukkahs from the first annual Sukkah City competition. We first revealed the impressive project, with the ambition of redefining this ancient Jewish structure, back in May, and last month we dug up the dirt on three of the winners, including preliminary plans for the homeless-sign-constructed Sukkah of Signs above. After the jump are a few more of our favorites, with all of the winners and entrants over on the competition's site. They'll be showing up in Union Square a few nights before Sukkot, on Sunday and Monday, with the winner of the People's Choice sukkah, currently being selected over at New York magazine, staying all week. So go on. Vote already. It's a mitzvah and'll do your bubbe proud.
On Tuesday, the Parks Department cut the ribbon on the River Avenue pocket parks in the Bronx. It is the latest piece of the sprawling, long-overdue parks system promised by the Bloomberg administration in exchange for the parks sacrificed and taxes forgone in the name of the House That Steinbrenner Built (God rest his soul). But that is not what is truly interesting about the River Avenue park. What is is that it contains a skatepark. The fourth one to open this summer, in fact, preceded by new ramps and half-pipes at Hudson River Park (above), Flushing Meadows, and Robert Venable Park in Brooklyn’s East New York neighborhood. A very popular park opened last year as the first piece of the McCarren Park pool’s redevelopment. (This reporter saw young scalawags jumping the fence to get in even before it was finished, so eager were they to ollie about.) The Parks Department now has 11 skateparks under management, with more on the way. Meghan Lalor, a Parks spokeswoman, said evolving tastes were to thank for the explosion in skateparks. “While there is no formal initiative to build more skate parks per se, we’re always attentive to ways to provide what New Yorkers want and need as their interests in sports and recreation evolve, and we’re delighted to offer them the opportunity to perfect their skills on inline skates, skateboards, and bikes in safe, designated areas,” Lalor wrote in an email. And yet it still seems like a startling idea, city-sanctioned skating. After all, this is the administration that would not even tolerate ancient (and famous!) graffiti along the High Line, even as all this new gnarly pavement seems akin to putting up canvases around the city for the express purpose of tagging. Perhaps skating has gone so mainstream that it is no longer subversive, and thus nothing to worry about. Or perhaps the Parks Department is herding all the skaters together to keep them off the streets and out of the parts of the parks where they are not welcome. Now wouldn’t that be truly subversive?
Yesterday, John Hill, arguably the city's most prolific architecture critic, finished up one of his latest projects, entitled "31 in 31." In addition to his usual flood of posts, Hill is chronicling one building every day in August, in preparation for a new guide book. The buildings are scattershot, ranging from the new Crocs super store in the West Village to One Bryant Park, but most of them are new and, in a way Hill always seems to manage, representative of precisely what has been going on in the city recently—not comprehensive, but authoritative. It's a rundown worth running down, but one building in particular caught our eye: the rather unassuming Wilf Hall at NYU. The project is not yet complete, but it caused quite a stir when it was proposed. Local preservationists objected to the project because it would destroy the Provincetown Playhouse, where Arthur Miller got his start, as well as the home of a number of other old, long-gone bohemian haunts. (Granted prerservationists object when NYU sneezes.) Even though the project is not located in a historic district, master faker Morris Adjmi was brought in, an architect known for his historically sensitive work, including the Scholastic Building in Soho and the High Line Building across from the Standard. Here, Adjmi appears to have pulled off a very nice set of four modern rowhouses, rather prettier ones than the building it replaced. The retained and restored facade of the Provincetown Playhouse is particularly notable for how draws attention to the historic structure, highlighting it instead of hiding it. It is a refreshing building after so much massive development by the university, from Philip Johnson's unusual Bobst Library to the downright awful Kimmel Center. It would seem this is the first project from NYU to make good on its promise to respect the scale and architecture of the Village—a promise that may not hold if its bombshell of an expansion plan is approved in the coming months and years. So what does Andrew Berman, head of the Greenwich Village Society for Historic Preservation and leading NYU antagonist think of Adjmi's building? He is not impressed, to say the least. In response to a query from the Observer, he sent over the following email:
The Provincetown Playhouse and Apartments was one of the most historically and culturally significant buildings in New York City, and should never have been demolished. It was the home not only of the world-famous theater, but of a collection of institutions which were called by historians "the cornerstone of bohemia" and "the locus of cultural activity and the gathering places of all the figures associated with the Greenwich Village Renaissance that began the era of Modernism in the U.S." The entire building had been determined eligible for the State and National Register of Historic Places, and for a mere increase of 17,000 sq. ft.of space NYU chose to demolish rather than renovate or reuse the building, though only five years earlier they had demolished several other historic edifices including the Poe House and Judson Houses just across the street to make way for yet another mammoth Law School building. To add insult to injury, NYU's promise to preserve in perpetuity about 5% of the original building was secretly compromised when, behind construction walls, they actually demolished part of the tiny theater space and kept that fact hidden, which was only revealed by vigilant neighbors and GVSHP. Is the new building less overwhelming and oppressive than many other recent NYU projects? Of course, but it would be a shame if that were the sliding scale by which we judged the university. Wilf Hall will sadly always be a monument to the university's broken promises and greed, and to the loss of yet another irreplaceable piece of New York's proud history.So much for community outreach.
The NYC Department of Buildings recently launched a YouTube channel. You'd think the department's time would be better spent actually inspecting buildings instead of making videos about inspecting buildings, but a) given the black eye the department suffered after the two crane accidents two years ago, and b) this is a pretty damn good video, let's let our criticism slide. In fact, this simple black-and-white-photos-and-voiceover film verges on tearjerker. "A lot of the companies out there welcome us and are happy to see us out there performing a safety inspection, and then there's that percentage that want no part to do with us," intones inspector Joseph Coben, the Bronx still thick in his voice. Interesting factoids about the three-year-old scaffolding team abound, like how every scaffold gets a walkthrough no matter how dangerous, and how thankful workers are for the inspector getting them off a dangerous site they can't leave without risking their jobs. Grab some popcorn and a hardhat and enjoy.
The Downtown Alliance unveiled "Restore the View" today, the latest installation in its re:Construction program, which gussies up downtown construction fencing. The program began in 2007 and has gotten bigger each year, with five installations done earlier this summer and now three from Pasquarelli, the first artist to conceive of more than one. "Restore the View" just went up over the weekend at the site of Fitterman Hall, across from 7 WTC. "Secret Gardens" will mask road construction on Chambers Street and "Hours of the Day" is going up on a plaza across from the new W Hotel on Washington Street. Not only is it nice that the Alliance is concerned with how these sites look, but it means there is a lot of work still going on downtown. Still, one project is conspicuously missing, and that is the Urban Umbrella, the winner of last winter's UrbanShed competition. UrbanShed was launched by the DOB and the New York chapter of the American Institute of Architects with the goal of redesigning those ubiquitous construction sheds that must be set up at even minor construction or renovation sites. The hope was to make something more transparent and accessible, something apparently achieved by the Urban Umbrella. Apparently because the new construction shed was to be installed some time this summer at one of Lower Manhattan's multiple construction sites. So far nothing. James Yolles of the Alliance said it should be up by October, DOB said year's end. Still no word on why there have been delays, but it's too bad because who is going to want to huddle together on a blustery fall day for the ribbon cutting?
The West End Preservation Society could only save two of the buildings it had hoped for, but an entire neighborhood has been preserved in the process. Back in 2007, a clutch of concerned citizens living on West End Avenue were dismayed to learn that two pairs of brownstones were bound for the wrecking ball, to be replaced by the sliver buildings much in vogue in Manhattan's narrow upper reaches over the past decade. The houses at 732 and 734 West End Avenue are currently being demolished, but 508 and 510 West End Avenue survive, and likely will for some time thanks to the efforts of the society. The LPC is now preparing to finalize plans for a new, expansive historic district—lobbied for by the preservation group—running the length of West End Avenue from 70th Street to 109th Street. The result will be two-miles of almost uniterrupted pre-war grandeur. The commission recently sent out letters to affected property owners notifying them of a September 15 informational meeting at P.S. 75 (located in the district-to-be at 735 West End Avenue). Such meetings are typically a precursor to "calendaring" a project, when it officially enters public review, a step that is now expected by October or November. Commission spokeswoman Elisabeth de Bourbon said a final map of the proposed district will be released at next month's meeting, and it will include 745 new buildings—large by most historic district standards, though the Upper West Side already boasts some 2,035 landmarked buildings. Technically, the commission will not be creating one new district but expanding five that line West End Avenue. Though the result will be one contiguous stretch of landmarks, de Bourbon said the idea was to group them in a way that would honor the individual character of each district, "its history and its rhythms." By expanding the existing districts, the commission will also protect more buildings on the side streets, further what many consider one of the most pristine stretches of pre-war architecture in the city.
For the first time in 15 years, the Unisphere, one of the '64 World's Fair's numerous icons, is back on, its fountain at full force thanks to a $2 million renovation funded by the Queens Borough President and the city. Designed by landscape architect Gilmore D. Clarke, the fountain is, as Parks Commissioner Adrian Benepe puts it, part of the city's Versailles that is Flushing Meadows. While not quite the Lincoln Center fountain, we'd still sit here any day and enjoy some Belgian waffles, which a press release informs us were served at Thursday's rechristening, having been a favorite at the Fair.