NVIDIA’s cavernous, Gensler-designed 500,000-square-foot headquarters opened for business late 2017, capping off a seven-year effort to create a new state-of-the-art office complex for the technology company. Located in Santa Clara, California, the triangular complex takes a decidedly inward approach to the open, creative office type. Unlike Facebook’s park-topped headquarters or Apple’s ring-in-the-forest complex, which feature expansive connections to the outdoors and commingle quasi-public access with offices, NVIDIA’s new home base is self-contained and mono-functional, more high-tech tent than big-nature oasis. Instead of bringing the outside in, Gensler’s designs utilize a soaring internal volume and 245 perfectly calibrated triangular skylights set into a modular, undulating roof that turns the inside out. Workers are expected to arrive by car, entering the building’s underbelly via two basement parking levels containing 1,500 stalls. A glass-enclosed elevator core welcomes arrivals before whisking them to the cavernous offices above, where they are greeted by a faceted, black metal panel cocoon wrapping the all-white elevator core. This angular, two-story volume creates a sheltered area at the heart of the building underneath an orderly grid of skylights that was laid out using virtual reality software to determine each skylight’s final placement. Hao Ko, principal and managing director at Gensler, said, “We worked hard to get the right specifications of glass makeup to allow us the right quality of diffused and soft sunlight in the space. The final result—where the daylighting is evenly dispersed throughout and evenly experienced by everyone—is a testament to the upfront work we did in design.” Because of Santa Clara’s zoning laws, the structure could only rise two stories and ultimately topped out at 50 feet tall. In response, Ko’s team created two soaring levels within the arched envelope of the building, taking the opportunity to transform the office’s many staircases into broad, socially vibrant areas while also creating an upper level that functions more like a mezzanine than a fully-enclosed floor. Along the ground, squat cubicles, an institutional-seeming dining hall, and multifunctional lab spaces orbit the opaque core, which itself contains lounges, meeting rooms, coding nooks, and research areas. The level above, meanwhile, is populated by parallel rows of cubicles interrupted by acoustically-sealed meeting pods that extend every which way. The end result is a workplace envisioned and constructed to look good—and work well—in any light.
Posts tagged with "natural light":
Studio Gang Architects' Arcus Center at Kalamazoo College in Michigan broke ground in 2012. Now photos of this sylvan study space are available, following its September opening. And they don't disappoint. The 10,000-square-foot building is targeting LEED Gold. Gang's press release said the new social justice center, a trifurcated volume terminating in large transparent window-walls, “brings together students, faculty, visiting scholars, social justice leaders, and members of the public for conversation and activities aimed at creating a more just world.” The open interior spaces are connected with long sight lines and awash in natural light—a cozy condition Studio Gang says will break down barriers and help visitors convene. The building's concave exterior walls are made of a unique wood-masonry composite that its designers say will sequester carbon. It also, says a release, “challenges the Georgian brick language and plantation-style architecture of the campus’s existing buildings.”
The redevelopment of Indianapolis' Market Square area continues with the announcement that Deborah Berke Partners of New York City will work with locally based RATIO Architects on a 10-story office tower and “significant public green space” to replace a surface parking lot. In renderings released Wednesday, a slim, glassy tower hefts the bulk of its block-wide breadth southward, collecting sunlight as it reaches a low-rise mass around lush green space bordered by Market, Alabama, Washington, and New Jersey streets. Green roofs blanket both buildings, which will each have about 15,000 square feet of first-floor retail fronting onto a pedestrian plaza. The programs include a parking garage and conference center, as well as office space and retail. Columbus, Indiana–based Cummins makes and services natural gas engines and other fuel systems, employing about 48,000 people worldwide. About 250 workers, including top executives, will move into the building immediately, reported the Indianapolis Star, assuming the plan passes a City-County Council vote that could come as early as December 17. Mayor Greg Ballard has already voiced support for the project, which he said in a statement “raises the bar for architecture in Indy and will stand as a bold and visually compelling gateway into the city.” The building's form, a kinked rectangular prism, is slightly stepped and shifted to maximize natural light inside the office tower. Black, rib-like mullions vary the facade's texture when viewed from an angle. Local architect Wil Marquez told the Star it represents "a new type of architecture for Indianapolis." “This is the new vocabulary in architecture, tying together buildings and green space,” Marquez said. Along with a 28-story residential tower planned across the street, a rebuilt plaza space nearby and a sleek, new $20 million transit center by the City-County Building, Cummins' plans represent somewhat of a rebirth for this long neglected corner of downtown Indianapolis. Deborah Berke Partners beat out New York colleagues SHoP Architects and Tod Williams Billie Tsien Architects for the job.