Posts tagged with "nARCHITECTS":
James Corner Field Operations and nARCHITECTS team up to revamp 10-acre park in the heart of Cleveland
Cleveland’s downtown is more welcoming thanks to a civic space replacing a formerly traffic-choked intersection. The Public Square is a recently completed 10-acre park designed by James Corner Field Operations (JCFO). The $50-million project also includes a small cafe designed by New York–based nARCHITECTS with local architects Westlake Reed Leskosky. Initiated by nonprofit organization The Group Plan Commission, the Public Square is a major part of larger mission to connect Cleveland’s public spaces to Lake Erie.
The design joins four smaller traffic islands situated between the wide lanes of Superior Avenue and Ontario Street in the heart of the city. As part of making the space more pedestrian friendly, Ontario Street was shut down in that section, and Superior Avenue, which still bifurcates the area, was altered and restricted to public transportation. A butterfly-shaped path encircles the site and is flanked by curving park benches designed by JCFO. Within the paths, small hills produce an outdoor amphitheater and provide a lookout over the surrounding traffic.
The Café Pavilion, the final piece of the square, includes a large kitchen and a modest interior dining space. A 60-foot glass facade looks out onto the Public Square and a large fountain. A curated art wall covers the opposite facade, while triangulated metal panels wrap much of the rest of the exterior. Side windows, impressed into the form of the building, allow for views from the street through the dining area and onto the square. The only other structure in the square is the 125-foot Soldiers’ & Sailors’ Monument, dedicated to those who fought in the Civil War. Built in 1894, the large monument once occupied one of the quads divided by traffic, but it is now integrated into the corner of the Public Square.
By adding a more inviting green space into the center of the city, the designers are taking part in an effort to revitalize Cleveland’s downtown. Before the park even opened, programs and events were already planned for the square, including hosting the performance season of the Cleveland Orchestra. A temporary outdoor installation by Milan-based Cracked Art was also commissioned by LAND Studio, the nonprofit landscape and public art agency that managed the project. The National Endowment of the Arts awarded arts organization Cuyahoga Arts and Culture a $50,000 matching grant for additional arts programming for the Public Square.
Like many recently built civic spaces across the country, the public–private partnership behind Public Square raised both the public and private funds for the needed $50 million for the project. Similar projects, such as Chicago’s Millennium Park and Houston’s Discovery Green, though both larger than the Public Square, have been wildly popular, much to the benefit of the surrounding cities. Others point to the success of JCFO’s High Line Park in New York as a good sign that the square will have the positive impact the city anticipates. In any case, Cleveland has a little more public space to enjoy—and a little less traffic to avoid—in its downtown.
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Opening to the public in the new year, and featuring a slew of to-be-determined programs and events, creative hub A/D/O stands on a quiet corner in Greenpoint, Brooklyn. The coworking space—developed by MINI and designed by nARCHITECTS—will cater to creative and design professionals and house URBAN-X, an accelerator for innovative hardware startups. A/D/O will also act as a portfolio project for the car company as it explores non-automotive ideas.
The 23,000-square-foot former warehouse at 29 Norman Avenue will offer 24 private desks for emerging and established designers (selected through an application process), as well as access to studio spaces and an array of design tools to prototype ideas in-house. A/D/O also includes a cafe, a design store, exhibition spaces, and indoor and outdoor hangout spaces, all oriented around a vast abundance of free working space that will be open to the public.
In a city where a good 90 percent of co-working spaces are member-only, A/D/O seeks “to flip the idea of working spaces on its head,” said managing director Nate Pinsley. “We thought it was far more interesting that the majority of the space is very permeable, so that people can figure out how [A/D/O] fits in their design life.”
With this in mind, Eric Bunge, principal at nARCHITECTS, explained that the concept of “remix” governed the approach to A/D/O’s design, applying the idea to both the physical building and its program. Rather than dividing the warehouse into different zones, “the spaces kind of bleed into each other,” Bunge said, maintaining that “transparent connections to the main event space” allow people to “see what would normally be going on behind closed doors.”
At the core of its programming, A/D/O’s Design Academy will seek to foster critical conversations around the future of design to explore “opportunities for cross-fertilization between disciplines of design,” said Daniel Pittman, A/D/O’s director of design, as well as “how those different disciplines interact with the broader world.”
The space is oriented around the engagement between designers and non-designers, seeking “that sweet spot between the more intellectual group that will be in the space, and the people who have a respect for it, but are not credited in the field,” said cultural programming director Alyse Archer-Coité.
This past fall, the A/D/O played host to a series of events to ramp up the buzz around the new space, including the Open House New York Weekend Launch Party, the Architectural League of New York’s Beaux Arts Ball, and, more recently, The Future Series, presented by B&O Play.
With regard to what sets A/D/O apart from the other maker-spaces in Brooklyn, Archer-Coité believes that its strength lies in its flexibility. “The space affords options for designers to bring some of their more wild projects to life, and for projects that have had lives outside of New York to be celebrated or workshopped,” she said. “In New York there isn’t that flexible space for activating certain projects like that. It’s an asset that would make certain projects possible that wouldn’t be otherwise.”
For more on A/D/O, visit their website here.