In a selection process with more leaks than the Titanic (or, ahem, the Gulf of Mexico) the LA Times reports (thanks to a number of anonymous sources) that Eli Broad is favoring Diller Scofidio + Renfro for his new contemporary art museum. In a previous leak the Times reported the narrowing of firms to Diller Scofidio and Rem Koolhaas's OMA. This of course follows the leak that we first reported in March: that Broad was favoring downtown for the museum instead of Santa Monica. Of course none of this is official. In fact Broad hasn't even formally announced a shortlist or a location. And he's still waiting for city approval to lease the Bunker Hill site for $1 per year for 99 years (the LA CRA now owns the site, just next to the Walt Disney Concert Hall). But all this insider information is giving Washington politics and Wall Street banking a run for its money. Man, this Broad guy really knows how to play cities, and the media, doesn't he? He should become a businessman or something. Meanwhile, is any firm hotter than Diller Scofidio + Renfro?
Posts tagged with "Museums":
After making nary a peep about his proposed Beverly Hills museum since last April, Eli Broad is again making it clear that he wants the project to move forward. And that he wants it to be much bigger. According to the LA Times, a plan sent last month to the Beverly Hills Planning Department calls for nearly 50,000 square feet of exhibition space (including a 6,100 square foot outdoor area for sculpture), up from the 25,000 previously anticipated. According to the story he's also included Santa Monica as a possible contender for the museum, for which he would create a $200 million endowment. And now the cities are jockeying for position: Kevin McKeown, a Santa Monica city councilman, told the Times, "I'll do everything I can to make this happen." Meanwhile Cheryl Burnett, the city of Beverly Hills' spokeswoman, issued a statement saying, "While we recognize that the Broad Foundation has many options. . . . There's no better place than Beverly Hills to showcase this world-class contemporary art collection." Let..the..fireworks..begin.
Rafael Vinoly recently completed a new addition and renovation at the Cleveland Museum of Art, a major encyclopedic collection set in the city’s leafy University Circle area, which includes Case Western Reserve University and cultural institutions like the famed Cleveland Orchestra. The campus includes a 1916 Beaux Arts building and a Marcel Breuer-designed addition from 1971. Vinoly reportedly worked closely with the museum’s then director Timothy Rub, and critics have praised the addition’s galleries and the improved circulation throughout the complex. While I’m not wild about the stripes on the exterior of the new East Wing, which at first seem like an odd echo of postmodernism from Vinoly, Breuer used similar bands of stone in his wing, and Vinoly's substantial proportions in masonry and glass strike a good balance between Beaux Arts and Brutalism. This is the first of a two-phase expansion. Rub recently left Cleveland for the Philadelphia Museum of Art, where he will oversee a major expansion at that museum by Frank Gehry. If it turns out as well as Vinoly’s work in Cleveland, the Philadelphia project will help to put to rest the belief that Gehry’s museums are not very art- or curator-friendly.
While unlikely to receive the scrutiny or attention of the Museum of Arts and Design in New York, the new addition to the University of Michigan Museum of Art is something of a return to form for Brad Cloepfil and Allied Works. The extension is uncompromisingly modern, tasteful, light-filled, and restrained enough to be a good neighbor to its beaux arts other half. The Detroit News sings the project's praises, and says that the museum now displays ten percent of its collection, up from a mere three percent prior to the expansion. With at least four museums now under his belt, Cloepfil has become a home grown Renzo Piano. The UMMA addition is likely to expand his reputation further. Next up, the Clifford Still Museum in Denver.