Posts tagged with "Museums":

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Unveiled> BIG Wins Again in Greenland

Bjarke Ingels continues his relentless forward march toward world domination, winning yet another project, this time a gallery in Nuuk, Greenland. With so many recent mountains, it appears BIG has moved on to new iconographies inspired by land art, a barnacle perhaps? The Greenland National Gallery is a low, doughnut-shaped structure hugging a difficult terrain on a dramatic fjord. BIG's entry beat a number of firms including Norwegian Snøhetta, Finnish Heikkinen-Komonen, Islandic Studio Granda and Greenlandic Tegnestuen Nuuk. “The Danish functionalistic architecture in Nuuk is typically square boxes which ignore the unique nature of Greenland. We therefore propose a national gallery which is both physically and visually in harmony with the dramatic nature, just like life in Greenland is a symbiosis of the nature. We have created a simple, functional and symbolic shape, where the perfect circle is supplied by the local topography which creates a unique hybrid between the abstract shape and the specific location”, Bjarke Ingels said in a release. Visitors enter the building under a slight lift in the building's facade facing a panoramic view of the waterfront. The building itself is a perfect circle surrounding an interior sculpture courtyard forming a hybrid focal point of culture and nature. BIG says the layout enables flexible gallery arrangements.
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New Whitney Museum Takes Flight Along the High Line

The Whitney Museum, set on an outpost far from Manhattan's posh Upper East Side and in the midst of the hip yet historic Meatpacking District, is forging ahead with its grand plans to make a bold architectural statement with a new building by Renzo Piano, which will sit adjacent to Gansevoort Market Historic District and the post-industrial High Line park. First they must get their approvals, including the non-governmental, but not unimportant, local community board, which is "charged with representing community interest on crucial issues of development and planning, land use, zoning and City service delivery." Yesterday officials from the Whitney presented the large, probably not shiny new museum design to the Arts & Institutions Committee of Community Board 2 with a zippy video that flies viewers through the iceberg-like structure. The big change from earlier manifestations seems to be the addition Breuer-like fenestration facing the High Line. (video courtesy of Greenwich Village Society for Historic Preservation)
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Snohetta Heads South of the Border

The Oslo- and New York-based firm Snøhetta has been chosen to design the new Museum of Environmental Sciences at the University of Guadalajara. They were selected from a short list including Shigeru Ban, DS+R, Smiljan Radic, and Mauricio Rocha.

Construction on the $35 million building, which was developed in collaboration with ARUP, is scheduled to begin in 2011. Located in Mexico's second most populated city, the museum will be part of the school’s Centro Cultural Universitario, which will consist of a cultural district adjacent to the main campus and planned wilderness preserves.

According to Snøhetta, the site's "unique hybrid of cultural and natural landscapes allows for a new understanding in Mexican architecture." As such, the design makes use of linked courtyards and gardens to maximize fresh air, open space and natural light. The irregularly-shaped courtyards are meant to echo both traditional Spanish colonial planning and forms found in the surrounding landscapes of Jalisco.

Acting as a bridge between the university's new library and auditorium buildings, the structure will be compact, keeping sight-line disruptions to a minimum. With trees peeking out from the gardens below, the museum's rooftop will be accessible to visitors, giving them another perspective from which to view the surrounding area.

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Broad Damaging Public Process

Leave it to Eli Broad, who is putting up his own museum in Downtown LA, to make a mockery of the public process. Despite getting a great deal on one of the most valuable pieces of real estate in the city he still hasn't shared any of the designs for the new museum. His only nod was inviting the LA Times Christopher Hawhthorne to see the contending models a few weeks ago, and not letting any other  members of the press in. Hawthorne, it appears, could not publish his thoughts until after a winner was chosen, and even then his article didn't show any photos. And the Broad Foundation doesn't plan to share any images of the winning scheme until after ground is broken. This is a disaster for LA, which will effectively have no say over one of the most important cultural institutions in its history.
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Broad Museum Leak Number 100: Diller Scofidio + Renfro?

In a selection process with more leaks than the Titanic (or, ahem, the Gulf of Mexico) the LA Times reports (thanks to a number of anonymous sources) that Eli Broad is favoring Diller Scofidio + Renfro for his new contemporary art museum. In a previous leak the  Times reported the narrowing of firms to Diller Scofidio and Rem Koolhaas's OMA. This of course follows the leak that we first reported in March: that Broad was favoring downtown for the museum instead of Santa Monica. Of course none of this is official. In fact Broad hasn't even formally announced a shortlist or a location. And he's still waiting for city approval to lease the Bunker Hill site for $1 per year for 99 years (the LA CRA now owns the site, just next to the Walt Disney Concert Hall). But all this insider information is giving Washington politics and Wall Street banking a run for its money. Man, this Broad guy really knows how to play cities, and the media, doesn't he? He should become a businessman or something. Meanwhile, is any firm hotter than Diller Scofidio + Renfro?
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Broad Museum: 90210 vs 90402

After making nary a peep about his proposed Beverly Hills museum since last April, Eli Broad is again making it clear that he wants the project to move forward. And that he wants it to be much bigger. According to the LA Times, a plan sent last month to the Beverly Hills Planning Department calls for nearly 50,000 square feet of exhibition space (including a 6,100 square foot outdoor area for sculpture), up from the 25,000 previously anticipated. According to the story he's also included Santa Monica as a possible contender for the museum, for which he would create a $200 million endowment. And now the cities are jockeying for position: Kevin McKeown, a Santa Monica city councilman, told the Times, "I'll do everything I can to make this happen." Meanwhile Cheryl Burnett, the city of Beverly Hills' spokeswoman, issued a statement saying, "While we recognize that the Broad Foundation has many options. . . . There's no better place than Beverly Hills to showcase this world-class contemporary art collection." Let..the..fireworks..begin.
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Between a Column and a Hard Place

Rafael Vinoly recently completed a new addition and renovation at the Cleveland Museum of Art, a major encyclopedic collection set in the city’s leafy University Circle area, which includes Case Western Reserve University and cultural institutions like the famed Cleveland Orchestra. The campus includes a 1916 Beaux Arts building and a Marcel Breuer-designed addition from 1971. Vinoly reportedly worked closely with the museum’s then director Timothy Rub, and critics have praised the addition’s galleries and the improved circulation throughout the complex. While I’m not wild about the stripes on the exterior of the new East Wing, which at first seem like an odd echo of postmodernism from Vinoly, Breuer used similar bands of stone in his wing, and Vinoly's substantial proportions in masonry and glass strike a good balance between Beaux Arts and Brutalism. This is the first of a two-phase expansion. Rub recently left Cleveland for the Philadelphia Museum of Art, where he will oversee a major expansion at that museum by Frank Gehry. If it turns out as well as Vinoly’s work in Cleveland, the Philadelphia project will help to put to rest the belief that Gehry’s museums are not very art- or curator-friendly.
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Allied in Ann Arbor

While unlikely to receive the scrutiny or attention of the Museum of Arts and Design in New York, the new addition to the University of Michigan Museum of Art is something of a return to form for Brad Cloepfil and Allied Works. The extension is uncompromisingly modern, tasteful, light-filled, and restrained enough to be a good neighbor to its beaux arts other half. The Detroit News sings the project's praises, and says that the museum now displays ten percent of its collection, up from a mere three percent prior to the expansion. With at least four museums now under his belt, Cloepfil has become a home grown Renzo Piano. The UMMA addition is likely to expand his reputation further. Next up, the Clifford Still Museum in Denver.