A new film series at the Museum of Arts and Design (MAD), dubbed "Midcentury Masters," will focus on several prominent postwar architects and designers, including sculptor and furniture designer Henry Bertoia, who is currently being featured in exhibits at the museum, and his contemporaries Buckminster Fuller, Charles & Ray Eames, and Lina Bo Bardi. The series kicks off on June 16 with Charles & Ray Eames: The Architect and the Painter. This feature length documentary, narrated by James Franco, traces the lives and careers of the legendary husband-and-wife team and highlights their influence on American art and culture. The 1965 short film Bertoia’s Sculpture will be screened immediately after and will feature a soundtrack composed by Bertoia himself. On June 23 the museum will screen The World of Buckminster Fuller, a documentary about the eclectic architect and inventor; it features extensive interviews with Fuller himself. The series will continue on June 30 with a double feature about Italian-Brazilian modernist architect Lina Bo Bardi. MAD describes the four-minute long The New World of Lina Bo Bardi as “fan fiction” for the architect: it shows images based on her sketches and buildings. Next, Precise Poetry—released on the year of what would have been her 100th birthday—is made up of an extensive collection of interviews with friends and associates of Bo Bardi. This film series is presented in conjunction with two exhibitions about the work of Harry Bertoia. The Bent, Cast & Forged (running until September 25, 2016) exhibit will show Bertoia’s jewelry, which he began making as a high school student after coming to America from Italy at the age of 15. He returned to the craft when furniture-scale metalworking became prohibitively expensive during World War II. Bertoia went on to design the famous Bertoia Collection for the Knoll furniture company that included the Diamond chair, the success of which allowed him to devote the latter part of his career to sculpture. Bertoia’s sound sculptures are the subject of the Atmosphere for Enjoyment (also running until September 25, 2016) exhibit, which aims to recreate the experience of hearing his sculptures “played” in the stone barn on the sculptor’s Pennsylvania property. Sound sculptures, as the name suggests, are sculptures that make noise when touched or moved by the wind. Bertoia recorded hundreds of audiotapes of his works, which are collectively known as Sonambient. More details on all these films can be found here.
Posts tagged with "Museum of Art and Design":
Last week at the Phaidon Bookstore in Soho, White Box held a benefit for their new sustainable art garden by organizing a panel discussion called "Sustainable Work Lab: new projects in art, architecture and urban design." Ali Hossaini moderated the discussion between landscape designer Frances Levine, architect David Turnbull, and urban designer Maria Aiolova. Hossaini yielded to Turnbull's freewheeling conversation about Socratic love, i.e. the coupling of poverty and invention. Inspired by his fresh-off-the-plane-from-Kenya presentation, the crowd indulged in the philosophical debate. Turnbull balked at biennials and instead encouraged artists "to make artifacts that are useful and have that magical quality that keep them from being thrown away." "Sustainability should be the bare minimum," concurred Aiolova. She should know. Her firm, Terreform1, held a sustainability love fest all summer long, which culminated in winning the Victor J. Papanek Social Design Award on August 17. Aiolova said that impetus for entering the Design for the Real World competition came after she and partner Mitchell Joachim were approached by Ron Labaco of the Museum of Art and Design (MAD). Though Aiolova was unaware of any financial aspect of the award, she seemed more interested in the conference to be held at the University of Applied Arts in Vienna in the fall, where Paola Antonelli will be the keynote speaker and the winning work will be exhibited. The exhibition will come to New York at MAD in the spring 2012, sponsored in part by the Austrian Culture Forum New York. There, the group will discuss "Urbaneering Brooklyn" at a symposium on social design. The model takes a look at downtown Brooklyn one hundred years in the future, a place where all necessities—food, water, and energy—are provided from within the area's boundaries. "We are projecting what the technologies are going to be to achieve the state of self reliance." For her presentation at Phaidon, Aiolova revisited the more practical aspects of some smaller scale projects, like the group's Fab Tree Hab designs, which combine a natural scaffolding made of vines with fully grown trees that are grafted to act as a support structure and columns. Aiolova acknowledged that the design may not be everyone's cup of tea, but for the client who wants to live off the grid, literally at one with nature, the Fab Tree Hab might hold the answer. What about the time it takes to grow the house? "It takes three to nine years for a good bottle of scotch," she said. Back at the studio, Terreform had just completed ONE Lab: Biodesign, a summertime boot-camp where architects, scientists, and artists met to explore design with living matter:
Otherworldly: Optical Delusions and Small Realities Museum of Arts and Design 2 Columbus Circle Opening June 7 Otherworldly: Optical Delusions and Small Realities showcases the construction of small hand-built artificial environments and alternative realities as sculpture and for film. It explores the increasing interest in creating things by hand, as digital technology becomes a bigger part of our lives. The exhibit, which features models, snow globes, photographs, and video, seeks to reflect a meaningful engagement with materials and attention to detail. Works include the Chadwicks’ diorama of a microbrewery and Alan Wolfson’s recreation of a tri-level cross-section of Canal Street, above.