Add one more opening to the list of dean, director, and curator positions that need to be filled. Adele Naudé Santos is stepping down as dean of the School of Architecture and Planning at MIT after 10 years at the helm. During her time as dean, Santos consolidated the school from six locations to improve faculty interactions. She hired more than 40 percent of the current faculty and has also overseen a dramatic increase in applications for all the school's programs. She will return to the faculty as a professor of architecture and urban planning. MIT President L. Rafael Reif praised Santos in a statement: “I arrived at MIT just as the Media Lab was taking off,” he said. “In the 30 years since, the School of Architecture and Planning has continually renewed itself to stay on the cutting edge. Dean Santos brought to the role her considerable gifts as an architect and administrator, but we will always be most grateful for her remarkable eye for talent."
Posts tagged with "MIT":
Do you dream of a world in which your touch-screen could touch back? Where you can shape digital models with your hands, physically reach out to friends hundreds of miles away, and once again tangibly interact with the people and objects around you? The Tangible Media Group at MIT’s Media Lab has begun to probe this future of 3D interactive interfaces with their latest creation: inFORM. Functioning similarly to the metal pinscreen toy, inFORM combines a state-of-the-art table-mounted “screen” of 900 movable “pixels,” a hacked Microsoft Kinect, projector, and nearby computer to transmit palpable content back-and-forth between the digital and physical realms. Created by Daniel Leithinger, Sean Follmer, Alex Olwai, Akimitsue Hogge and Hiroshi Ishii, the breakthrough project allows for real-time user interaction with material objects and physicalized digital data, offering a glimpse into the exciting world of user interfaces that lie beyond the depthless, black touch-screens and skeuomorphic displays of today. As this technology progresses beyond inFORM’s simple 30x30 display, one could imagine a wealth of emerging applications, from remote medical operations to malleable, tactile architectural renderings, that may effectively unhinge the divide between virtual and corporeal space.
In response to Hurricane Sandy, the Department of Housing and Urban Development (HUD) launched the Rebuild by Design competition to develop strategies to increase the resiliency of urban and coastal areas in the face of extreme weather events and climate change. According to HUD's website, the goal of the competition is "to promote innovation by developing regionally-scalable but locally-contextual solutions that increase resilience in the region, and to implement selected proposals with both public and private funding dedicated to this effort. The competition also represents a policy innovation by committing to set aside HUD Community Development Block Grant Disaster Recovery funding specifically to incentivize implementation of winning projects and proposals. Examples of design solutions are expected to range in scope and scale—from large-scale green infrastructure to small-scale residential resiliency retrofits." The shortlist of 10 teams—including architects, landscape architects, university groups, developers, engineers and others—has been announced. Interboro Partners with the New Jersey Institute of Technology Infrastructure Planning Program; TU Delft; Project Projects; RFA Investments; IMG Rebel; Center for Urban Pedagogy; David Rusk; Apex; Deltares; Bosch Slabbers; H+N+S; and Palmbout Urban Landscapes. PennDesign/OLIN with PennPraxis, Buro Happold, HR&A Advisors, and E-Design Dynamics WXY architecture + urban design / West 8 Urban Design & Landscape Architecture with ARCADIS Engineering and the Stevens Institute of Technology, Rutgers University; Maxine Griffith; Parsons the New School for Design; Duke University; BJH Advisors; and Mary Edna Fraser. OMA with Royal Haskoning DHV; Balmori Associaties; R/GA; and HR&A Advisors. HR&A Advisors with Cooper, Robertson, & Partners; Grimshaw; Langan Engineering; W Architecture; Hargreaves Associates; Alamo Architects; Urban Green Council; Ironstate Development; Brooklyn Navy Yard Development Corporation; New City America. SCAPE Landscape Architecture with Parsons Brinckerhoff; SeARC Ecological Consulting; Ocean and Coastal Consultants; The New York Harbor School; Phil Orton/Stevens Institute; Paul Greenberg; LOT-EK; and MTWTF. Massachusetts Institute of Technology Center for Advanced Urbanism and the Dutch Delta Collaborative with ZUS; De Urbanisten; Deltares; 75B; and Volker Infra Design. Sasaki Associates with Rutgers University and ARUP. Bjarke Ingels Group with One Architecture; Starr Whitehouse; James Lima Planning & Development; Green Shield Ecology; Buro Happold; AEA Consulting; and Project Projects. unabridged Architecture with Mississippi State University; Waggoner and Ball Architects; Gulf Coast Community Design; and the Center for Urban Pedagogy.
While rooftop farming has cropped up in a number of cities across the country, it has yet to take root in Boston. But this will soon change when founders Courtney Hennessey and John Stoddard launch operations of their new rooftop farm, aptly called Higher Ground Farm, located atop the Boston Design Center this Spring. According to CoLab Radio at MIT, the duo will start planting on a 40,000-square-feet segment of the expansive 55,000-square-feet roof within the next few months and be ready to sell the fresh produce by summer. The farm is coming at just the right time—the city is making a real push to encourage more urban farming. The Boston Redevelopment Authority (BRA) has introduced Article 89, an urban agriculture zoning initiative that will “establish an environment in which all of our citizens—particularly the most underserved—have direct access to locally produced fresh food, the ability to produce food for themselves, and access to education and knowledge about healthy eating.” Hennessey and Stoddard have made a dent in their fundraising efforts through kickstarter and fundraisers, but still need more money to get the farm completely off the ground. They hope to secure more capital to reach their $300,000 goal with the help of loans and grants.
Did you miss 3-D printing guru Skylar Tibbits at this year’s TED conference? Never fear, there’s an opportunity to hear Tibbits in New York City on April 12. And not just hear but participate in a hands-on workshop that Tibbits will lead as part of Facades + PERFORMANCE, a two-day conference on high-performance building enclosures sponsored by The Architect’s Newspaper. Earlier this week at TED, Tibbits gave 3-D printing another dimension, quite literally, when he presented the possibility of "4-D printing," or programming materials to self-reassemble into new structures over time. Tibbits unveiled a 4-D printer concept developed with MIT that he argues could have far-reaching implications for not just manufacturing but also for architecture. Will architects one day be able to design structures that build and mend themselves? Here's the idea, as Tibbits told TED: "If we combine the processes that natural systems offer intrinsically—genetic instructions, energy production, error correction—with those artificial or synthetic—programmability for design and scaffold, structure, mechanisms—we can potentially have extremely large-scale quasi-biological and quasi-synthetic architectural organisms." Trained as an architect and a computer scientist, Tibbits directs MIT's Self-Assembly Lab and teaches in the school's architecture department. He got his start working with the likes of Zaha Hadid and Asymptote Architecture, later founding SJET LLC, a multidisciplinary research based practice. Along the way, Tibbits was named a "Revolutionary Mind" by SEED Magazine in 2008, and in 2011 he was awarded a 2011 TED Fellowship, becoming TED Senior Fellow in 2012. At his April 12 workshop, Tibbits will introduce Python for Rhino, a program that has been a foundation of his work, and cover covered topics ranging from Running Scripts, Syntax, Data Types, and Variables to Flow Control, Tuples/Lists/Dictionaries, Points/Vectors, Functions, Paneling and Recursion. The training portion of the workshop will concentrate on IronPython within Rhino. To register for the workshop and for the April 11-12 conference, where experts in the industry will analyze, discuss, and dispute the development, implementation, and maintenance of facades, click here.
With a $1.5 million Mellon Foundation grant in hand, the Massachusetts Institute of Technology is establishing a Center for Art, Science and Technology (CAST), which will advance integrated arts education in higher learning. The proposal was co-sponsored by the associate provost and the deans of the schools of Architecture and Planning and Humanities, Arts, and Social Sciences. The grant will provide funds for faculty, researchers, and curators to develop multidisciplinary programs that traverse art, science, and technology. It will also support the University's Visiting Artists program. “MIT has a great legacy in this domain,” Architecture Dean Adele Naude Santos said in a statement. “MIT created the first architecture program in the country and is today a leader in new forms of design and digital fabrication; the Center for Advanced Visual Studies, founded by György Kepes in 1967, established a model for collaborations among artists, scientists and engineers; and the Media Lab is internationally renowned for pioneering efforts in the fields of design, media arts and electronic music.”
Tiny Homes. The average size of an American home has been decreasing since 2009 (to at 2,392 SF), the Wall Street Journal reported. With financial and environmental concerns, many homeowners are down-sizing. The book Nano House: Innovations for Small Dwellings examines dwellings under 800 feet, such as the above 215-square-foot house in Belgium. Artificial Leaf. Researchers at MIT have created an artificial leaf that uses sunlight to convert water into oxygen and hydrogen. The device is made of silicon, that is coated with a cobalt catalyst on one side, and a nickel catalyst on the other. When dropped in water, the cobalt separates oxygen and the nickel side hydrogen. The next step: scientists are working on a way to capture the gasses. More at Inhabitat. Sky Sculptures. Brookline, Massachusetts artist Janet Echelman uses Indian fisherman weaving techniques to create ethereal neon nets that float in urban sky-scapes. Check out images of her work, that resembles the translucent fish of the coral reef at Artist a Day. Shrouded Silos. In Omaha, Nebraska, the educational nonprofit Emerging Terrain has wrapped grain silo elevators in giant 80 by 20 feet banners that focus on food and agricultural issues. More at Planetizen.
Migration melee. Migratory birds continue to fall victim to the glass facades comprising invisible and impenetrable forest of buildings in New York City. Bird advocacy groups and planning and building commissions are beginning to take notice. The New York Times investigated this ecologically sensitive dichotomy. Let there be light. MIT students and the MyShelter Foundation, a non-profit aimed at creating sustainable communities, have joined forces to light up the Phillipines. This capable collaboration has created an innovative way to bring light to notoriously dark cities outside of Manila. The result? The Solar Bulb. Core77 explained this simple and ingenious amalgamation of water, sealant, bleach and a plastic bottle. Road to Africa. While perhaps not on the immediate horizon, urban thinkers and This Big City are looking at Africa and its potential for economic development. With all of our hindsight in the world of urban planning, is it any wonder that we do not know where to begin? The photo says it all. Parking Paris. French and Swiss architecture outfits AWP and HHF have collaborated to out-design competitors and take home the privilege of creating all of the infrastructure buildings at Paris' Parc des Bords de Seine. DesignBoom looked at this series of low-cost, modular structures that will bring new residents to the park to eat, play, and watch birds from a second-story platform.
Ando's Silence. According to Dezeen, UK developer Grosvenor has partnered with the Westminster City Council on a project to open public space in Mayfair, London. The project aims to reduce unnecessary visual elements like signage and expand pedestrian areas. Architect Tadao Ando collaborated with firm Blair Associates to design Silence, an installation that intermittently produces fiber-optically illuminated vapor rising from the bases of trees. Power Plant Printer. MIT News has revealed an exciting new technology: printable solar cells. According to MIT: "The basic process is essentially the same as the one used to make the silvery lining in your bag of potato chips: a vapor-deposition process that can be carried out inexpensively on a vast commercial scale." So, not quite as easy as, say, printing out a power station on your inkjet, but still able to revolutionize the future of solar installations. Building for Birds. The City of San Francisco is making an example of a new California Academy of Science building. It's design for the birds. The San Francisco Chronicle notes the building's innovative fabric screen deterring bird-on-building collisions could be applied to other structures in the city. "Bird-safe design" is a growing part of the conversation, but the question remains: will altering the transparency of urban glass structures detract from the design intent? Déjà vu Design. Does that new building look strangely familiar? A new website called Post Post bills itself as the "comparative architecture index." By juxtaposing projects of similar design languages or forms, the site hopes to "to illuminate the interwoven and complex relationships of congruous trajectories within contemporary architectural practice." Have a look!
treasured commodity, but the school is celebrating its 150th anniversary in a big way with a weekend of playful installations that light up the Charles River. The campus and the riverfront will be open to the public for over 20 interactive projects to mark the end of the Festival of Art+Science+Technology. The interactive projects, which showcase energy, light and media, promise to be grand in scope and creative in nature. Among them are: Light Drift, a display of ninety brightly glowing orbs in the river that change color as people sit on corresponding orbs along the shore; SOFT rockers (shown above), solar charging stations disguised as outdoor rocking lounge furniture; and Liquid Archive, a floating screen that will show the original artists’ proposals for the 1972 Charles River project. The weekend, which was curated by Professor Meejin Yoon (Principal of Howeler + Yoon Architecture and MY Studio), will feature work by MIT Department of Architecture Head, Nader Tehrani (founder and principal of Office d’A and of the newly formed NADAAA), Professor Sheila Kennedy (Principal of Kennedy Violich Architecture), and Yoon herself. Yoon originally created Light Drift for the Mural Arts Program in Philadelphia last year.
MIT reached a settlement with Frank Gehry last month for what had been called a flawed, leaky design for his Ray and Maria Stata Center that led to a 2007 lawsuit, which also named construction manager Skanska as responsible. Blair Kamin revealed the news Tuesday on his Cityscapes blog, but he didn't reveal much as the settlement remains private. Drawing on an MIT student newspaper story from March 19, Kamin notes,
"MIT retained outside consultants to examine the construction for defects, and those consultants produced reports which are not publicly available." The account does not say whether any money changed hands in the settlement. [...] In an email Tuesday, Gehry said no money was involved in the settlement. On March 30, the university's news office issued a joint statement from MIT, Gehry's firm (Gehry Partners) and Skanska saying that the lawsuit had been "amicably resolved."So there you have it. Legacy preserved.