Calling architects, engineers, fabricators, consultants, and other design professionals: don’t miss your opportunity to join the industry’s leading innovators in our series of hands-on technology workshops and in-depth dialog workshops, only at the premiere conference for high-performance building envelopes – Facades+ PERFORMANCE Chicago, October 24th-25th! Register today to take advantage of our Early Bird Special and be ready to get your hands dirty with the latest tools and techniques that are changing the face of contemporary architecture. Join Jonathan Schumacher and Mostapha Roudsari of Thornton Tomasetti, Nathan Miller of CASE Design, Ronnie Parsons of Mode Lab, and other industry professionals for our full-day tech workshops, and gain the valuable skills necessary to deliver cutting-edge facades in today’s dynamic architectural landscape. Registered architects can earn 8 AIA LU credits as they catch up on the ever-evolving tools of the trade in the Mies van der Rohe-designed Illinois Institute of Technology’s Main Campus in Chicago, so don’t miss out! Following the series of stimulating presentations and lectures on day one of the conference, attendees will have the chance to choose from either two seminar-style dialog workshops or one of six daylong tech workshops, presented in conjunction with Mode Collective. In small, one-on-one, classroom settings, participants will gain the knowledge and skills to work with the latest in cutting edge design and analysis technologies to push your practice’s facades to the highest standards of performance. Learn the mechanisms for creating performance-based parametric systems and dynamic patterning with Grasshopper. Explore emerging techniques for the rationalitazion of envelope surfaces and the fundamental concepts of facade panelization and optimization with Galapagos and Kangaroo. Develop new skills for generating facade geometry, utilizing analysis information and managing complex parameters with Dynamo. Gain hands-on experience in the most up-to-date environmental analysis technologies to discover the next generation of high-performance building envelope design. All of this and more, more, more make AN and Enclos' Facades+ PERFORMANCE Chicago the event of the season for groundbreaking facade technologies. Our Early Bird special ends today, so sign up now to take advantage of this great deal. See you in Chicago!
Posts tagged with "Mies van der Rohe":
For seven years, Eavesdrop has lived in Chicago without a car and that means we’ve never made the trek out to Mies van der Rohe's Farnsworth House. But with all the flooding in the Midwest this year, we could have just used a boat. Now, a little bird has whispered in our ear that at least one docent is bent out of shape by recent changes. It would appear that the National Trust for Historic Preservation is replacing volunteer docents with paid part-time tour guides. Can you imaging, the desire to pay your help? Quelle horreur! We say: way to go Trust!
To celebrate its perennial master of modernism, Ludwig Mies van der Rohe, the Illinois Institute of Technology produced a video showcasing his work and influence in Chicago. Take a few minutes on the 75th anniversary of Mies' arrival in the Windy City to watch it.
Just over four years ago, the Fox River spilled its banks, sending floodwaters into Mies van der Rohe's Farnsworth House and causing significant damage. Built in 1951 and located outside Chicago, the river is again rising, now fully surrounding the stilted abode turned museum, and the house, operated by the National Trust for Historic Preservation, has shared watery photos on its Farnsworth blog, stating: "The house is fully surrounded by river water, but neither the lower deck nor the upper deck has yet to be breached." Water is not expected to enter the house, but all precautions are being taken, including elevating interior furnishings on milk crates.When the site is not flooded, tours of the house are available to the public.
The Freelon Group showed off renderings for their renovation of Mies van der Rohe’s Martin Luther King Jr. Memorial Library in downtown Washington, D.C. Presented to the library’s Board of Directors as part of a long-running discussion over what to do with the central library, the scheme includes a four-story atrium, two additional floors for new tenants, a landscaped public roof garden, and a new ground-level café. According to developer Jair Lynch, the project would cost $175 to $200 million.
It looks like Mies van der Rohe’s Lafayette Towers in Detroit may avoid the auction block a little longer. The Department of Housing and Urban Development (HUD) foreclosed on the high-rise apartment buildings in February, and HUD had planned to put them up for auction this month (albeit with a litany of multi-million-dollar renovations required of the lucky winner). Detroit exercised its first right of refusal on that course of action, wary of the iconic towers falling into the wrong hands. New York-based Northern Group bought the buildings in 2008 for $16 million in cash, but stopped making payments on its loans by 2010. The towers were transferred to HUD soon after. Now the city’s group for planning and facilities is seeking a private owner to bring the buildings back from disrepair.
Mies van der Rohe’s Lafayette Towers are up for sale. It’s a striking reminder of the symbiosis between cities and iconic architecture—one which speaks to the mercurial nature of Detroit’s real estate market since World War II. The twin high-rises were foreclosed in February, and will go up for auction later this month. All 584 apartment units will go to the highest bidder July 18, but this is no ordinary sale. The Department of Housing and Urban Development will require the lucky winner to spend more than $10 million on an 80-page list of renovations to the historic buildings, and invest $2.5 million in an escrow account for HUD to hedge their risk.
For the past eleven years, photographer Jesse David Harris has had unfettered access to two of the most architecturally significant buildings in New York: the Seagram Building and Lever House, both owned by RFR Holdings. As staff photographer for the Lever House Art Collection he began to shoot the Seagram Building with deference to Ezra Stoller. The photographer’s familiarity with the building evolved alongside technology. Last year, Harris began a time-lapse project that reflects his time with Mies van der Rohe's masterpiece. The project took ten days to shoot over the course of 8 months on a Canon 5D MarkII. Harris bounced between a 17mm and a 24mm tilt-shift lens. Three streams of bracketed exposures were edited during four months of postproduction. To achieve the stunning effects in the film, the photographer designed a time-lapse dolly with a slow servomotor that gently pushed the camera along a forty foot track. The time lapses ranged from four to 24 hours. It’s not the first time that the Seagram has received this time lapse treatment. The late urbanist William Holly Whyte used time-lapse recordings of the building's plaza to hash out theories on the use of public space for his landmark book and film, The Social Life of Small Urban Spaces. Harris and Whyte shared the same elevated vantage point from which to observe the flurry of activity in the plaza below. Harris’s work seems to buttress Whyte’s appreciation of a “friendly kind of congestion” that forms on Seagram’s plaza. Until recently, people were often swept away from architectural photography as blemishes obscuring the masterpiece, but Harris’s film takes a kind of Satyagraha joy of people in motion. The result is a wholly public yet intimate observation that only an eleven-year photo veteran could make. “In the beginning, I was intimidated by it,” Harris said of the building. “On first look it can be standoffish, but it’s actually very soft. It sounds silly, but it’s become my friend in a way.”
Stirling Prize winner David Chipperfield will renovate of Mies van der Rohe’s Neue Nationalgalerie in Berlin, beating out more than 20 competing proposals. The museum, which houses the Prussian Cultural Heritage Foundation’s modern art collection, has not undergone any major renovation since it was completed in 1968. The foundation’s president Hermann Parzinger stated the Neue Nationalgalerie would be “in safe hands” with Chipperfield, whose firm is renowned for its consideration of architectural heritage in renovations such as the recent Neues Museum (also in Berlin). In addition to restoring the aging surfaces, which includes the building’s stone terrace, glass facade, and concrete and steel structure, Chipperfield will create new cafe and shop spaces. Renovation will begin in 2015 and complete in 2018.
Happy 126th birthday, Mies van der Rohe! Google and San Francisco-based artist Willie Real are already celebrating with today's Google Doodle of Mies' iconic Crown Hall built in 1956 at the Illinois Institute of Technology in Chicago, where Mies was director of the College of Architecture. The Mies van der Rohe Society spoke with Real about his design and architectural ambitions. Here's a sample:
What was the most important thing to convey about Mies in the doodle, and how was it achieved? Celebrating Mies’ legacy was definitely a challenge. Mies did so many great buildings that are worthy of a doodle but it was pretty evident from the get go that highlighting what many consider his masterpiece was the way to go.Read the full interview here. Or for another take on the famous architect, check out this creative tribute video.
Designed a year before his death in 1968, Mies van der Rohe’s Esso station on l’Île des Sœurs in Montreal has been vacant and shuttered since 2008. The station, intended to serve nearby apartment blocks also designed by Mies, was built during the early urbanization of the island and closed when another station opened closer to the island’s main thoroughfare. Having been declared a historic monument in 2009, the community eventually decided to restore the structure and convert it to an intergenerational community center. The renovation, designed by Éric Gauthier of Montreal-based Les Architectes FABG, maintains the structure’s layout and keeps original features intact, including the structure's brickwork and beams. A cantilevered steel roof bridges two glass pavilions, one originally housing a store and the other a rest area. In between, where gas pumps and an attendant’s booth once stood, intake/outtake vents for new geothermal energy wells mimic the original pumps while the booth in the center will house displays on Mies’ and the station’s history. Gauthier also maintained the original strips of fluorescent lighting that stretch across the underside of the roof from one pavilion to the other; the effect is striking, unifying the space as they run through the glass curtain walls.
194X–9/11: American Architects and the City The Museum of Modern Art 11 West 53rd St. Through January 2 Prompted by the United States’ entrance into World War II in 1942, Architectural Forum magazine commissioned pioneering architects to imagine and plan a postwar American city. At the tenth anniversary of the 9/11 terrorist attacks, 194X-9/11: American Architects and the City features the plans, renderings, and sculpture of Ludwig Mies van der Rohe, Louis Kahn, Paul Rudolph, and Rem Koolhaas and their ideas for cities of the future. Rarely displayed works, such as Mies van der Rohe’s collage Museum for a Small City Project (1942), above, reveal plans for cultural centers and urban life in uncertain times.