The Cleveland Museum of Art (CMA) will be the location for the Graphic Novels / Novel Architecture Symposium on April 1st. Organized by Kent State University College of Architecture & Environmental Design (CAED), the symposium will explore the relationship between architecture and comics. The influence of animation, cartoons, comics, illustrations, and storyboards will be discussed in two sessions and a keynote discussion. Participants will include architects, illustrators, and educators. Graphic Novels / Novel Architecture will be the first event of an annual series that will explore architecture and different narrative media. The first session, starting at 1:00 pm in CMA’s Gartner Auditorium, is entitled "Hot Technology." The session will include short presentations and a discussion between California-based architect Wes Jones, London-based architect and illustrator Alison Sampson, and Archigram’s Michael Webb. The second session, entitled "Cool Diagrams," will start at 3:00 pm. This session will include presentations and a discussion between University of Illinois at Chicago’s School of Architecture Director Robert Somol, Jimenez Lai of Bureau Spectacular, and Dutch cultural anthropologist Mélanie van der Hoorn. A closing keynote discussion will feature acclaimed comic book artist Chris Ware and Françoise Mouly, art editor of The New Yorker. The event is free and open to the public, but reservations are encouraged. For those not able to make it to Cleveland, the entire symposium will be live-streamed online. The proceedings will also be archived on video, and produced into a short video documentary. A book is also planned documenting the event.
Posts tagged with "Michael Webb":
On View> The Cooper Union presents “Drawing Ambience: Alvin Boyarsky & the Architectural Association”
Drawing Ambience: Alvin Boyarsky & the Architectural Association Cooper Union 30 Cooper Square, New York Through November 25, 2015 Boasting a remarkable array of artwork from both past and contemporary architectural figures such as John Hejduk, Michael Webb, Daniel Libeskind, Frank Gehry, Zaha Hadid, Rem Koolhaas, and Bernard Tschumi, Drawing Ambience reflects and encourages the late Alvin Boyarsky’s assimilation of architectural drawings. During his tenure at the Architectural Association in London, Boyarsky developed a profound appreciation of these drawings. Known as a man with a keen eye for talent, Boyarsky fostered many young architects who would later dominate the field. He urged his students to investigate contemporary issues and use the evolving global culture as a vehicle to develop their own architectural agendas. These agendas manifested in the students’ visual work that Boyarsky regarded as equally important to the physical structures they depicted, viewing them as pieces of architecture in their own right. Visitors can expect to see works ranging from Hadid’s chaotic and crisp visualizations of her un-built projects to Koolhaas’ playful, almost Gameboy-esque The Pleasure of Architecture. The exhibition is currently on view at the Cooper Union in the Arthur A. Houghton Jr. Gallery and closes on November 25.
The Woolworth Building just a few short blocks from Zuccotti Park—the spiritual home of the Ocuppy movement—was itself bathed in radical red last night to celebrate the iconic "red" work of Barbara Krueger and Bernard Tschumi. The two celebrated figures were being honored by the Storefront for Art and Architecture at their annual Spring fundraiser. The yearly event always brings out a fun mix of young and distinguished professionals who come to support the Storefront and drink with friends and collegues. For the event last night everyone was asked to wear something red, and many did including Rick Scofidio who had one long red sock rolled over his pants leg, Archigramer Mike Webb carried around a red tequila laced drink, and Bernard Tschumi wore his iconic red scarf. Storefront board president Charles Renfro (with sorta red glasses) and Beatrice Colomina introduced Tschumi and Kruger at the top of the building's grand marble staircase, but the echo in the room made it impossible to hear a single word of their introductions. Never mind everyone on the staircase looked so fashionable, especially the resplendent Storefront Director Eva Franch. Ms. Franch, who makes all of her own clothes, wore a brilliant red, loopy draped dress that could only come out of the inspired mind of a Catalan like Ms. Franch. View more photos of the event at Storefront's Facebook page.
Dennis Crompton and Michael Webb plugged into the London launch of the Archigram website on Monday from New York City via a Skype connection to Westminster University. The two Archigrammers were meant to be present at the launch, but the Eyjafjallajökull volcano grounded their planes and kept them from joining Peter Cook and David Greene, who was scheduled to be at the event. So Crompton walked the assembled Londoners through the website from his Skype-enabled computer screen in Lower Manhattan. Crompton pointed out the significant but still burgeoning content to be found on the site and was able to see and hear the audience reacting to the virtual tour on his screen, while the audience watched Dennis and Michael on their large screen. Westminster organizers Kester Rattenbury, Clare Hamman, and Murray Fraser described the cross-Atlantic evening as “very Archigram,” but Cook was not sure if something was missing, and wondered if the real Archigram spirit was not more alive in various out-of-the-way pockets of experiment and energy than on this evening on Regent Street. For his part, Webb thanked those who worked on the site and came out to the event, but Greene was nowhere to be seen or heard—at least on this side of the Atlantic. A second launch in New York with Archigrammers reporting from London is in the works—and perhaps Greene might even walk us through his version of the site?
It’s hard to remember that the phenomenally influential Archigram only worked together as a group for two years: 1962–1964. But all six members (four are still living) carried on extremely active practices on their own, sometimes in combinations with other members, and they produced an amazing body of work. The University of Westminster has embarked on an archival project to assemble this creative output in digital format and make it available online. Though this monumental task is far from complete, the university has amassed almost 10,000 images, and will go live with the website on Monday at 7 p.m. London time at a special event. I have been planning on flying over for the occasion, and, should Iceland’s volcanic eruption permit, will be in Westminster to report on it next week.