Beginning this Thursday, LinkNYC kiosks around the city will feature images from the Museum of the City of New York’s (MCNY) extensive photography archive. The aptly named campaign, Summer in the City, is a partnership between the Department of Information Technology & Telecommunications (DoITT), LinkNYC, the city’s free Wi-Fi kiosk system, and MCNY. Images will be displayed from the Museum’s current exhibition, Through a Different Lens: Stanley Kubrick Photographs. Passerby on the street will be able to catch a glimpse of the old New York through the lens of the iconic film director. Kubrick’s photographs highlight his formative years as a photographer (before he became a film director) for Look magazine in New York City between 1945-1950. The photographs focus on and capture the pathos of everyday life of the city, from street scenes to sporting events. The LinkNYC kiosks can be found dotted all over the city. Since Mayor Bill de Blasio launched the program in 2016, more than 1,650 Links are active across all five boroughs and have replaced the old pay phones with sleek kiosks that feature free Wi-Fi, phone chargers, and digital displays for advertisements and in this case, art. It’s not the first time that LinkNYC has featured art on its kiosks from MCNY. Previous "exhibitions" on the kiosks include historic photos of women who influenced New York’s political history for Women’s History Month and "On This Day in NYC History" information. The MCNY and LinkNYC partnership is one of many programs that disseminate New York City’s history; others include the NYC Space/Time Directory from the New York Public Library, an app from Urban Archive that made more than 2,500 images of old New York available on-the-go, and a Civil Rights & Social Justice Map from the Greenwich Village Society.
Posts tagged with "MCNY":
Ready access to fresh fruits and vegetables is seen as a key factor in improving public health. In many low income communities grocery stores are scarce. The Bloomberg administration is addressing these "food deserts" with an innovative, small scale program called NYC Green Carts, issuing extra permits to fruit and vegetable vendors in targeted neighborhoods throughout the city. The program is the subject of a photography exhibition at the Museum of the City of New York, organized with the Aperture Foundation. In Moveable Feast, photographers LaToya Ruby Frazier, Thomas Holton, Gabriele Stabile, Will Steacy, and Shen Wei document and interpret the program, using techniques ranging from still life to ethnography. The result more impressionistic than comprehensive, and viewers will need to read the wall texts in order to grasp the social impacts of the NYC Green Carts. Still, the exhibition brings attention to a laudable program, highlighting an instance when the Bloomberg administration is tackling a large scale problem in a humane, block by block way. The exhibition also includes historic images of street vendors taken from the Museum of the City of New York's collection.Moveable Feast is on view through August 22.
Pimp Our Ruins Formula for architectural mischief: Start with a fabulous ruin. Then add a public entity with oversight of fabulous ruins, which, in turn, summons a quirky arts organization to devise a competition to do something useful with said ruin in peril. Governors Island? Nope. Think England: The fabulous ruin is Sutton Scarsdale Hall, a dilapidated wreck of a structure in the countryside of Derbyshire. The public entity is English Heritage, which watches over Stonehenge among other oddities, and the arts organization is something called the Centre of Attention. The 1724 Georgian hall was stripped to its foundation in 1919, and some of the interior paneling ended up in the Hearst Castle and at the Philadelphia Museum of Art, although apparently there are still “traces of sumptuous plasterwork.” (Don’t miss the ha-ha ditch on the picturesquely wrecked grounds.) The Centre of Attention has called for proposals to transform the stone shell into “a pavilion of post-contemporary curating.” If that’s your cup of tea, dive right in. Saarinen’s Punch List In the exhibition Eero Saarinen: Shaping the Future at the Museum of the City of New York, there is a peculiar document among the Finnish architect’s personal ephemera on display. It’s a marriage proposal to his second wife, Aline, in the form of a checklist in which he rates her and several other women on categories including beauty, sex, and support of her husband’s career. It’s not unlike the way some architects weigh the pros and cons of a number of possible building schemes. We assume that Aline—an accomplished art critic, author, and television reporter—was amused. The exhibition closes January 31. Color Me Opaque Color authority Pantone has selected 15-5519 Turquoise as the 2010 color of the year. Thank god that’s sorted out. But apparently, no decision has been made on which media company will be awarded the contract to be the AIA’s official publication. Will Architectural Record renew, or will it go to one of the other two competitors who made the shortlist? Now we hear that we won’t hear until the board meets again in February. Frankly, we’re feeling rather teal about the whole business. [Ed.: This was published in print prior to the decision in, uh, January. So much for those sources, Sarah.] Send paint chips and tea leaves to email@example.com.
What do Eero Saarinen and Susan Skarsgard have in common? They both worked for GM: he, the Technical Center in Warren, Michigan, his first great commission; she, graphic design for the Big Three car company for more than 15 years. They also share space at the Museum of the City of New York, where Skarsgard will be giving a talk tomorrow night at 6:30 about her sumptuous, custom-made book as part of the museum's ongoing Saarinen show, Shaping the Future. Weighing 35 pounds, Where Today Meets Tomorrow was painstakingly produced by Skarsgard over a number of years at the Technical Center, which also happens to be her office. The one-of-a-kind book, through which Skarsgard will guide the museum's guest on a virtual tour, includes rarely seen archival materials from GM and Saarinen. We got a few more shots after the jump to whet your appetite, but if that's not enough, check out a book of the same name we just found online produced when the center first opened, with principal photography from none other than Ezra Stoller.