The Pulitzer Arts Foundation and the Sam Fox School of Design & Visual Arts at Washington University in St. Louis have announced three finalists for the second iteration of the design-build PXSTL competition. The three finalist were culled from a list of 35 artist, architects, and designers, who were solicited by the organizer. The list includes: —Randstad, NL and Istanbul-based architects Merve Bedir and Jason Hilgefort —New York/Houston-based artist Mary Ellen Carroll —Chicago-based architect Amanda Williams and artist/educator Andres L. Hernandez Canopy of the 2014 PXSTL structure. (David Johnson) All of the finalist will travel to St. Louis in mid-February to conduct detailed site analysis and give public presentations on their previous work and interest in PXSTL. The winner will be announced in March. Along with an $80,000 budget to complete the project, the winner will teach an architecture studio as visiting faculty at the Sam Fox Graduate School of Architecture & Urban Planning in Fall 2016 semester. With commentary from community stakeholders, cultural organizers and local artist, the winner will work with their students to develop the project over the semester. PXSTL (an acronym for Pulitzer, Sam FoX School, and ST. Louis) is a competition for a design-build commission to build a temporary structure on an empty lot near the Pulitzer Art Foundation in the Grand Center arts district. The fist iteration of the PXSTL was completed in 2014 by the Brooklyn-based Freecell Architecture. Their project comprises of a large canopy under which dance, music, and community events were held throughout the summer of 2014. This year’s competition will conclude in the pavilion construction in spring of 2017 and community programing through the summer of 2017. The goal of PXSTL is in engage the community with small-scale intervention to encourage urban transformation. As part of this, the public will have a chance to offer feedback in public forums to be held in the fall. “Since its founding, the Pulitzer has been dedicated to creating opportunities for art and culture to have a positive impact on the broader St. Louis community. As PXSTL demonstrates, this means working closely with and listening carefully to both our community and cultural partners.” Remarked Cara Starke, director of the Pulitzer Arts Foundation, in a press release.
Posts tagged with "Mary Ellen Carroll":
New York–based conceptual artist Mary Ellen Carroll will debut her newest project, PUBLIC UTILITY 2.0, at New Orleans' contemporary art biennial, Prospect.3 in Fall 2014. In it, she identifies communities across New Orleans that remain choked for resources since Hurricane Katrina ravaged the city in 2005. Responding foremost to the lack of connectivity in these areas, Carroll is utilizing unoccupied TV channels, cultural motifs, and an innovative wireless technology developed at Rice University in Houston, Texas, to create infrastructure that will become a permanent characteristic of The Crescent City. PUBLIC UTILITY 2.0 will consist of two broadband Internet broadcast towers built in sections of the city that will then connect to hubs. The locations of the hubs will be distributed throughout greater New Orleans based on crowd sourcing. By using Internet broadcast towers, Carroll hopes to reimagine traditional city planning by prioritizing what she calls “the elevation plan and broadcast spectrum.” In doing so, physical location will have little correlation with lack of connectivity of under-resourced communities. A key motivator of PUBLIC UTILITY 2.0 is its potential impact on a national policy debate about the scheduled auction of airwaves for wireless broadband in 2014 by the Federal Communications Commission. Carroll compares the government selling the unused television spectrum to selling public land. The technology that empowers PUBLIC UTILITY 2.0 is in the developmental stages in Rice University’s Wireless Network Group, led by professor Edward Knightly. The group is experimenting with launching residential broadband Internet service through “TV white space” or TVWS. The service will function like a WiFi hotspot, though it differs in that TVWS emits “lower-frequency TV signals [that] penetrate walls and propagate over distances, meaning it can serve a larger population. The latest TVWS technology released by Knightly’s team earlier this week is estimated to reach a range of about 1 1/4 miles. Carroll hopes PUBLIC UTILITY 2.0 will reach beyond New Orleans to become a template that other U.S. cities can utilize. She envisions the broadcast towers becoming cultural symbols similar to Moscow’s Shukhov Tower, LA’s Watts Tower, or the RKO transmitter. “The towers would be the visible presence in the city, and the connections they provide would create a cultural, economic, and social platform for greater New Orleans,” she said.