Last night Rafael Moneo, Madrid-based architect and Harvard Graduate School of Design professor, kicked off Columbia’s third annual conference on architecture, engineering, and materials with a keynote lecture on his Northwest Corner Building, a new interdisciplinary science facility between Chandler and Pupin halls. This year’s conference is titled Post Ductility: Metals in Architecture and Engineering, and though Moneo’s building isn’t scheduled to be completed until the fall of next year, there may not have been a better time to discuss its materials or its contribution to the campus. Unfinished, the building can be seen as the engineering marvel that it is, with 300 tons of structural trusses enabling it to float above the gym beneath it. (Here's a video we posted of them being installed.) Fitting neatly with the conference’s theme, Moneo’s discussion of interpreting what McKim, Mead, and White would have wanted for a New York campus in this century presented the building as less of a departure and more of an entrance. To critics who would say the building doesn’t meld with the university’s architecture, he cautioned, “Use of a material doesn’t guarantee the true continuity you are looking for.” The Post Ductility conference runs through Friday and will conclude with a discussion by GSAPP dean Mark Wigley, and Werner Sobek, Steven Holl, and Matthias Schuler. Next year's conference theme is slated to be Polymers: Plastics in Architecture and Engineering.
Posts tagged with "Mark Wigley":
We know you love the gossip. AN aims to satisfy that itch in print, online, East Coast, West Coast, whatever, wherever, whenever. So here comes Eavesdrop to our blog so you can get it faster, feistier, anywhere you are. Plus, we will be posting Sara Hart’s online-only EAVESDROP ALERTs. But the real fun begins in the comments section, where you can lay on your own gossipy tidbits. And Sara will be sure to respond. For Whom the Buell Tolls There are some whispers coming from the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University’s GSAPP. Our ears immediately perked up, because we never hear anything much from that stone corner of the academic groves. Founded in 1982, the center’s first director was Robert A.M. Stern, who was followed by Gwendolyn Wright, Richard Buford, Joan Ockman (who stepped down about a year ago), and Reinhold Martin, who currently holds the post. The whispers have it that Professor Martin is changing the center’s mild mission to a more politically left-leaning agenda. Some female members of the 12-person board of advisers are also miffed that he’s held boys-only dinners, like a recent bash with board members Peter Eisenman, Stern, and GSAPP Dean Mark Wigley. Could another Penguin Club be in the making? Furniture Fanfare? So, was this year’s ICFF a bust? It depends on whom you ask. One exhibitor told Eavesdrop that traffic to his high-profile booth was off 50 percent from last year, and noted a dearth of posses from the architectural giants. Not so, said PR maven Beth Dickstein. Her math suggests that while some huge manufacturers bowed out this year, there were more smaller exhibitors, and overall the quality of the goods was better. As sales and marketing consultant to the show’s producer, George Little Management, she admits that overall attendance was down about 12 percent. But, she cites numbers from major exhibitors—including Pablo, Chilewich, and Trove—who claim to have written big orders from big firms with big projects. And Make Ours a Double Here’s a twist on surviving the recession. Gensler associate Judy Cheung brought a new client called Flex Mussels to the firm. Her reward was getting laid off. Now she’s a bartender at the Gensler-designed Upper East Side eatery that specializes in the aforementioned bivalve. Her current gig sounds more gratifying. And more tough breaks: A loss on the left coast could be an opportunity for an enterprising museum in the East. Brooke Hodge, the much-admired curator of architecture and design at the Los Angeles Museum of Contemporary Art, was laid off along with several other staffers, with senior curators taking a 5% pay cut. Another casualty of the institution’s weak finances was Hodge’s long-planned show on Morphosis, now cancelled. Eli Broad, not surprisingly, is also involved. To get his $30 million bailout, the museum has to make good on spending cuts while redirecting its focus to the permanent collection. Send frites and oyster shooters to email@example.com [This originally appeared in AN 10_06.03.2009 (NY)]