Posts tagged with "Marcus Prize":

Placeholder Alt Text

Jeanne Gang announced as 2017 Marcus Prize Recipient

The University of Wisconsin-Milwaukee School of Architecture and Urban Planning has announced Jeanne Gang, head of Chicago-based Studio Gang, as the recipient of the 2017 Marcus Prize. In part, the $100,000 reward goes to support a design studio led by the recipient at the school. Awarded every two years, the Marcus Prize was founded by the school and the Marcus Corporation Foundation to award practices "on a trajectory to greatness." Started in 2005, past winners include Winy Maas, Frank Barkow, Alejandro Aravena, Diébédo Francis Kéré, and Sou Fujimoto. The last winner was Joshua Prince-Ramus in 2015. The Marcus Prize Studios have produced everything from large bodies of research for publication to a permanent park pavilion in Milwaukee. While no theme has been announced for this year’s studio, Gang has worked on proposals for Milwaukee, including a vision for the future of the Milwaukee Harbor and lakefront. Nominees for the award are required to have demonstrated at least ten years of exceptional practice. The 2017 pool of nominees came from 16 countries on four continents. This year’s jury included Frances Bronet, Provost and Senior Vice President of Academic Affairs at Illinois Institute of Technology; John Czarnecki, Editor-in-Chief of Contract Magazine; Anne Rieselbach, Program Director at the Architectural League of New York; David Marcus, CEO of Marcus Investments and Robert Greenstreet, Dean, University of Wisconsin-Milwaukee School of Architecture and Urban Planning. Jury member John Czarnecki commented that Gang “is adept at outstanding design for all scales--from the neighborhood and urban scale to the detail of buildings and interior elements. Her practice combines design thinking about the impact of architecture and urban design on cities as well as the creation of beautiful buildings rooted in context that will stand the test of time.”
Placeholder Alt Text

Joshua Prince-Ramus exhibition at the Milwaukee School of Architecture and Urban Planning

Founder of REX and a founding partner of OMA New York, Joshua Prince-Ramus was awarded the $100,000 Marcus Prize last September by the Milwaukee-based Marcus Corporation Foundation. According to the jury, the prize was awarded for REX’s “exuberant yet carefully considered designs, [which] possess a broader cultural significance.”

Celebrating this achievement, Prince-Ramus’s work and notorious hyper-rationalist methodology will be on display at the University of Wisconsin, Milwaukee School of Architecture and Urban Planning until May 6, 2016. Here, visitors can find examples of notable works such as the Seattle Central Library, Vakko Fashion Center, AT&T Performing Arts Center, Dee and Charles Wyly Theatre, and 5 Manhattan West.

Alongside these works will be details of REX’s process-oriented approach to design. This will include how a schematic rationale plays a key role in every project REX undertakes, hence forming purely functional-based buildings—something that is reflected in its aesthetic in unexpected ways.

Placeholder Alt Text

REX unveils a fluted glass office building in Washington, D.C.

As the United States capital,Washington, D.C. is a de facto magnet for smart people who want to make an impact on government. The city doesn't often make headlines for its contemporary architecture, though occasionally, a sharp new project breaks into the parade of undistinguished office buildings. One of those is a newly unveiled 11-story structure by Brooklyn-based REX at 2050 M Street, between Washington and Dupont Circles. While the client is Tishman Speyer, CBS will be the 400,000-square-foot building's primary tenant. The project's executive architect is Houston's Kendall/Heaton. The building responds to D.C.'s strict zoning codes and its prevailing office building typologies: the Neoclassical, Beaux Arts, or Brutalist box, and the smooth, soulless glass box. Zoning requires buildings to have similar height and mass, but do not regulate, or encourage, aesthetic harmony. As a result, statement buildings with similar width and height, but widely divergent styles, compete for attention. To reconcile this peculiarity, REX's building combines the mass of a stately Neoclassical building with a transparent, fluted glass facade. According to REX, the facade is comprised of "nine hundred identical, insulated-glass panels—11.5 feet tall by 5 feet wide—are subtly curved to a 9.5 foot radius through a heat roller tempering process." The floor-to-ceiling "mullion-less" windows allow sightlines that extend through the interior. The result is an exterior that catches light at regular but unexpected angles and throws pleasantly distorted images of its neighbors back at the viewer. To offset the rigidity of glass, the lobby is clad in decidedly non-vegan cowhide, and is large enough to accommodate a site-specific sculpture by an as-yet-unnamed artist. When it is complete in 2019, 2050 M Street hopes to achieve LEED Gold certification. See the gallery below for more images of the project. 2015 was a successful year for REX. In September, principal Joshua Prince-Ramus won the Marcus Prize. The biannual honor (and cash prize) is given to an architect "on a trajectory of greatness." As part of his Marcus Prize acceptance, Prince-Ramus will teach a graduate studio on adaptive reuse at University of Wisconsin–Milwaukee School of Architecture this Spring.
Placeholder Alt Text

Architect Joshua Prince-Ramus the first American to claim the $100,000 Marcus Prize

Joshua Prince-Ramus, principal at the New York firm REX Architecture, has won the prestigious biennial Marcus Prize, claiming $100,000 in the process. He is the first American to receive the distinction. Bob Greenstreet, dean of the School of Architecture & Urban Planning at the University of Wisconsin-Milwaukee, which administers the award, commented: "He is headed to the pantheon of greatness...and yet his ideas are still evolving." In 2008, Esquire magazine went so far as to dub Prince-Ramus the "savior of American architecture." Prince-Ramus focuses on efficiency in his projects, outlining the need for architecture to achieve its functional purpose. To accomplish this he identifies the basics, what the building really needs to do. Arranging these components, he creates analytical models which in turn gradually form the building blocks of the structure. From here Prince-Ramus can now focus on making these components work together and actually move on from the concept. This process can be seen in the gallery below. During one of his TED Talks, Prince-Ramus said, "It's time for architecture to do things again, not just represent things," further indicating that the functional requirements of clients should be a priority for contemporary architects, voicing his apathy for the profession to be seen as an art.
Placeholder Alt Text

Sou Fujimoto's Marcus Prize Pavilion transforms brick into a playfully light material

The Marcus Prize is awarded bi-annually to an emerging architect in the early stages of his or her career. Hosted by the the University of Wisconsin, Milwaukee School of Architecture & Urban Planning and supported by the Milwaukee-based Marcus Foundation, it has a record of supporting talented young practices before they become well know including: Winy Maas (2005), Frank Barkow (2007), Alejandro Aravena (2010), and Diebedo Francis Kere (2011). The studios have traditionally built small public pavilions in Milwaukee in the spring semester of the award. The 2013 winner was Sou Fujimoto from Japan.(Full disclosure: I was on the 2013 jury.) Like the other winners, his studio built a temporary pavilion, faBrick Pavilion, in an undeveloped lot this past summer. Built with UMW professor Mo Zell and university students, this brick installation pays homage to the city's long tradition of masonry construction. It also attempts to transform the typically heavy and cumbersome material into something more malleable, playful, and lighter on the ground. FaBrick creates flowing arches in a way that "form a rippling brick carpet that invites human interaction and exploration" and appears almost supple as a material. Finally, the brick (with connecting wood struts) wants to challenge how we sit, stand, lean and move. With the grass growing up through the lattice of bricks, the pavilion allows nature in the lot to re-assert itself. The Marcus Prize is only in its 10th bi-annual year, but has been such a success in what it has produced and who it has helped that it should be as well known as its Chicago neighbor, the Pritzker Prize. The award is for $100,000 with $50,000 of this going to the winner and an additional $50,000 put forward for the winner to lead a design studio in collaboration with UWM faculty.
Placeholder Alt Text

Sou Fujimoto Awarded the Marcus Prize by the University of Wisconsin-Milwaukee

This had been a big year for 42-year-old Japanese architect Sou Fujimoto. He has been the focus of a special design charrette at Rome's Maxxi Museum and then awarded the prestigious commission for the Serpentine Pavilion in London. Now he been awarded the 2013 Marcus Prize. The prize awarded by the University of Wisconsin-Milwaukee's School of Architecture and supported but the Marcus Corporation Foundation is meant to recognize an architect "on a trajectory to greatness." The jury, on which I served along with SOM partner Brian Lee, IIT Chair Donna Robertson, Milwaukee Dean Robert Greenstreet, architect Mo Zell, and David Marcus of Marcus Investments, spent a day reviewing nearly twenty portfolios of young and emerging firms from around the world. The bi-annual award, which has a generous international perspective, has in recent years been awarded to Diébédo Francis Kéré, Kéré Architecture (2012), Chilean architect Alejandro Aravena (2010), Frank Barkow (2007), and MVRDV's Winny Moss (2005). The winner is awarded $100,000 and asked to return to the Milwaukee architecture school and run a design studio with selected students. It might be argued that Fujimoto is not really an emerging architect, but one who has arrived after receiving the Serpentine commission and there were many very strong candidates who equally deserved the prize, but the jury believed the Japanese architect would bring the freshest perspective to the University student body and the city of Milwaukee where he will engage in public workshops and lectures. Both the University and the Marcus Foundation should be congratulated for creating and running this important prize.