Posts tagged with "Manhattan":
The graceful town house on East 62nd Street was more than a home to Nicholas Bartha. It was the culmination of his life’s work, proof that he had realized the classic immigrant’s dream. In court papers, [Bartha's former wife] said he had repeatedly vowed in ominous tones that he would die in that house and that she would never get it. Now there is no house.Shortly afterward, the 20 by 100 foot plot was available for $8.35 million and marketed by Brown Harris Stevens as an “opportunity to build your dream house” on a “quiet, lovely tree-lined street.” A year on from this, Bridgehampton-based architect Preston T. Phillips was touted to design a slender, modern replacement for Bartha's town house, though the 2008 crisis proved to fatal stumbling block for the project. Fast forward ten years ten years and now it looks like there will be a house on East 62nd Street once again. Employing a limestone and red brick on the North and South facades respectively, the 7,800-square-foot Manhattan mansion seeks to fall in line with its adjacent typologies adding a contemporary edge. The Historic Districts Council (HDC) however, had other ideas. At a hearing on July 12 the council said:
HDC finds that while the proposed design is not offensive and would be constructed of appropriate materials, it raises the question of whether it is appropriate to construct faux historic houses in historic districts. Introducing a design that is of our time or replicating the house that originally stood here would be acceptable strategies, but this house, while thoughtfully picking up details found in the neighborhood, does neither. The house might look like it has always been here, but we are not sure that would be an honest approach.They weren't the only group to raise their concerns too as Friends of the Upper East Side Historic Districts voiced their issue with the facade's design:
While the proportions and scale of this building are appropriate for its setting, our Preservation Committee can’t help but feel that this project may be a missed opportunity for a more creative design.
The New York City Department of Parks and Recreation (NYCDPR), its Community Parks Initiative (CPI), and the Randall’s Island Park Alliance (RIPA), has inaugurated the East Harlem Esplanade Project. The scheme aims to completely rebuild the 107th Street Pier while expanding its programming in the process. This all includes a strategy pertaining to reconstruction advocacy, stewardship, and programming best practices for an improved Esplanade along East Harlem, covering East 96th to East 125th streets.
RIPA will provide support in the form of expertise for the management of long-term development, maintenance, programming and resiliency measures along the East Harlem waterfront.
Aimee Boden, RIPA President said, “The Randall’s Island Park Alliance is looking forward to reaching across the river to work with our nearest neighbors, and to helping to plan for and facilitate improved access and long-term resiliency along the East Harlem Esplanade.”
The CPI is currently committed to improving 67 community parks deemed to be "under-funded" and in "densely populated and growing neighborhoods with higher-than-average concentrations of poverty."
Commissioner Mitchell J. Silver said, “Conservancy partners like the Randall’s Island Park Alliance enhance New York City’s key public spaces with their expertise, resources, and passion. Now, with their generous commitment to create a strategic plan for the East Harlem Esplanade, RIPA is extending its influence to one of our city’s most densely populated communities, and providing expertise that will drive green equity and sustainability for the neighborhood.”
At the moment, RIPA is currently speaking to public agencies, advocacy groups and local stakeholders in order to assemble concerns related to the project while also referencing existing studies to develop the plan.
"East Harlem is a thriving, growing community that deserves world class waterfront access," said Council Speaker Melissa Mark-Viverito. "For far too long, our esplanade has been neglected and has fallen into disrepair, which is why the Council has made a priority of allocating millions of dollars in capital funds to address these needs, including the reopening of the 107th Street Pier. Working with community residents and local stakeholders, the East Harlem Esplanade Project will help create a comprehensive plan to fully revitalize this important public space for generations to come."
State Senator José M. Serrano said, "Through the collaborative efforts of Manhattan Borough President Gale Brewer, New York City Council Speaker Melissa Mark-Viverito, Assemblyman Robert Rodriguez, the Parks Department and now the Randall's Island Park Alliance we have a dynamic team that will transform the East Harlem portion of the Esplanade into a beautiful piece of parkland. Together we will be able to strengthen the East Harlem Esplanade and give the residents of El Barrio a much needed green space that will create economic growth for the surrounding neighborhood."
In 1959, Jack Masey caused communism and capitalism to collide thanks to his kitchen design that left a bitter taste in the mouths of Nikita Khrushchev and Richard Nixon. His re-creation of a Long Island kitchen at the American National Exhibition amplified American pride and stirred up tensions between Russia and the United States during a difficult period. After 30 years working as a designer for the United States Information Agency (not a branch of the CIA), Jack Masey passed away on March 13 in Manhattan.
In a rare public meeting of the pair, things appeared to be going swimmingly until Khrushchev's gaze fell onto Masey's Long Island Kitchen. In what would come to be known as "The Kitchen Debate" the world leaders clashed in a bitter exchange. "You must not be afraid of ideas!" Nixon spat, only for the Russian President to smugly retort: "That's what we're telling you - don't be afraid of ideas."
Born in Brooklyn in 1924, Masey worked out of Manhattan for most of his life. During the Second World War, Masey was part of an elite 1,100-man unit that used visual and sound effects to impersonate larger forces. Mastering the art of deception, much of his time was spent designing inflatable rubber tanks and jeeps. “Three guys could blow up a Sherman tank in a half-hour,” he told The New York Times in 1969. “Two guys, a jeep in about 15 minutes.”
A trained architect, also studying graphic design at Yale, Masey worked with R. Buckminster Fuller and Charles and Ray Eames at numerous exhibitions where he incorporated fashion shows and art by the likes of Jackson Pollock and Willem de Kooning. With these artistic devices at his disposal, Masey was able to articulate the flamboyant image of the American proletariat, just as the Information Agency wanted. Mundane appliances such as washing machines, dryers and electric ranges flaunted the fruits of capitalism. Ford car designs, films, Pepsi, Levi jeans, hairstyles, and even a mechanical talking chicken all featured as Masey told the world what the Soviet Union was missing out on.
The concept of a World's Fair today seems unnecessary and outdated. During the Cold War, when the world was a lot bigger, Expos informed the public of how others lived. For Expo '67 in Montreal, Masey filled Buckminster Fuller's iconic geodesic "biosphere" with space technology and the arts. Two years later, America landed on the Moon.
One wonders what Masey thought of all this glorified attention seeking. In a interview with the Guardian in 2008, he colloquially described work for the Information Agency laid out on his desk as "the whole shebang," reflecting a laid-back attitude.
An exhibition of his work, “Make-Believe America: U.S. Cultural Exhibitions in the Cold War,” is on view now at the Museum of Design Atlanta.