Posts tagged with "mahogany":

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Deborah Berke Partners splits this dormitory with a zinc-and-stone facade

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College dormitories are sometimes drab affairs, utilitarian in their design and timid in their expression. But Deborah Berke Partners’s (DBP) Dickinson College High Street Residence, completed in September 2018, uses a limestone masonry and paneled-zinc facade to create a bright and confident presence on campus.
  • Facade Manufacturer Rheinzink Knight Wall Rolling Rock Building Stone Duratherm
  • Architects Deborah Berke Partners
  • Facade Installer Novinger's Inc. Caretti, Inc, Hershocks, Inc.
  • Location Carlisle, PA
  • Date of Completion September 2018
  • System Block-and-plank
As the building's name suggests, the 42,000-square-foot dormitory is located on High Street, which runs through Carlisle, Pennsylvania's historic core. Wanting to blend the dorm into its context of limestone Federal-style residential and institutional buildings, the design team created a four-story, roughly-cut limestone elevation whose three-dimensional surface creates a play of shadows. Alverson Limestone cladding supplied by Rolling Rock Building Stone is fastened to the north elevation with a block-and-plank structural system using masonry anchors. “The public-facing limestone mass of the new residence hall bookends the central campus on its western edge,” said project manager Aaron Plewke at DBP, “echoing the facades of its historic neighbors, but with a modern and minimal sensibility." Many secondary structures within the town and region, such as warehouses and sheds, as well as other buildings on Dickinson College's campus, are roofed with weathered zinc. The three campus-facing elevations wear this material strapped in a vertical orientation by thermally-broken brackets and horizontal rails. The building's restrained rectilinear massing is enlivened by moments of spontaneity in the facade. Irregular window openings are punched through all of the elevations, with those to the north deeply recessed within the limestone cladding. According to Plewke, "the pattern of the openings obscures the building's efficient, repetitive layouts, avoiding the undifferentiated facade that would have resulted from strict adherence to the plan." While most of the dorm's skin is made of stone and zinc, vertical bands of Sapele mahogany wood line entrances and principal community areas. Each of the three facade materials will patina into different hues while they are exposed to the elements over the coming years; the sun will bleach the dark-grey limestone ashlar, oxidization will darken the zinc paneling, and general exposure will darken the mahogany strips to a leaden complexion.
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Spiritual Construction: Minneapolis Cemetery Blends Old and New

When a bucolic cemetery in Minneapolis began to near capacity, its owners worried a large expansion might dampen the landscape’s pastoral charm. Despite its comparatively large footprint, the 24,500-square-foot Garden Mausoleum in Minneapolis’ Lakewood Cemetery is in harmony with the existing mausoleum and chapel that it sits between, as if in meditation. The 141-year-old non-sectarian cemetery occupies 250 acres in the city’s Uptown neighborhood. Designed by Joan Soranno and John Cook, both with HGA Architects and Engineers, the Garden Mausoleum peeks out of a south-facing hill along the northern edge of the site’s “sunken garden.” Mahogany and charcoal granite walls complement white marble and onyx floors that alternate between honey yellow, jade green, and coral pink. The handsomely understated spaces are prime for spiritual exploration and self-reflection. Elegant and quietly powerful, the mausoleum is an authentic union of materials and design.