Posts tagged with "Madrid":
From Michael Bloomberg to Olafur Eliasson, figures from the worlds of design, business, art, academia, and government all gathered in Madrid’s Teatro Real on June 1 to discuss nothing less than how to save the world, all under the auspices of the Norman Foster Foundation.
The forum was titled “Future is Now,” and the primary challenges discussed were climate change, rapid urbanization, failing infrastructure, and global inequality. In his opening remarks, Foster stated that the pressing needs of the built environment “are far too important to be left to one profession.” Over the next few hours, the diverse selection of panelists explained how each of their fields could make a contribution, whether it was flying drones that could lay bricks, or models for large-scale water-infrastructure management. (See The Architect's Newspaper's full coverage of the Forum here.) The day was a call to action—Alejandro Aravena said that “cities could become social ticking time bombs” and “shortcuts to inequality”—as well as an overarching manifesto and debut event for the Norman Foster Foundation, which is based in Madrid. The foundation features an archive of Foster’s sketches and models, educational programming, an in-house architectural team, and a design and technology office that will conduct research into advanced materials like carbon fiber. The Foundation is totally independent from Foster’s firm, Foster and Partners, and has a mandate to tackle the loftier challenges outlined at the forum. It will also helm its own architectural projects, such the Droneport that debuted at the 2016 Venice Biennale of Architecture and is slated for a town in Rwanda. The facility, a series of spaces encased by brick domes, aims to be a vital hub of trade and supply for remote settlements. If successful, it could serve as a prototype for similar projects across the continent.
The Foundation itself occupies a stately 1902 residence about a mile north of the Museo del Prado and Madrid’s city center. While almost all its programs are housed in the historic building, the Foundation also designed what it calls a “Pavilion of Inspirations,” a large glass-and-steel gallery that holds a collection of objects and artworks that inspire Foster—including Le Corbusier’s 1926 Avion Voisin Lumineuse car, a futurist sculpture by Umberto Boccioni, dozens of airplane and automobile models, and two designs by Buckminster Fuller, who was Foster’s mentor and collaborator.
If there were one architect who’s ideological influence loomed largest at the forum, it was Fuller, with his globe-spanning, innovation-focused view of humanity’s shared challenges. There were strong currents of techno-utopianism on some panels, and there were moments when it seemed that advanced drones and computers would supplant conventional architects in the near future. Still, with his foundation preserving and digitizing his sketches and models, Foster is betting that future generations will benefit from this study of his analog design process. When speaking to The Architect's Newspaper, Foster said he was excited by the promises of technology, but explained, “Basically, the computer is just another tool. And don’t fool yourself because of its ultra-sophistication and its artificial intelligence that it’s actually the brain.… I would defend that to the death.”
The Foundation (which is entirely separate from Foster + Partners) grew out of a series of international traveling scholarships for architects that Foster initiated in 2007. A physical space for the Foundation would not only receive the scholars, but promote its “holistic approach to design” to a wider audience through a range of programming and exhibitions. Those activities will be grounded with the Foundation’s archive of Foster’s work, which includes prototypes, drawings, transcripts, films, photographs, models, and more. Since 2017, more than 74,000 items have been cataloged and more than half those items are already digitized. Eventually, all of them will be available on the publicly accessible online archive. While the Foundation introduced its new headquarters two days ago (AN will follow up on its design when images become available), today was its inaugural Forum, which was split into three sections: Cities, Technology and Design, and Infrastructure. Foster kicked off the forum by describing the challenges the world faces, specifically rapid urbanization, a transportation revolution (such as driverless cars and pedestrianizing cities), and climate change. With a heavy dose of Buckminster Fuller, he emphasized the need for interdisciplinary intervention and holistic design, something the Foundation will do.
The first panel (featuring former NYC Mayor Michael Bloomberg, Richard Burdett, Professor of Urban Studies at London School of Economics, architect Maya Lin, and Foster himself) was fairly straightforward, with an emphasis on the benefits of urban density and the inherently democratic nature of cities. The overriding theme was a need for strong political leadership to present grand and compelling visions to tackle urban woes: "Cities in the West have forgotten the power of planning," Foster lamented.
Lord Foster: Facing ecological crises, the design of buildings and infrastructure is "far too important to be left to one profession." pic.twitter.com/jNoz0Xqc0p— Architects Newspaper (@archpaper) June 1, 2017
Elon Musk's Hyperloop and Bogotá's highly successful bus rapid transit (BRT) system were also highlighted as examples of successful, radical thinking as well. But it was a comment from former Mayor Bloomberg about technology eliminating jobs that would set the stage for sharp disagreements in the next panel.
Michael Bloomberg: Climate change, nuclear war, and the destruction of jobs with technology are the three "cataclysmic" challenges we face. pic.twitter.com/YGGYvY3xUE— Architects Newspaper (@archpaper) June 1, 2017
The second panel focused on technology and design. It started with a set of striking projects from Professor Matthias Kohler of the Swiss Federal Institute of Technology, which included flying drones constructing a brick tower and robots fabricating a new kind of formwork that allows for curving concrete shapes. Nicholas Negroponte, co-founder of MIT Media Lab, was especially bullish on technology's potential to shape design: "The end of constructing things of components" such as bricks or concrete is coming to an end. Architecture will be "like planting a seed and watching a building grow... additive construction is over." Niall Ferguson, senior fellow at the Hoover Institution, countered that a massive backlash was coming for all this progress: When middle America and Europe figure out that technology is taking their jobs, he said, there will be resistance, even if it's futile.
Citing Uber as an especially egregious example, he argued that Silicon Valley sees its inventions and inherently "awesome" and unstoppable, thereby failing to anticipate the reaction of those on the losing side of innovation. Furthermore, Ferguson described how many scientific inventions—from splitting the atom to drones—were frequently turned into weapons of war. His critique was hotly debated by Negroponte, though it succeeded in introducing doubt to the techno-utopian aspects of the Forum's Buckminster Fuller-esque aspirations.
Niall Ferguson: Silicon Valley is "terrifyingly historically ignorant," massive backlash is coming as tech eliminates jobs/middle class. pic.twitter.com/55iZDUgHSl— Architects Newspaper (@archpaper) June 1, 2017
Next, Chilean architect Alejandro Aravena delivered the keynote prelude to the final panel on infrastructure. He delivered a more grounded argument about the need for infrastructure to serve multiple roles in the cities. In the face of massive urban inequality, he said, we can't touch income directly but we can strategically design public spaces, transportation, and other urban infrastructure to ameliorate the problem. Examples included using hard infrastructure (e.g. waste treatment) to create new public spaces or platforms for housing, providing opportunities for individuals to be self-sufficient and off the grid, and prioritizing space-efficient transit (such as walking, biking, and buses over cars) in the precious public space of streets. His thoughts were echoed throughout the final panel that followed. Henk Ovink, Special Envoy for International Water Affairs for the Kingdom of the Netherlands and seminal figure in Rebuild By Design, emphasized that infrastructure is a political and cultural challenge as well an engineering one. "We had a water democracy in the 1100s," he said of the Netherlands, which meant the public was always deeply included in the design process. Without a similar process, communities won't understand, own, or accept big infrastructure projects. Also on the panel was Jonathan Ledgard, director of Rossums Group and leader of the Norman Foster Foundation's Droneport project, who sought to counter Ferguson's earlier critique. He cited the Droneport, a hub for commerce and community where drones bring and send away small, high-value goods (such as medicine or mechanical parts) as one example of how low and high technology can mix to benefit the common good. Foster concluded the forum on a historical note. While cars have become the enemies of cities, they were once their saviors, as they eliminated the mountains of horse manure that horse-driven carriages and trucks created. Yesterday's friend can become today's enemy. Still, he said, "the exchanges today give me great hope for the future."
A. Aravena: "Cities could become social ticking time bombs" or "shortcuts to equality." New kinds of multipurpose infrastructure are key. pic.twitter.com/h5j8bDtw2m— Architects Newspaper (@archpaper) June 1, 2017
The HUB flat in Madrid, designed by Josemaria Churtichaga and Cayetana de la Quadra-Salcedo of Madrid- and Miami-based ch+qs, is a fun house of architectural design as well as an homage to 1970s American artist Gordon Matta-Clark, who studied architecture at Cornell and was famous for taking slices out of abandoned buildings.
Churtichaga also teaches architecture at the University of Miami. He designed the HUB flat in 2013 as an upstairs addition to his design for The Hub, a ground-floor incubator, which occupies a former garage, where young entrepreneurs can brainstorm about start-ups.
The HUB flat is a mere 1,100 square feet but contains a living room, three bedrooms, a bathroom, and a kitchen, all transformed through Churtichaga’s remarkable cutouts. A long cone-shaped negative volume slices diagonally through the entire apartment, while huge circles cut through walls, creating mind-bending, unexpected vistas. The circles are in the walls connecting the living room and a bedroom, as well as in between two other bedrooms. The cone and circles, Churtichaga said, “have the power to be recognized by very few elements.”
“I took the original structure and space and took out material. By taking out material, you can transform with a very, very, very, extremely low budget,” Churtichaga added, describing his concept as “a design through unbuilding, demolishing.” His entire budget: A tiny $33,880. (The furniture is from IKEA.)
The playful ambiance continues with various wall coverings, including a vintage 1950s turquoise-blue wallpaper with a geometric design, and special black paint that acts as a blackboard surface for drawing and writing.
Entering the flat, Churtichaga explained, alters the visitor’s perception. “We are playing with you; we are challenging you. You don’t know exactly if you’re seeing a mirror, how big the rooms are.” The concept, he said, is the architectural equivalent of the disruptive perceptions sought by The HUB’s young entrepreneurs. “If you want to generate new business ideas, you also have to behave disruptively.”