Posts tagged with "Los Angeles":
The new United States Courthouse, a LEED Platinum structure, meets its energy target of 35kBTU/GSF annual consumption through a variety of sustainable design features. The most visible is the facade—a solution that gracefully responds to the solar orientation of the site. A key challenge was to manage intense sun exposure from the east and west while maintaining the building’s alignment with the street grid. The pleated facade design incorporates shaded panels in east- and west-facing pleats to minimize solar thermal gain, and transparent glass panels in north- and south-facing pleats to maximize natural daylight inside the courthouse. This reduces annual solar radiation load and central plant load while lending visual dimension to the facade."At a time when much design effort is confined to the envelope, this project stands out for its intelligence in aligning environmental performance with architectural goals across various scales." —Eric Bunge, principal, nARCHITECTS (juror) Owner: General Services Administration General Contractor: Clark Construction Group Facade Contractor: Benson Industries Blast Engineering: Applied Research Associates Inc. Mechanical and Electrical Engineering: Syska Hennessy Group Inc. Honorable Mention Project: University of South Florida, St. Petersburg, Kate Tiedemann College of Business Architect: ikon .5 architects, Harvard Jolly Architects Location: St. Petersburg, Florida Inspired by the indigenous coral stone of Tampa Bay, the 68,000-square-foot Tiedemann College of Business is conceived as a porous container. The most unique feature of the building is its glass facade: The composition consists of a ceramic fritted first pane that is double-run with two tones of a circular pattern and a mirrored second pane that allows views out while reflecting the first pane’s patterned coating.
Buildings need to be seen as mute elements in this society. The police from that time are probably mostly dead. The most productive thing is not to destroy it; it’s to find some good and productive use for [the building] that serves a good civic purpose. Perhaps that purpose should be related to the needs of people who have not been listened to very much. I don’t know if spending the money to tear it down and then rebuilding it is in our best interest. There are areas of the site that are less significant; the parking structure could go away, for example. It won’t be seriously missed. If you wanted to—remove the jail wing. But the building [overall] is really a pleasant, adaptable office building with a useful auditorium and a welcoming lobby that can go to many new uses. To throw away a piece of the city’s history—as well as throw into the recycling bin the narrative of that building—seems to me very foolish.
The resulting MARS Pavilion prototype—including an exhibition and video of the design process—is currently on view at the A+D Architecture and Design Museum in the Los Angeles Arts District. The pavilion will be up through Saturday, October 7 and has been sponsored by CTS Cement and Helix Steel.Besides acquiring The Washington Post and Whole Foods, Jeff Bezos owns Blue Origin, a space exploration company that is intended to compete with Elon Musk’s SpaceX. The Blue Origin company motto is “Gradatim Ferociter,” Latin for “Step by Step, Ferociously.” This motto might also apply to the work of Sarafian and Culver. The MARS Pavilion by their firm Form Found Design (FFD) is the first robotically-cast concrete pavilion in the world. While it is intriguing to look at, what is more important than its image is its method of design and construction. The MARS Pavilion consists of 70 unique, robotically-cast “wishbone” shaped components that are all bolted together with an identical steel connection detail. Using the robotic precision of large ABB industrial robots, they achieved a tolerance of 1/16 inch. This is extraordinary in concrete construction, where the usual level of tolerance is ¼ inch—It’s an improvement of 400%. All the MARS Pavilion forms are derived from concrete’s most inherent quality, compression. Walter P. Moore performed a structural engineering analysis and recommended one-inch "Helix Steel" twisted fibers for reinforcement rather than traditional re-bar. This provides greater flexibility. The goal is to allow for the precision fabrication of a wide range of design components at low cost. Ron Culver described their approach as “a true digital workflow where previously unbuildable complex geometry is now feasible.” In downtown Los Angeles, for example, Diller Scofidio + Renfro designed the Broad Museum proposing many unique concrete forms. Due to cost constraints, the design had to be simplified so that only the oculus (a curved opening at the front of the building) survived the value engineering and cost-cutting process. FFD believe their approach will allow design variation in concrete with no additional cost. FFD envisions many future applications including creating economical housing solutions for developing nations. Sarafian explained, “We are interested in exploring this fabrication technique to create an easy-to-assemble housing prototype for developing countries.” The MARS Pavilion installation is on view through October 7th at the A+D Architecture and Design Museum, 900 E 4th St, Los Angeles, CA 90013, tickets are available for the closing reception here. You can follow Follow their FFD's work on Instagram @formfound_design