Posts tagged with "London":
At its heart this gallery reveals a rich cultural story of human endeavour that has helped transform the world over the last four hundred years. Mathematical practice underpins so many aspects of our lives and work, and we hope that bringing together these remarkable stories, people and exhibits will inspire visitors to think about the role of mathematics in a new light.Ian Blatchford, Director of the Science Museum Group, meanwhile commented:
It was a terrible shock for us all when Dame Zaha died suddenly in March this year, but I am sure that this gallery will be a lasting tribute to this world-changing architect and provide inspiration for our millions of visitors for many years to come.
When the new Design Museum in Kensington Gardens, London opened to the public on the November 24th, many aesthetically astute Brits flocked to the new "palace of culture." There they found the post-war (landmarked) relic, originally designed for the Commonwealth Institute by Robert Matthew Johnson-Marshall & Partners and opened by Queen Elizabeth II in 1962, reincarnated and open once again. However, despite director of the museum Deyan Sudjic recruiting the likes of John Pawson and OMA for the renovation, the reaction to the $104 million museum has been mixed. The exhibitions inside, though, have enjoyed a much warmer reception. The inaugural exhibit, Fear And Love: Reactions to a Complex World features exhibition design by Sam Jacob Studio and eleven diverse installations from the likes of Andrés Jaque, Neri Oxman, and OMA/AMO.
“To design the first show at the new Design Museum was both an honor and a challenge—a way to mark a new era in London’s design culture," said Jacob. "The subject of Fear and Love was always more of a mood than a statement. Our design attempts to embody this ambivalence in a way that adds mystery and imagination.”
The London-based designer has employed a 623-foot-long pleated felt curtain that articulates the installation spaces and acts as a fluid circulatory device as it meanders through the rectangular exhibition area. With breaks interspersed throughout the curtain trail, views across and into each of the installations are created, opening up what would be tight corners to form a coherent space.
While this material carries warmth with it on its journey through Fear And Love, the use of gray translucent PVC bares the opposite (and perhaps even hints at love in another sense). Working with graphic designers OK-RM, signage within Fear And Love displays information on a series of freestanding, bent steel frames of which have been given a protective, passivated finish, giving a modern and iridescent look. This aesthetic is furthered through a neon two-way mirror totem that displays the words "FEAR" and "LOVE" to those passing by the exhibition inside the museum.
Justin McGuirk, curator of Fear And Love and chief curator at the Design Museum, said: “Sam Jacob Studio’s exhibition design was central to setting the mood of Fear and Love: it creates a dream-like space that, in the most elegant way, heightens the sense of uncertainty that the exhibition explores.”Meanwhile, Chloë Leen, who spearheaded the project for Sam Jacob Studio commented: “It has been a great privilege to work with 11 designers at the forefront of shaping contemporary practice. Our design creates a unifying experience, choreographing these varied complex ideas and installations, while the spaces and moods of the exhibition design give each a distinct quality. This duality was at the heart of the de-sign challenge that the museum’s curatorial position presented.” Fear and Love runs through April 23, 2017.
"Come out Patrik, come out from under that table!" cry protesters at Zaha Hadid Architects' London office
The anger from the protesters is directed at Patrik Schumacher and already ZHA in an open letter rebuked his words, saying: "Patrik Schumacher’s ‘urban policy manifesto’ does not reflect Zaha Hadid Architects’ past—and will not be our future." Olly Wainwright also tweeted a screenshot of an email detailing Rana Hadid, Lord Palumbo, and Brian Clarke's essential disavowal of Schumacher's remarks. (The three are trustees of the Zaha Hadid Foundation and executors of Hadid's estate).
Executors of Zaha Hadid's estate come out all guns blazing against Patrik Schumacher's comments. How much longer will he be in his job? pic.twitter.com/FVHA9yqOfr — Olly Wainwright (@ollywainwright) November 29, 2016Schumacher himself has also responded to the furore. "I was hoping to stir a discussion and got much more than what I had bargained for," he said on his Facebook page in an apologetic statement according to Dezeen. "The topics I touched upon turned out to be too touchy to touch at all in any direct or straightforward way, or so it seems." He continued, going on to say: "Like all of us, I dream of a caring, inclusive, diverse society where everybody can flourish and realise his/her potential and nobody is left behind. All I say is inspired by this longing."
Since the founding of London, the mighty Thames has been the city’s main artery, linking north and south, east and west, encouraging business, activity and recreation. But at night, the river becomes a ribbon of darkness, a place that few enjoy and at odds with the ambition to make London a 24 hour city. This project will bring light, energy, beauty and recreation to the river and at the flick of a switch, transform the city at night.Despite waxing lyrical, Rothschild's words did not impress critic Oliver Wainwright of The Guardian. "[It’s] simply not true. The river already shines with a series of conflicting color schemes that speaks more of London’s chaotic character than a curated nightly show," he said. Wainwright also poured scorn on Adjaye's proposal, remarking that the 17 pavilions the architect proposes alongside each of the bridges adds "more clutter to the streetscape." The project will be privately funded. So far, though, $11.8 million is still required. It's also worth pointing out that the infamously costly (and not yet built) Garden Bridge by Thomas Heatherwick started life in a similar vein. The shortlisted six's videos can be found below meanwhile images are in the gallery above. Blurring Boundaries Adjaye Associates with Cai Guo-Qiang, Chris Ofili, Larry Bell, Jeremy Deller, Philippe Parreno, Richard Woods, Mariko Mori, Lorna Simpson, Teresita Fernández, Joana Vasconcelos, Angela Bulloch, Thukral & Tagra, Katharina Grosse, Glenn Ligon, Doug Aitken, Tomás Saraceno, onedotzero digital consultants, Plan A Consultants, DHA, Hurley Palmer Flatt, AKT II, AECOM, Arup, Sir Robert McAlpine, Tavernor Consultancy, DP9, Four Communications, Hayes Davidson digital visualizers, Bosch, and iGuzzini.
The Eternal Story of the River Thames AL_A, Asif Kapadia, Simon Stephens, SEAM Design, Arup, GROSS. MAX., Mark Filip, Soundings, and DP9.
Synchronizing the City: Its Natural and Urban Rhythms Diller Scofidio + Renfro with Oliver Beer, Arup, Copper Consultancy, L’Observatoire International, Penoyre & Prasad, Jennifer Tipton, and Transsolar.
Thames Nocturne Sam Jacob Studio and Simon Heijdens with Studio Dekka, Daisy Froud, Elliott Wood, Jackson Coles, and Professor John Tyrer.
A River Ain’t Too Much To Light Les Éclairagistes Associés (L.E.A.), ecqi ltd. and Federico Pietrella in association with GVA Lighting Europe Limited and ewo srl.
Current Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace. Atelier Ten, Beckett Rankine, Bradley Hemmings, Core Five, Futurecity, Greenwich +Docklands International Festival, MBNA Thames Clippers, Montagu Evans, Pentagram, and Price & Myers.
Winners are due to be announced in early December with work on the 17 bridges being completed in phases between 2018 and 2020.
“Utopia by Design” is the theme at this year’s inaugural London Design Biennial. On show at the three-week event are a series of installations from 37 countries, all located inside and around the grounds of Somerset House by the Thames. The show runs until September 27.
The Architect’s Newspaper was in attendance and we've collected some highlights below:
The highlight of the Biennal, Border City was designed by Mexican architect Fernando Romero. Drawing on contemporary issues such as immigration, border control, and economic zoning, Romero’s masterplan coalesces employment, trade, and cultural dimensions into the "Border City." Here, the three states of New Mexico and Texas (U.S.) and Chihuahua (Mexico) would join as one singular hub.
Romero makes use of a topographical circular map and projection screens that wrap around the exhibition space. The visually intense installation submerges the audience into a wealth of information including population growth data, demographics, consumption, and resources for the U.S., Mexico, and the world. Phrases like “special economic zones” outline where trade areas would be in Romero’s binational “Border City” as further projections take you through renderings of the fictional city.
Located on the riverside, Lebanon’s installation provides a taste of Beirut for Londoners. While kebab shops are nothing new in the capital, Annabel Karim Kassar’s work immerses audiences into a typical Beirut street scene offering kebabs, Lebanese coffee, and even a wet shave. While the smell of spices waft through the vicinity and local music fills the air, a breeze running off the Thames brings you back home. Lebanon's piece won the London Design Biennale Medal 2016 for the most exceptional design contribution.
Inside, Chile’s “Counter Culture Room” offers an insight into the utopian dreams the country had under socialist President Allende of the 1970s and how they were very nearly realized. A short film relays how the country enlisted British cybernetics expert Stafford Beer for Project Cybersyn. Beer aimed to use cybernetics as a form of governance, whereby a central control room—one that could be mistaken for belonging to a 1970s sci-fi villain—would oversee the country. It was a cyber management system that would unite workers with the authorities through a flow of information. Though these plans never made it off the ground due to Pinochet's coup, Chilean studio Fab Lab Santiago made four chairs slicing a would-be control room in two. Interesting though the backstory is, visitors can’t feel empowered as the chairs are sadly unavailable for sitting in.
Austria’s installation symbolizes the fragility of utopias. The kinetic light sculpture comprises a complex arrangement of interconnected earbud-shaped lights. When left still, the whole structure is fully illuminated, however, when moved in any way, lights close to the source of movement dim and turn off. A slight nudge can rupture the delicate ambience that exists, meaning lights out in utopia.