Posts tagged with "London Architecture Festival":

Tottenham Pavilion Project

Call out for architects, artists, innovators, and imaginators. Competition to design a new kind of public space to be seen by 1.6m people this summer and an international audience through the London Festival of Architecture. Tottenham Pavilion is a project born from the Harringay Warehouse District; a former industrial site that has, over the past 20 years, been converted into live-work spaces by artists, makers, musicians, and entrepreneurs. The community is a living example of anti-gentrification. The area has a unique power dynamic - it's not simply grass-root, nor bottom-up, that’s far too linear - it has a power source that comes from the clash of differences. This commission is about preserving the anti-gentrification resistance of the area. The winning concept will learn lessons from a very unique corner of London and reinterpret them for a wider audience. Part of the London Festival of Architecture 2020 program, both the winning and shortlisted designs will be featured in the festival.  
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Kaleidoscopic Dulwich Picture Gallery Pavilion lands in South London

What if, when on his Grand Tour, John Soane didn’t go to Italy, but to West Africa? What if, instead of going to Venice, he went to Lagos? This was the question Dingle Price, co-founder of London studio Pricegore, posed when pitching the idea for a pavilion adjacent to the Dulwich Picture Gallery, the oldest purpose-built gallery in England, designed by Soane. The result is The Colour Palace, a gloriously colorful timber structure that nestles between Soane’s 202-year-old building and a residential street. Price and fellow Pricegore cofounder Alex Gore do not hail from West Africa. Such inspiration came from artist and designer Yinka Ilori, who collaborated with the studio for the project. Now based in London, Ilori drew upon markets in Lagos where he was raised. “I wanted to encapsulate the memory of color I have from those markets,” Ilori told AN. “Selling fabrics, color was everywhere.”
And at the new pavilion, color is indeed everywhere. When approaching it, hints of a cacophony of color can be spied: pink tips pop out above the park’s perimeter wall; beyond the trees, glimpses of blue and red can be seen through the green. Closer inspection reveals thin, cuboid timber louvers (there are more than 2100) painted in green, yellow, blue, pink, red, and orange. The result makes the facade shimmer from the outside, blending the different tones in the process. Triangles and circles—motifs prevalent in Ilori’s work as a furniture designer—have been painted on the outside, causing the pavilion to look like a party hat. There’s an overriding sense of fun. But the kaleidoscopic baptism doesn’t end there. The giant party hat sits on four five-and-a-half-feet-wide bright red concrete columns—unpolished and raw, they rise up from the earth. A pink elevated walkway traces the structure’s perimeter, and a blue timber internal support structure keeps it all up. “Our work is very Euro-centric, Yinka’s is very West African,” Price explained. “We wanted to mix the two.” Ilori and Pricegore drew upon two precedents: an image of men carrying a thatched roof in West Africa and caryatids in Athens supporting the Parthenon's entablature. “Building in landscape, we wanted to lift the structure off the ground and retain the open sense of a garden,” added Gore. The pavilion, with its 1,560-square-foot base, is open on all four sides. Circles and triangles may adorn the exterior, but the square was most important to Pricegore, who deemed the shape essential to maintaining the structure's relationship to the adjacent Soane-designed gallery. Soane used a strict orthogonal regime to conceive the gallery's plan. So, too, has Pricegore, although the firm has offset the pavilion 45 degrees to the gallery to create a more welcoming dialog to visitors, allowing the various colors of the louvers to gradually change upon approach. Gore continued: “The pavilion is accessible to everyone. A child can enjoy this as much as an art critic.” The Colour Palace is the result of a partnership between the Dulwich Picture Gallery and the London Festival of Architecture. The pavilion is open to the public until September 22, 2019.
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What's on at this year's London Festival of Architecture

The 2016 editionof London's yearly architecture festival, themed "Community," will boast more than 200 events including talks, conferences, open studios exhibitions, and installations. Curated by director Tamsie Thomson, the festival focuses on the relationship between London's growth and the housing crisis, immigration, climate change, and technology. Having been running for just less than a week, AN takes a look at the highlights. Open Studios June 9-12: Studio McleodRIBA Incubator Open Studio and Farrells June 16-19: SCABALAckroyd + AssociatesOrdinary ArchitecturevPPR and Publica June 23-26: GrimshawAllford Hall Monaghan MorrisJohn McAslan + Partners and Cullinan Studio
Man About The House Playing at numerous venues of architectural significance across the capital, Australian comedian Tim Ross and musician Kit Warhurst's performances will to showcase the value of interacting with architectural heritage. Locations vary from Ernö Goldfinger's Modernist dwelling in Hampstead Heath (James Bond writer Ian Fleming loathed the house so much he based a villain on the architect) to Australia House on the Strand. Best to hurry as tickets for this are selling out fast but can be purchased here. Homes Not Houses: Putting Wellbeing First June 9 Public think tank The Legatum Institute's Architecture of Prosperity program will inaugurate their Housing the Mind publication with a panel discussion. The discussion will address: "How do we design new homes or regenerate in a way that maximizes individual prosperity? Are the economics of new housing developments trumping community wellbeing?" Urban housing study group Create Streets will also be in attendance to launch their latest piece of research that analysis the connection between specific components of the built environment and measurable wellbeing. More details can be found here. Futuro: 1960s Design Principles Today June 9 Visit Finnish architect Matti Suuronen's space-age dwelling, The Futuro House, faithfully restored and located on Central St. Martins' rooftop. A discussion will look at the innovative principles of '60s spatial design and what relevancy they have today in a world dominated by technology. More details can be found here. The Great Architectural Bake-off June 11 Local architects, engineers, and designers are invited to join in the festival fun by constructing distinctive, edible recreations of iconic buildings in The Great Architectural Bake-Off. Proof, that this event is worthwhile will be in the pudding. More details can be found here. Papers: Festival of the Art & Architecture of the Refugee Crisis June 12 A diverse array of people including refugee artists, musicians, poets, chefs and builders will engage in talks on the creative and urban culture which born out of Europe's refugee camps taking place at the Barbican throughout the day. More details can be found here. Nairn's Journeys + Interview with Jonathan Meades June 13 Screenings of some of British architecture critic Ian Nairn's documentaries showcase unique critique and advocacy of placemaking within the built environment. The films will be followed by a discussion between Jonathan Meades and Douglas Murphy on architecture and television. More details can be found here. Affordable for Whom? Role of the Architect in the Housing Crisis June 14 In line with the Royal Institute of Architects' (RIBA) exhibition At Home in Britain: Designing the House of Tomorrow Dick van Gameren of Mecanoo, Jamie Fobert and Ken Baikie of Peabody discuss what can be learnt Europe in relation to the British obsession with homeownership. More details can be found here. Creative Discipline June 17 How is new housing made and paid for? Should we aspire to own it, or is there another way? Bored of events tackling tough questions on the housing crisis? Fear not, this drop-in session run by London architecture firm SCABAL will feature a board game to help those in need. Participants will contribute to the game's creation and be able to spend the day asking and answering questions. More details can be found here. Open Garden Estates June 18-19 Take a tour of the social housing estates across London that are currently endangered by developers, local authorities and housing associations. The weekend-long event offers a rare glimpse into the public and private gardens of residents while providing insight into how the estates's have impacted their lives. Talks from architects gardeners and residents will also be on offer. Best to take this chance before the Housing and Planning Bill comes to fruition.... More details can be found here. The Hive June 18 - November 30 Rising 55 feet, The Hive will be glowing with a myriad of LED lights that respond to changes in its environment. The multi-sensory aluminum structure will plunge visitors into chaotic life of bees using lighting and soundscapes that react to sensors placed inside a real bee hive. The Hive is an award-winning design by British artist Wolfgang Buttress, which was the creative interpretation of the theme ‘feeding the planet, energy for life’ for the World Expo 2015 in Milan (1 May to 31 October). From June 2016, it will be re-imagined in the setting of the Royal Botanic Gardens, Kew. More details can be found here. The House June 24 This specially-commissioned spectacle marking the 400th anniversary of The Queen's House, and its forthcoming reopening this year featuring dance, digital projection, music, narration and pyrotechnics. The production will bring together the talents of BAFTA award-winning video artist Tal Rosner, Olivier award-winner Sharon D. Clarke, multi award-winning composer Dan Jones, boundary breaking Avant Garde Dance, and German outdoor theatre company Pan. More details can be found here. The People Build June 25 Courtesy of French artist Olivier Grossetête, audiences will be able to watch and take part as temporary structures are erected from the ground through the power of the people at the Queen Elizabeth Olympic Park. Watch a time-lapse of how the event panned out in Norwich two years ago.   More details can be found here. Concrete at the Crossroads June 26 With an introduction from Joseph Watson, London Creative Director of the National Trust, Britain’s post-war townscapes are explored in three films featuring Basil Spence, Patrick Nuttgens and Jonathan Meades More details can be found here. Architecture: You Ask the Questions June 27 Razia Iqbal of the BBC chairs the headline panel discussion for this years festival. The discussion will address housing, infrastructure and heritage, to the pressures shaping London’s skyline and the city’s development over the next few years. More details can be found here. Knoc'd 'em in the Old Kent Road June 28 Frowned upon for being the cheapest street on the Monopoly Board, Old Kent Road has now been declared an opportunity area, but for whom and for what? If a talk on Peckham's possibilities doesn't entice you enough, then a "spontaneous" kazoo choir playing the classic music hall song “knock’d ‘em in the Old Kent Road" most definitely will. More details can be found here. Solid Timber House / Vertical Timber City June 28 The Solid Timber House / Vertical Timber City conference looks beyond the various individual tall timber structures emerging around the globe to the next logical development in the application of advanced timber technology: that of whole urban districts built to increasing heights & density in which engineered timber products are utilised to create truly sustainable autarkic (energy self-sufficient) communities. More details can be found here. Open City and the London Housing Crisis June 30 How can London build the homes required to house its ever-growing population? Should we be thinking of homes in terms of volume rather than floor area? Does every apartment really need a balcony? In short, how can we accommodate the spatial needs of London's residents without compromising quality of life? More details can be found here.    
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Vlad Tenu Gets Down to the Bare Minimum


MC/2* is composed of .04-thick laser-cut polypropylene and aluminum rivets. Each component is flexible, but when assembled the surface becomes rigid.

The triangular MC/2* is the latest iteration of London-based Romanian architect Vlad Tenu’s Minimal Complexities Series. With this prototype, he continues to explore the idea of creating minimal surface geometries from modular components—a thread that has been present throughout much of his work. This time, he has pushed the boundaries even further by whittling down the components. The undulating structure, made of translucent laser-cut polypropylene and aluminum rivets, was first unveiled hanging from the ceiling of the Open House event for Digital Shoreditch Festival 2012. It was then exhibited months later, at the International Architecture and Design Showcase at the London Architecture Festival 2012. This prototype follows a natural progression in this ongoing series, which gained recognition when Tenu was named the winner of the second annual Tex-Fab Repeat Digital Fabrication Competition for his Minimal Complexity structure in 2011.
  • Fabricator  Surface
  • Architect  Vlad Tenu
  • Location  London, UK
  • Date of Completion  2012
  • Material  .04-inch-thick polypropylene, aluminum rivets
  • Process  Processing, laser cutting, hand riveting
For this project, Tenu created an algorithm within software program Processing that dictates basic geometries on minimal surfaces. “The method that is behind this project is having a very flexible number of particles added and removed from the system that constantly updates itself into a minimal geometry, and that is what the algorithm originally refers to,” said Tenu. Tenu fabricated Minimal Complexity from 16 modular variants. For MC/2*, he reduced that number to just two different components. Over the course of two afternoons, Tenu and colleagues from Surface assembled the 500 components into 250 modular regions. The entire structure, which can stand independently or be suspended from the ceiling, spans 10 feet in length, 7 feet in width, and 5 feet in height. While the individual pieces are light and malleable, made of .04-inch-thick laser-cut polypropylene, “Structurally the piece is very rigid and quite strong compared to the material which is very flexible. It can easily be self-supporting,” said Tenu. “I am always trying to integrate ideas of very pragmatic applications,” said Tenu. “With these prototypes, the idea is to test systems and learn from the special properties of them.”