The American Institute of Architects, California Council (AIACC) has awarded a pair of Los Angeles-based architecture firms its two most prestigious honors of the year. Late last month, the council gave Johnson Fain its Firm Award, highlighting the practice’s 28-year track record of delivering thoughtful and diverse project types while also praising the company’s enriched office culture as reasons for bestowing the honor. In a press release praising Johnson Fain’s employee amenities—which include watercolor classes and in-studio yoga sessions—an unnamed AIACC juror remarked, “How they blur lines between personal and business is inspirational. They seem to be cornering a niche on the work/life balance for their employees and it shows in their innovative work.” Johnson Fain is currently at work on a variety of high-profile projects across Southern California, including a 42-story tower in Downtown Los Angeles, a renovation of Philip Johnson’s Crystal Cathedral in Orange County, and a 355-unit mid-rise apartment complex in L.A.’s historic center. AIACC also awarded Lorcan O’Herlihy Architects (LOHA) its Distinguished Practice award, praising the firm’s “passion for the constantly changing urban landscape, and the complexities which go into designing in such [areas].” The organization specifically praised LOHA principal and founder Lorcan O’Herlihy for promoting a “much-needed conversation about the relationship of design to landscape.” A juror praised the firm’s “high level of design [and] solid commitment to education, urbanism, community and environment,” adding, “I always learn from [LOHA’s] work.” LOHA currently has its hands in a variety of market-rate and supportive housing projects in Los Angeles and recently opened a new satellite office in Detroit, where the firm is working on a 210,000-square-foot mixed use development and the new African Bead Museum, among other projects.
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At The Architect’s Newspaper, we are busy getting ready for the upcoming Facades+ conference in Los Angeles taking place October 19th and 20th at the LA Hotel Downtown. The conference will bring together a wide collection of L.A.-based designers and practices ready to share their knowledge and expertise. Below, we bring you some highlights from AN’s recent coverage of some of our featured speakers! SOM, along with Los Angeles-based P-A-T-T-E-R-N-S and developer City Century, unveiled plans earlier this year for a three-tower complex named Olympia slated for a 3.25-acre site in Downtown Los Angeles. The mega-project plans to include 1,367 residential units, 40,000 square feet of retail space, and 115,000 square feet of open space, with the towers climbing to 43, 53, and 65 stories in height. Paul Danna and José Luis Palacios, Design Directors at SOM Los Angeles and Garth Ramsey, Senior Technical Designer, have been our partners in organizing upcoming Facades+ in Los Angeles. They will appear onstage with Keith Boswell—SOM’s Technical Partner—and Mark Kersey—from Clark Construction—to speak about the new Los Angeles Federal Courthouse. Architects John Friedman Alice Kimm (JFAK) recently completed work on the La Kretz Innovation Campus in Downtown Los Angeles. The 61,000-square-foot “sustainability factory” will act as a green tech-focused start-up incubator space that also collects rainwater to feed an onsite public park and is powered by sunlight. The complex is designed to facilitate daylight penetration into interior spaces and features public gathering areas and a robot fabrication lab. Alice Kimm, co-founder at JFAK will be giving an afternoon presentation at Facades+. A new four-story apartment complex designed by Lorcan O'Herlihy Architects (LOHA) is currently under construction at 1030 N. Kings Road in West Hollywood, California. The 30-unit condominium complex will feature cantilevered corners, faceted facades, and perforated metal panel and wood cladding as well as partial courtyards that will bring light and air into each unit and the building’s circulation spaces and common areas. The cut-outs will also hold balconies for the units. Lorcan O'Herlihy, founder of LOHA, will be giving a morning presentation at Facades+. Koning Eizenberg Architects (KEA) recently completed work on the new Temple Israel of Hollywood complex in L.A., a new addition to the 91-year-old Spanish Colonial style synagogue. The new wing carves out a communal courtyard for the complex that is wrapped on one side by a folded aluminum shroud. The addition’s main interior gathering space features a drop-down ceiling made from CNC-milled maple wood as well. Both co-founder Julie Eizenberg and principal Nathan Bishop of KEA will be delivering a keynote address at the conference. Visit the Facades+ website to learn more and sign up for the conference.
Architects Lorcan O’Herlihy Architects (LOHA) and owner National Construction have released renderings for a new 30-unit condominium complex in West Hollywood that features cantilevered corners, faceted facades, and perforated metal panel and wood cladding. The four-story complex at 1030 N. Kings Road is located in the same neighborhood as the firm’s much-heralded Habitat 825 complex. 1030 N. Kings Road is designed to break down in scale as it rises and features a series of geometric cut-outs along its facades. The cut-outs establish viewsheds for individual units while also allowing for natural daylight to flood into the building’s common areas, which include a shared gym and communal seating spaces. The cut-outs also contain screened outdoor balconies and terraces accessible to building units. The development’s two large amenity spaces are located along the building’s most prominent facades, which are wrapped in the various cladding types. Renderings for the project depict a faceted housing block with large windows, a double-height entry lobby, and well-lit corridors. The 41,500-square-foot project comes as LOHA expands its footprint in the L.A’s bustling multifamily housing sector. The firm recently completed work on a starburst-shaped apartment complex in Los Angeles. In addition to moving forward on the 1030 N. Kings Road project, Lorcan O'Herlihy will also be presenting at AN's Facades+ conference in Los Angeles this October. See the Facades+ website for more information. The project is currently under construction and is expected to be completed in mid- to late-2018.
Los Angeles–based Lorcan O’Herilhy Architects (LOHA) recently completed work on Mariposa 1038, a diamond-shaped 32-unit multifamily apartment structure in L.A.’s Koreatown neighborhood. The 68,000-square-foot structure occupies a tight urban site in one of L.A’s densest neighborhoods and aims to provide much-needed housing to an area that is otherwise at risk for gentrification. The apartment building is shaped like a cube that has been puckered at the corners, revealing gently-curved facades that swing back from the street. Along the sidewalk, the voided segment leftover as the facade pulls back is filled with a large concrete block planter packed with trees and shrubs. The overlooking curved stucco walls are studded with folded metal window hoods that frame varied apertures and inset balconies. The window hoods themselves extend out from the curved facade to the original extents of the mass, are painted in monochromatic tones, and vary in width across the expanse, changing to their attendant apertures. In a statement announcing the project’s completion, LOHA drew attention to the window treatments, saying, “Throughout the day, the movement of dark shadows across the white and black facades activates the project with a dynamic sense of constant rearrangement.” Along its interior, Mariposa 1038 features a central, stark-white courtyard that is outlined in sinuous, streamlined geometries and contains an embedded water catchment system along the ground floor. When it rains, water collects from around the courtyard spaces into a landscaped planter that not only harvests water but contains integrated seating elements, as well—here, a pair of angular wooden benches. The segmented courtyard geometries wrap over the uppermost parapet, connecting the space to a rooftop terrace overlooking the city. Meanwhile, the units inside the structure are spare in their ornamentation and feature floor-to-ceiling window assemblies—the same openings framed by the exterior hoods along the facade. The units are organized with integrated storage walls and have been designed to maximize passive ventilation strategies, as well. Aside from the completion of Mariposa 1038, LOHA is also at work on a bevy of innovative projects across Los Angeles and recently opened a satellite office in Detroit, Michigan.
Lorcan O’Herlihy Architects (LOHA) has broken ground on MLK1101 Supportive Housing, a 26-unit affordable housing complex in South Los Angeles. The 19,000-square-foot project—built for nonprofit housing developer Clifford Beers Housing—will bring supportive housing for formerly homeless veterans as well as chronically homeless and low-income households to a neighborhood experiencing widespread developmental pressure. The project site is located in an area surrounding the University of Southern California campus and Exposition Park, adjacent to the recently-extended Expo Line and close to the currently-under-construction Crenshaw Line. The four-story project is made up entirely of affordable units and is planned around a central courtyard that is lifted above the street level and located atop a covered parking structure. The elevated plaza is accessed from a broad stairway that touches down at the street, between the L-shaped apartment building and a small, two-story storefront structure. Designs for the staircase incorporate amphitheater seating that looks out over Martin Luther King Boulevard. The storefront is located at street level to engage with the sidewalk further and is capped by a faceted green roof that on the second floor, contains a community room. The adjacent apartments are organized around an L-shaped, single-loaded corridor that looks down onto the courtyard below. That walkway steps out at each of the top two floors, creating habitable, shaded areas underneath. The corridor, outdoor but cloaked in shade, is designed to create a cool, intermediary zone between the building exterior and the inside of the units, thereby facilitating passive ventilation. To further this effect, the building’s facades are clad in reflective metal panels made from 100 percent recycled materials. In plan, the units are contained within slightly-canted perimeter walls that kink inwardly along the long exposure of the building’s longest arm. The shorter arm of the L is efficiently laid out as a carved block of joined apartments. The designers included variable hallway geometries to add visual and spatial interest to a structure that otherwise features stacked floors of identical plans containing efficiency, one- and three-bedroom units. The project is due to finish construction in mid-2018. LINK Landscape Architecture served as landscape architect on the project.
Los Angeles-based studio, Lorcan O'Herlihy Architects (LOHA) are designing a major complex in Brush Park, Detroit for Brush Park Development Company. (Billionaire Dan Gilbert's Bedrock Real Estate Services are the driving force behind Brush Park). Totaling 210,00 square foot, the scheme comprises four lots where a combination of residential and mixed-use buildings will be constructed. The development also includes Boston-based Merge Architects, Chicago-based Studio Dwell, and Detroit-based Hamilton Anderson Associates. The city, which was the focal point of the U.S. pavilion at this year's Venice Biennale, has been the subject of urban regeneration plans within many circles of the architecture and development industry. Located just outside of Downtown, Brush Park would see four developments of 134 unit multifamily housing units total and ground floor retail erected on the site. In May this year, AN reported on how Detroit planning authorities had originally called for 500 mix-income units (40 units per acre) that would respect the history of the area and “the rich African-American heritage in the city.” According to LOHA, their scheme is part of the "city’s largest residential project in decades." Their four buildings will sit on four block corners in the neighborhood offering housing, retail, dining, and various community amenities. The scheme forms part of a wider development that will encompass town homes, duplexes, carriage homes, and further apartments along with public transport connections. LOHA's scheme aims to compliment Brush Park's low-rise and historical suburban scene while increasing density within the area. This is achieved through staggered massing that tightens the proximity of dwellings but on a scale that doesn't overtly dominate the site. Buildings will also be clad in local materials such as brick, metal, and wood while each will retain a sense of individuality. Aside from addressing urban problems, communal and ecological issues are also on LOHA's agenda. Public gardens (a tradition in Detroit) will be placed on rooftops looking onto the streetscape and also double-up as places for rainwater collection and bioswales. As for the plots themselves, the Southwest building's envelope will make use of cedar—treated for texture and warmth—and floor-to-ceiling windows that would create an open environment for the retail base. The Northwest building will use charcoal-gray bricks in a stepped formation. On the opposite side, to the Northeast building would be the most visually striking structure. Clad in red metal, the building would add "warmth and color to the otherwise more neutral material backdrop of Brush Park," LOHA explained. The final building in the Southeast corner at the intersection of Brush Street and Alfred Street uses a modulating brick pattern in conjunction with wooden decking to "key into significant folds, formal moves, and unique spaces."
Are you an architect seeking a growth sector? How about billboards? A trailblazing firm in this field is Lorcan O'Herlihy Architects (LOHA), who recently designed a new 68-foot-tall sign at Sunset and La Cienega on the Sunset Strip for the City of West Hollywood and Ace Advertising. Instead of the usual featureless, boxy armature, LOHA has designed a blue, wishbone-shaped, steel structure that one could even call (gasp) sexy. Its meandering, tubular shape also brings to mind snaking traffic in the area. The structure's torque was achieved using massive gas pipeline bending machines. "Infrastructure doesn't have to be marginalized," O'Herlihy said. "Why not glorify the structure?" The firm is now planning two more signs in the billboard-heavy area, at 8462 Sunset and 9015 Sunset. One tall and thin sign folds like origami and incorporates seating into its bottom-most curve; the other bends back forcefully as if trying to escape from the street. Coincidentally LOHA is collaborating with SOM on a large mixed-use project (containing residential, hotel, and retail) just across the street from their new billboard, Sunset-La Cienega. Between the signs and the buildings, we've considered nicknaming the area Lorcan-ville.
As we've noted before, water-surrounded Taiwan has become ground zero for ambitious port projects, from Neil Denari's Keelung Harbor to Reiser Umemoto's Kaohsiung Port Terminal. The latest, the Port of Kinmen Passenger Service Center, has just been awarded to Japanese firm Junya Ishigami + Associates, for a series of undulating landform buildings that all but disappear beneath their green roofs. Second and third place went to California firms, Tom Wiscombe Architecture, for a design featuring five crystalline structures hovering over a large box, and Lorcan O'Herlihy Architects (LOHA), for a grid of folded triangular planes weaving through and above a public park. Runners up were Spanish firms EMBT and Josep Mias Gifre. The $62 million Passenger Service Center, located on an island off the Taiwanese mainland, will contain facilities for domestic and international ship arrival, port offices, and commercial, equipment, and administrative uses. The jury included, among others, Japanese architect June Aoki, Mark Robbins, president of the American Academy in Rome; and Jonathan Hill, professor of architecture at the Bartlett School of Architecture in London. The center is expected to eventually accommodate 5 million passengers yearly.
Yet another port in Taiwan is set to become an architectural icon. In 2012 Neil M. Denari Architects won the competition to design the Keelung Harbor Service Project. Before that Reiser Umemoto won a competition to design the Kaohsiung Port Terminal (pictured), which is set to open later this year. Now the Port of Kinmen Passenger Service Center has shortlisted another stellar group of designers. They are: Josep Mias Gifre, Lorcan O'Herlihy Architects, Junya Ishigami + Associates, Tom Wiscombe Architecture, and Miralles Tagliabue EMBT. A winner is expected to be chosen next month.
AIA/LA hosted its annual Design Awards last night at LACMA, an event that while not too full of people (that pesky recession) was full of astoundingly good projects. The AIA made us really happy, awarding AN a Presidential Award (Thanks AIA/LA President Paul Danna) for "Architectural Interpreter". Aw Shucks.. Other notable winners included Firm of the Year Lorcan O'Herlihy Architects and Gold Medal winner Brenda Levin. Since there were a hefty number of Design Award winners, we've decided to pick out a few of our favorites. And so without further ado we present the first ever, completely unofficial, AIA/LA Awards Awards! Perot Museum of Nature and Science, Dallas, Morphosis Laumeier Sculpture Park Museum, St. Louis, Pugh + Scarpa 3631 Holdredge Avenue Building, Culver City, Lynch/Eisinger Pittman Dowell Residence, Michael Maltzan Architecture Czech Embassy, Washington D.C., Your Building Here Performance Capture Studio, San Francisco, Lorcan O'Herlihy Architects with Kanner Architects Palms Residence, Venice, Daly Genik Conga Room, Belzberg Architects 41 Cooper Square, New York, Morphosis Deichmann Center, Beer Sheva, Israel, Vert Architects