Posts tagged with "Logos":

The Privately Owned Public Space Logo Design Competition

The New York City Privately Owned Public Space (POPS) Logo Design Competition is being held to solicit a design for a new POPS logo that may be featured on signage at over 550 POPS located across the city. A new POPS logo would be seen by millions of residents, workers, and visitors on any given day and encourage the public to take full advantage of these valuable, but sometimes unknown, public spaces. The new logo will create a recognizable identity for the city’s wide variety of POPS, and by being included on POPS signage, will communicate that these spaces are open to the public. The Competition accepts submissions from around the world. Participants must submit their submissions online on the Competition website by Friday, March 15, 2019. There is no fee to participate. Submissions will be posted online and displayed at a public exhibit in March 2019, inviting the public to view all submissions and vote for its favorite logos. A seven-person panel, along with the public vote, will select up to three awardees, each of whom will receive $2,000 and be honored at a public event. From these selected logos, DCP’s Director Lago may choose one to become the official New York City POPS logo, and that awardee will receive an additional $2,000. Awards are provided through a gift by Knoll. Awardees and the City’s choice for the official New York City POPS logo will be announced online on Monday, May 20, 2019. POPS are the result of City zoning regulations aimed at ensuring that the densest areas of the city offer outdoor and indoor places that are usable by the public without charge. The POPS program has produced nearly 3.8 million square feet of additional public space in the City – equivalent to roughly nine Bryant Parks, 24 Union Squares, or roughly 10% of Central Park. POPS are spaces dedicated to public use and enjoyment. They are owned and maintained by private property owners. POPS come in many shapes and sizes, located both outdoors and indoors. POPS are now required to include public space signage, informing New Yorkers and visitors about hours of access, required amenities such as seating, and to report any complaints to 311. The seven members of the panel who, along with the public vote, will select Awardees are:
  • Jerold S. Kayden, Frank Backus Williams Professor of Urban Planning and Design, Harvard University and President, Advocates for Privately Owned Public Space (Presiding Panelist)
  • Glen Cummings, Creative Director, MTWTF
  • Katherine Farley, Chair, Lincoln Center Board of Directors
  • Elizabeth Goldstein, President, The Municipal Art Society of New York
  • Marisa Lago, Chair, New York City Planning Commission and Director, New York City Department of City Planning
  • Kim Mathews, Principal Emerita, MNLA
  • Justin Garrett Moore, Executive Director, New York City Public Design Commission
The POPS Logo Design Competition is open to any individual, group of individuals, or legal entity worldwide, except as noted in the Competition Conditions and Terms. For more details, go to the Competition website at www.popslogo.nyc. More information on POPS can be found at DCP’s recently updated web page, http://nyc.gov/pops and its newly unveiled interactive map at https://capitalplanning.nyc.gov/pops, and at the APOPS|MAS website at http://apops.mas.org. You can also follow the Competition on social media via #POPSLogoNYC.
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Snøhetta Creates Visual Identity for Oslo’s 2022 Winter Games Bid

Snøhetta has created the visual identity for the Oslo’s bid to host the 2022 Winter Olympics. The design for the main logo takes repetitive, circular forms and casts them in colors inspired by the Olympic rings. These rounded forms appear throughout the city’s application, which is bright and clean. In a statement, the designers said their work “honors the inherent simplicity and openness in Nordic culture," adding, "the identity represents both the celebration of the Games and the solid planning of the Norwegian bid."
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Quick Clicks> Pedal-Theatre, Reading Rem, Wall Street Logos, Ranking Creativity

Cinema Pedal-iso. In London, you now have an alternative to the typical energy-consuming movie theater. The Cycle-In Cinema (led by a non-profit education project called Magnificent Revolution) allows you to to plug your bike into a generator, hop on, and start pedaling away for an entirely human-powered movie experience. More at Inhabitat. Reading Rem. Rem has a new book written with curator Hans Ulrich Obrist all about Japanese modernism. To be released this November, Project Japan: Metabolism Talks… documents "the first non-Western avantgarde movement in architecture" from post-war Tokyo in the 1960s and includes rare images from Manchuria to Tokyo, snapshots of the Metabolists at work and play, and architectural models. An advance preview and signing is coming up soon at the TASCHEN book store. Branding a Protest. The NY Times' Seymour Chwast draws attention to Occupy Wall Street's lack of a logo. As the demonstrations gain momentum, Chwast said now is a perfect time to consider branding, suggesting a 19th-century, cigar-smoking baron. Creativity Worldcup. Has the Gross National Product outlived its usefulness in determining the success of nations? Over at The Atlantic Cities, Richard Florida has compiled a list of top cities using his Global Creativity Index ranking global economic competitiveness and prosperity. According to the GCI, which evaluates and ranks 82 nations on the three "T's" (Technology, Talent, and Tolerance), the U.S. ranks second only to Sweden, the world-champion of creativity.