Berlin-based Veronika Kellndorfer will be exhibiting Tropical Modernism: Lina Bo Bardi at the Christopher Grimes Gallery in Santa Monica through September 2 of this year. Showcasing Italian-born Brazilian architect Lina Bo Bardi's SESC Pompéia in São Paulo, Kellndorfer's duotone works examine the dialogue between Bardi's Brutalist style and the vegetal context of her buildings. In 1958, while lecturing in Salvador, Bo Bardi defined architecture as “an adventure in which people are called to intimately participate as actors.” Bardi refrained from having an office during her career as an architect and her desire to mix Brazil's modernist architecture movement with a natural, but Brazilian, approach is reflected in Kellndorfer's work. “I wasn't born here,” Bo Bardi once said. “I chose to live in this place. That's why Brazil is my country twice over.” Using a process she honed in the 1990s, Kellndorfer silk-screens photographic images to highly reflective glass panels to merge hues and blur the distinction between image and form. Here, the translucency of her work lends itself to the modernist style of Bo Bardi's work while contrasting to the more sinister tones applied to the images. Further juxtaposition can also be also found in the arrangement of Kellndorfor's work. Placing natural against the Brutal(ist), Bo Bardi's laconic detail work is amplified through this medium yet distorted when used in conjunction with the glass. The exhibition also builds on Kellndorfer's solo exhibition last year which was held at the Casa de Vidro in São Paulo, a former residency of Bo Bardi. During this period, Kellndorfer was exposed to further realms of Brazilian modernism in the form of Oscar Niemeyer and the gardening work of Roberto Burle Marx who's work is currently on display at the Jewish Musuem.
Posts tagged with "Lina Bo Bardi":
Tribeca's R & Company gallery at 82 Franklin Street is highlighting two Brazilian greats: Lina Bo Bardi (1914–1992) and Roberto Burle Marx (1909–1994). But act fast! Furniture by Bo Bardi and tapestries by Burle Marx are on display through the end of this week—the exhibit closes April 30. Lina Bo Bardi is best known for her monumental architecture, such as the sturdy São Paulo Museum of Art or the rugged SESC Pompéia in São Paulo. But her work in this exhibit, Lina Bo Bardi + Roberto Burle Marx, represents a much smaller scale. Furniture designed from the 1950s through the 1980s and executed in wood, metal, and leather show how her Brazilian modern thinking translated to the size of a chair. Designs dually showcase strong geometry and classic Brazilian curves that are a hallmark of her larger built work. In fact, a dining set on view in the exhibit was designed with Marcelo Ferraz and Marcelo Suzuki for the SESC Pompéia. Complementing Bo Bardi's furniture are textiles and totems by Roberto Burle Marx, generally regarded as the father of Brazilian landscape architecture. Playful patterns and geometric shapes are present in a variety of Burle Marx's larger projects such as the iconic Copacabana boardwalk, a modern interpretation of historic Portuguese paving designs; collaborations with Oscar Niemeyer in Brasilia; and private estates throughout the country. Zoom out on these landscape designs and you can see a clear connection between the large-format works and his smaller textiles and tapestries. In addition to landscape architecture, Burle Marx was a trained artist and sculptor with a keen interest in Brazilian folk art, themes that appear in his colorful wooden totems on display in this exhibit. Check out these works for yourself at R & Company in Tribeca through April 30.
Noted Brazilian architect Lina Bo Bardi now has a travel fellowship in her name. Jane Hall, founding member of Assemble, a Stratford, UK–based architecture and design collective, has been selected as the inaugural winner of the British Council’s Lina Bo Bardi Fellowship that will allow her to travel to Brazil this year to study Bo Bardi's work for six weeks this fall. Hall, an architectural assistant at Studio Weave, will investigate how society, culture, and the idea of "Brazilianess" influence the country’s contemporary architectural practices. The fellowship is part of the British Council’s Transform series—a sequence of arts programs between the United Kingdom and Brazil leading up to the 2016 Rio Olympic Games.