During a test run last Wednesday, giant ballerinas could be seen dancing across a beige background over 1,000 feet in the air. The tower’s signature piece, Day for Night, will start by showing the colors of that night’s sunset, followed by constellations against the night sky until the sun rises again. While the top nine floors of the Salesforce Tower are unoccupied and were used to push the building into “tallest in San Francisco” territory, only the upper six floors will be used to stage Campbell’s installation. The remaining three will hold the required equipment and will be bathed in a strong light to form a base for the animation above. While the punctured panels could theoretically show any images, Campbell swears that his work won’t be used for advertisements or to mark holidays. San Francisco Chronicle. The developers, designers, and engineers behind Salesforce Tower will be presenting on their work at the next Facades+ conference in San Francisco, taking place on June 7.
Salesforce Tower light show. Is this new? pic.twitter.com/ClsCBcLOBH— Steve Mnich (@SteveMnich) May 16, 2018
Posts tagged with "Lighting Design":
2016 Best of Design Award for Lighting > Indoor: Planned Parenthood Queens by Cline Bettridge Bernstein Lighting Design
2016 Best of Design Award for Lighting > Indoor: Planned Parenthood Queens—Diane L. Max Health Center
Lighting Design: Cline Bettridge Bernstein Lighting Design Location: Queens, NY
Planned Parenthood’s new clinic in Queens transforms a former storage warehouse into a welcoming ambulatory healthcare center. Using the building’s generous new windows as inspiration, LED light coves in bold colors punctuate a sleek, white interior. These colorful elements work with signage and furnishings to support wayfinding and spatial organization and the overall design embodies a modern, forward-thinking spirit, representative of the center’s youthful clientele. A thoughtful combination of LED and fluorescent sources achieves a 5 percent energy savings beyond the stringent standards and also meets the project’s modest budget. Light, color, and architecture are woven together to create a friendly, upbeat health center that will serve as a guide for future Planned Parenthood facilities.
Architect Stephen Yablon ArchitectureSignage & Environmental Graphics Calori & Vanden-Eynden Dimming Ballasts Lutron Fixed-Color LED Cove Lights iLight Technologies Adjustable Downlights Lucifer Lighting
Honorable Mention, Lighting > Indoor: Lincoln Square Synagogue
Lighting Design: Tillotson Design Associates Location: New York, NY
Small recessed LED downlights in the synagogue’s ceiling create the effect of a starry night, while LED coves with resin diffusers spill soft light onto the acoustical walls, accentuating its form and completing the imagery of a nomadic tented structure under a desert sky.
Honorable Mention, Lighting > Indoor: The Cathedral of Saint Mary of the Assumption
Architect: MBH Architects Location: San Francisco, CA
In order to maintain the character of this important cathedral while modernizing its lighting, long-life solutions like LED and fluorescent fixtures as well as DMX lighting were seamlessly integrated. The system creates studio-quality imagery for television recordings while maintaining a warm glow.
2016 Best of Design Award in Architectural Lighting > Outdoor: SteelStacks Campus by L’Observatoire International
The Architect’s Newspaper (AN)’s inaugural 2013 Best of Design Awards featured six categories. Since then, it's grown to 26 exciting categories. As in years past, jury members (Erik Verboon, Claire Weisz, Karen Stonely, Christopher Leong, Adrianne Weremchuk, and AN’s Matt Shaw) were picked for their expertise and high regard in the design community. They based their judgments on evidence of innovation, creative use of new technology, sustainability, strength of presentation, and, most importantly, great design. We want to thank everyone for their continued support and eagerness to submit their work to the Best of Design Awards. We are already looking forward to growing next year’s coverage for you.
Architectural Lighting > Outdoor: SteelStacks Campus
Lighting Design: L'Observatoire International Location: Bethlehem, PA
The SteelStacks campus turns the former Bethlehem Steel Plant into a dynamic arts and cultural campus with a community center. Highlighting the history of the area, L’Observatoire International worked within the 10-acre core of the site to create multiple performance venues, plazas, and parks. The campus is crowned by the Hoover-Mason Trestle, a walkway rehabilitated from a former elevated railway, and features Levitt Pavilion, an angular open-air stage with monumental blast furnaces as a backdrop. The thoughtful attention to detail and theatrical approach to lighting—which illuminates the structure from within and behind to better highlight its volumes—emphasizes the drama of Bethlehem’s industrial heritage.
Landscape Architecture Wallace Roberts & ToddHorticultural Design Patrick Cullina LED Lighting Philips Color Kinetics Lighting Fixtures Winona Lighting General Contractor Boyle Construction
Honorable Mention: Architectural Lighting > Outdoor: Eventide
Design Studio: Sosolimited Location: San Diego, CA
Sosolimited conceived a dynamic, nature-inspired architectural lighting system that brings the Cedar Kettner Garage to life. Beyond responding to actual lighting conditions in real time, the lighting system includes a user-friendly interface that allows staff to easily change the animations for holidays and events.
Honorable Mention: Architectural Lighting > Outdoor: Daryl Roth Theatre Facade Renovation
Lighting Design: Cline Bettridge Bernstein Lighting Design Location: New York, NY
Charged with transforming a 1907 landmark bank building into a theater with a new lighting structure, Cline Bettridge Bernstein Lighting Design sought to turn the facade into its own marquis. The versatility and precision of the lighting fixture illuminates its architectural details while lending the theater a lustrous presence.
The main thing, as you have said, is that light has played a critical role in the “Great White Way” since it was a theatre district primarily, through the sordid 70s with the huge cinema marquees and signs through the 90’s when bright lighting became MANDATED—the only district we know of to have a minimum footcandle level (rather than a maximum) which has made the visual illumination characteristics what they are today. One of the vital questions about Times Square lighting will be the determination of whether the street lighting will remain or be removed. There have been discussions about the need for public, street lighting in Times Square amongst urbanists and lighting designers—and the conundrum in this case is, although the private sector lighting is legislated to be bright, the city can’t legally depend on private lighting to light the streets. So here we have theoretical agreement that the street lighting is redundant. Times Square, the globally recognized after-dark crossroads of the world will be completely transformed by our team. My ideas for the lighting of Times Square will take into account the walls of Times Square, the buildings that make the walls, their lighting, catalyzing the uses and activities of the new plaza, and integrating into our team’s approach to the architecture and landscape of tomorrow’s Times Square.Schwendinger stressed that these are of course her own initial thoughts and not that of the teams—duh!—but here's your disclaimer anyway. As for the project itself, we've already got our tickets and can't wait for the show to begin.