For over 120 years, the Municipal Art Society has been an important organization in New York City's efforts to promote a more livable environment and preserve the best of its past. It's successful preservation campaigns and advocacy for better architecture—such as its advocacy to rebuild a better Penn Station—are well known. Now the organization has announced its annual MASterworks Awards, and of the nine buildings selected this year as honorees, many are in Brooklyn, confirming that borough's continuing upgrading evolution. The Weeksville Heritage Center (Caples Jefferson Architects) has won the top honor, “Best New Building,” while “Best Restoration” goes to the Englehardt Addition, Eberhard Faber Pencil Factory (Scott Henson Architect). The “Best Neighborhood Catalyst” award will be given to the BRIC Arts Media House & Urban Glass (LEESER Architecture), and “Best New Urban Amenity” will go to LeFrak Center at Lakeside (Tod Williams and Billie Tsien Architects). Brooklyn Bridge Park (Michael Van Valkenburgh Associates) will be recognized as “Best Urban Landscape.” Additionally, this year’s MASterworks also recognized two new design categories. “Best Adaptive Reuse” will be awarded to The Queens Museum (Grimshaw Architects) and the NYC DDC Zerega Avenue Emergency Medical Services Building (Smith-Miller Hawkinson Architects) will take home the award for “Best New Infrastructure.” Finally, “Best Green Design Initiative” honors will be given to Edible Schoolyard at P.S. 216 (WORKac) and P.S. 261 School and Community Playground (SiteWorks Landscape Architecture). The MASterworks Awards, recognize projects completed in the preceding year that exemplify excellence in architecture and urban design and make a significant contribution to New York’s built environment.
Posts tagged with "Leeser Architecture":
Construction has started on two towers set to rise in the BAM Cultural District in Fort Greene, Brooklyn. Unlike most new projects in the area, one of the buildings to rise off Flatbush Avenue, a 32-story structure designed by Brooklyn-based architect Thomas Leeser, will not be luxury apartments, but a 200-room boutique hotel run by Marriot. The tower is one of the most architecturally distinct high-rises to arrive in Brooklyn in quite some time, with prominent, asymmetrical carve-outs along its glass facade that make it appear as if someone—or something—has slashed through its skin with a knife. The hotel includes a performance space in the basement, a bar on the roof, and a restaurant at ground level that overlooks a new public plaza. The hotel is sited between the H3 Hardy-designed Theatre for a New Audience, which opened last year, and a mixed-use, 27,000-square-foot project designed by Dattner and SCAPE. Nearby on the corner of Flatbush and Lafayette avenues, Enrique Norten of TEN Arquitectos is building another 32-story tower on a wedge-shaped lot. According to AN's earlier reporting, that tower "includes approximately 50,000-square-feet of creative and cultural space that will be shared by BAM, 651 ARTS, and the Brooklyn Public Library. In addition, the tower will include approximately 23,000-square-feet of ground-level retail, as well as approximately 300 to 400 apartments, 20 percent of which will be affordable." Adjacent to the tower is a 16,000-square-foot plaza.
It was an event that was on message and on time. With the unfortunate passing of Mayor Bloomberg’s mother this week, officiating duties for Design Commission’s Twenty-ninth Annual Awards for Excellence in Design fell to Deputy Mayor Patricia Harris and Design Commission president Jim Stuckey. As the invitation noted, remarks were scheduled to begin at 6:15PM, and Harris started remarking on the dot and kept to the script, reading directly from it in fact, with few off-the-cuff remarks. “Short and sweet,” was how one audience member described it afterward, with an Oscar-worthy combo of Harris and Stuckey--like an urban design version of Hathaway and Franko, without the awkward flubs. Indeed it was hard to avoid Hollywood references at an event held at the same locale where W.C. Fields and the Marx Brothers got their start. At the Museum of the Moving Image--itself one of the evening's winners--the blue felt walls of the main screening room held a capacity crowd in their embrace. When the museum’s design team Leeser Architecture and Karlssonwilker were announced, the otherwise restrained crowd, who had been trying not to show favoritism, sustained its applause a bit longer. And in the case of the museum, who could help it--the place is beautiful. At the reception afterward, a logjam of architects ensued. Steven Holl bumped up against Richard Dattner. WXY's Clair Weisz talked shop across from Van Alen’s Olympia Kazi, who held court with characteristic effusiveness as Landmark Commissioner Robert Tierney enjoyed the garden. Back out on the street, the ever-glib Astorians went about their business, unaware of the high design goings-on inside.