Los Angeles-based Materials & Applications (M&A) has announced its Fall installation program, The Kid Gets Out of the Picture, due to open October 15th at the M&A Courtyard in Los Angeles's Silverlake neighborhood. The project, guest curated by Los Angeles Design Group (LADG), consists of a collaborative installation by the curators and a group of architectural offices (First Office, Laurel Broughton/Andrew Kovacs, and Hirsute) that aims for a “contemporary update on the aesthetic principles of early 19th century English landscape architecture.” The group installation will focus on the component parts, or “catalog of nouns,” deployed to achieve a cohesive whole in traditional English gardening design. The three-month long installation will work within the language of these landscape components—follies, berms, viewpoints, and walls—in an effort to “extract the qualities of [these] images and literalize them in the real world” and will be directly installed in M&As Courtyard space, where the non-profit, experimental public architecture group typically holds its exhibitions. Describing the still-in-the-works project, Kovacs and Broughton told The Architect's Newspaper in a joint statement, "We are super excited to be part of the project with the LADG, Hirsuta, and First Office. We think the collaborative format that includes all the work overlapping in the Materials & Applications courtyard is unique and will certainly produce strange and potent juxtapositions." Support for the project has been provided by the Los Angeles County Arts Commission, Pasadena Art Alliance, Graham Foundation, University of California, Los Angeles School of Architecture and Urban Design and the Los Angeles Department of Cultural Affairs. The Kid Gets Out of the Picture follows M&A’s earlier and more mobile installation from earlier this year, TURF: A Mini-Golf Project, which saw a constellation of young designers take on the design of individual holes for a mini-golf installation on a vacant plot of land adjacent to L.A.’s Echo Park.
Posts tagged with "Laurel Broughton":
Forget El Niño, this SoCal winter presents a deluge of architectural representation. Three weeks with three openings bring drawings, models, mock-ups, and experimental visualizations to Los Angeles. Things kick off on January 16 with the exhibition Errors, Estrangement, Messes and Fictions, featuring the work of two collaborative pairs: Laurel Broughton/Andrew Kovacs and Anna Neimark/Andrew Atwood of First Office (AN's 2015 Best Young Architects winner). Installed at the Space@All Gallery in the Bradbury Building and curated by architect Hadrian Predock, director of undergraduate programs at the USC School of Architecture the exhibition is supported by USC, where Broughton is a faculty member. Models from the four emerging architects will fill the show, which Predock describes as an “early career retrospective,” an apt description of a quartet who is just as comfortable cribbing from the past as toying with our pop present. A week later is the opening on January 22of Drawings Lie: Recent Works by Bryan Cantley at Christopher W. Mount Gallery in the Pacific Design Center. Cantley is an architect and a master illustrator, and his experimental, almost sci-fi drawings fall in line with the visionary work of Superstudio, Lebbeus Woods, and Neil Denari. “[These projects] attempt to question the role of representation in architecture, the potential of the non-building as a form of critical discourse in the profession,” said Cantley. The month closes out with Building Portraits, featuring the work of architect Elena Manferdini. The show opens on January 30 at Industry Gallery in Downtown L.A. The exhibition continues the investigations Manferdini began for the Art Institute Chicago last year—a series of elevation studies and models that riffed on Mies’ Lakeshore Drive Apartments. For this exhibition she’s created a new set of abstract, chromatic drawings and a metal mock up.