An 18-foot, bright red “B” plucked from St. Louis’ Anheuser-Busch brewery will find a permanent home in the beer conglomerate’s first U.S. “biergarten.” The “B” is a relic of the neon Budweiser sign replaced by LEDs in February. Located adjacent to the brewery’s tour center at 12th and Lynch streets, the beer garden joins what is already one of the region’s largest tourist attractions, drawing 350,000 visitors annually. Five of the dozen U.S. breweries are owned by A-B, which itself is a wholly-owned subsidiary of Belgium-based A-B InBev, but the St. Louis location is so far the only one with a beer garden on tap. As STL Today points out, the macrobrewer is keeping pace with local craft brewers Urban Chestnut Brewing Co., which opened a 400-seat beer garden in 2011, and Schlafly Bottleworks, who expanded their outdoor seating last year to serve 150 people. The A-B biergarten will seat 300, and could be open by mid-summer. They will offer light fare meant to complement the 17 A-B beers available on draught, as well as daily Brewmaster’s Tastings. St. Louis earlier this year broke ground on Ballpark Village, a mixed-use development oriented around Busch Stadium.
Posts tagged with "Landscape Architecture":
Starting Memorial Day, Chicago's Millennium Park will host the U.S. debut of a bright array of public design projects, many of which appeared at the 2012 Venice Biennale. Spontaneous Interventions: Design Actions for the Common Good will feature 84 works, including more than a dozen for Chicago and several that also appeared in Venice. One Venice Biennale carryover will be the slew of pull-down banners created by Brooklyn design studio Freecell and Berkeley-based communication design firm M-A-D. An “outdoor living room” for Millennium Park, designed by Wicker Park firm MAS Studio, is among the new installations. The space will serve as an outpost for the exhibition, according to MAS director Iker Gill, shading visitors with a canopy of more than 700 moving acrylic panels with a lively color palette. Local woodworker John Preus of Dilettante Studios will salvage lumber for the wood support structure and seating. The city’s Department of Cultural Affairs and Special Events brought the design contest to Chicago for its first U.S. showing. Programs will take place at the Cultural Center, in the pop-up pavilion in Millennium Park, and at various offsite locations through September 1. Here’s a video of Freecell and M-A-D’s banner project from the biennale:
As Chicago gears up for an overhaul of the city’s Riverwalk, Mayor Rahm Emanuel has touted his architectural cause célèbre as a way for the city to reengage with its “second shoreline.” The renderings by Sasaki Associates show six new blocks of riverfront parks, effectively connecting the shore of Lake Michigan with a small park at the foot of the three massive towers planned for Wolf Point, at the confluence of the Chicago River’s three branches. Chicago Magazine scribe Whet Moser has a good suggestion for "Emanuel's latest obsession": learn from other riverwalks. The three he points to are in Indianapolis, San Antonio and London. Indianapolis has come back considerably from the depths of its urban flight. Its riverwalk should be a big beneficiary of that resurgence, but Moser quotes an Urbanophile blogger who notes Indy’s riverwalk remains relatively separate from its downtown business district. San Antonio and London took steps to integrate their riverwalks into the surrounding communities by adding mixed-use and expanding into neighborhoods beyond downtown. The plans as presented currently are ambitious in engaging the river downtown, but they focus on recreation rather than retail. While a riverside shopping mall is not ideal, a little more room for mixed-use development probably would enhance the experience. Likewise, the six blocks planned lay a framework for expanding into neighborhoods along the river to the north and south of the Loop, but are currently limited to downtown. Ping Tom Park in Chinatown is not far away, and one can even imagine (with a little optimism) that the industrial legacy of Goose Island just to the north could be reborn with a bit of greenspace. And other cities around the Midwest are renewing their riverfronts, as well. Des Moines' new riverwalk is nearing completion, and Detroit’s recently got a boost in funding to build on a design competition spotlight. Ross Barney Architects and Sasaki Associates are the designers on the project.
The University of Pennsylvania's School of Design has announced that Australian Richard Weller has been appointed Chair of the Department of Landscape Architecture. Penn Dean Marilyn Jordan Taylor believes that Weller is just the person to build on the department's well known legacy of research and teaching since it was founded over 50 years ago by the legendary Ian McHarg. The department has been directed by Field Operation's James Corner since 2000 who asserts that Weller is a "leading edge figure in our field." Weller has been teaching at the University of Western Australia and was director of both the Australian Urban Design Research Centre and the design firm Room 4.1.3. His current research concerns ways of "conceptualizing, representing and designing cities a mega-regional scale." In March of this year Weller will release his latest book, Made in Australia, that focuses on the long term future of cities.
Washington, D.C., is often admired for its monuments. Now there is another part of our nation's capital that its 19 million annual visitors can tour and enjoy. The American Society of Landscape Architects (ASLA) has recently announced the launch of an online mobile-friendly guide meant to give not only tourist, but also locals a new perspective on the historic, modern, and contemporary landscapes in Washington, D.C. and Arlington, VA. Created by the ASLA in partnership with 20 nationally recognized landscape architects, The Landscape Architect's guide to Washington, D.C., elucidates each site with the knowledge and perspective of a professional. Each designer was asked to present their site in a manner that would allow visitors to gain an understanding of how the location's design influences them and their sentiments about the area. This free online guide covers more than 75 landscapes organized into 16 distinct tours, highlighting how the city's lively public realm has evolved and developed over the years. Demonstrating the importance of landscape architecture in urban design, the website shows the greater role that this field plays in designing the interstitial spaces between a city's buildings and its public realm. Each tour includes printable walking or biking maps. The guide is free so as to be accessible to all and is noted as the first of many guides to come. To view the guide visit www.asla.org/guide
After nine years of fundraising, a transformed park in downtown Cleveland seems to personify the spirit of reinvention that has recently overtaken the city. Perk Park, originally built in 1972, was first conceived by I.M. Pei as a small piece of the 200-acre Urban Renewal District. It was once called Chester Commons (for its location at East 12th Street and Chester Avenue), but was renamed in 1996 for 1970s Mayor Ralph Perk. A gunman shot two young men in the park in February 2009, killing one and wounding the other. That incident spurred action from Mayor Frank Jackson and the City Council, who delivered the remaining $1.6 million for the renovation. New York’s Thomas Balsley and the Cleveland firm of McKnight & Associates are the landscape architects behind the redesign. Their plan opens up an enclosed area at the park’s center by removing interlocking walls of concrete, where the 2009 murder took place. They added trees and rows of light wands along the park’s edges. The design smartly borrows from the modernist principles that spawned the surrounding skyscrapers, cultivating a hospitable vibe that has so far received high marks from Clevelanders. The trees provide shade and a slight respite from the urban heat island effect. And, it seems, from increasingly outdated perceptions of blight and dullness in downtown Cleveland.
Cincinnati’s Over-the-Rhine neighborhood is surging back from disrepair, becoming the poster-child for Porkopolis' return to progressive urbanism. After two years of construction, the historic neighborhood’s Washington Park reopened to the public Friday. The $48-million renovation is the latest investment by Cincinnati in its urban character—much was made of Washington Park’s likelihood to attract and sustain investment nearby. A number of amenities were added, including a children’s playground, a dog park, a fountain, an event plaza and a stage for live performances. Some historic elements of the 1855 park remain, including a replica of a Civil War-era cannon. But the thrust of the project was reinvention. Once 6 acres, Washington Park is now 8 acres and boasts a new playground as well as a 450-space subterranean parking garage. Part of the original park was a cemetery; the renovation team had to move 53 bodies still buried underneath to put in the underground parking structure. Public transport, walkability, and green space are part and parcel with an economically vibrant urban core. Along with Fountain Square and the Smale Riverfront, the reopening of Washington Park could be a milestone in the redevelopment of Cincinnati’s urban identity.
[Editor's Note: Following the unveiling of proposals to redesign the National Mall, AN will be running a three-part series to display the proposals for each of the three segments of the Mall: Constitution Gardens, Union Square, and the Washington Monument Grounds.] A 50-acre parcel of the National Mall, Constitution Gardens, lies just north of the Reflecting Pool and east of the Vietnam Veterans Memorial. Grade changes keep it somewhat hidden from the main stretch of the Mall, and many tourists (and locals) visit the monuments and Smithsonian museums without coming across it. The gardens' focal point is a small lake with an island that visitors can access by footbridge. The National Park Service has struggled with the site's poor soil conditions—the ground was dredged from the Potomac River back in the late 19th century—and with upkeep of the paths and other features. The National Mall Plan of 2010 calls for an "architecturally unique, multipurpose visitor facility, including food service, retail, and restrooms" to be developed at the east end of the lake, as well as a flexible performance space. Andropogon + Bohlin Cywinski Jackson propose a "resilient park landscape...sustained by biologically enhanced soils." Their design includes a Magnolia Bog in part of the current lake area and different edges for the lake (lakeside promenade, wetlands boardwalk, rock outcropping). The team envisions a marketplace along Constitution Avenue. The concept submitted by Nelson Byrd Woltz Landscape Architect + Paul Murdoch Architects features a cafe built into the parkland near Constitution Avenue, the ground seemingly tilting up to form its green roof. This scheme also proposes boardwalks, performance seating, and biodiverse plantings. In OLIN + Weiss/Manfredi's plan, distinctive braided pathways curve around and over the water. Interlaced pavilions would house a cafe and a more formal restaurant, as well as a gift shop. Spectators at the outdoor amphitheater would be entertained by performers on a floating barge. Rogers Marvel Architects + Peter Walker and Partners call for a large restaurant/pavilion to face a reflecting basin that would allow ice skating in the winter and model boating in the summer. Paths would be widened and, at the lakeshore, bordered by an aquatic shelf for filtration; connections with other parts of the Mall would be improved. Click on a thumbnail to launch the slideshow. All images courtesy respective firms.
The design minds behind the waterfront destinations of West Harlem Piers on the Hudson River, the India Street Park in Greenpoint, Brooklyn, and the Edge Park in Williamsburg, Brooklyn, have been chosen for yet another waterfront revamp. W-Architecture, a New York City-based architecture and landscape architecture firm, was selected to design and renovate the Troy Riverfront Park in Troy, New York, a $1.95 million project that's part of the city's plan to redevelop its Hudson River waterfront. Currently under construction, diseased trees are currently being cleared to open up views to the river and create a more sustainable and seamless connection to the city's downtown. Troy, like many cities on the Hudson River, has a rather neglected waterfront. Barbara Wilks, principal of W-Architecture, is known for reusing existing site materials in her park designs, but she said, "There was nothing left—it had been made into a park in the 1970's. We did incorporate the existing Vietnam memorial that had been located there later as well as the statue of Uncle Sam, who was from Troy." Accessibility and views were also an issue taken under consideration by the design team. "The most inviting aspect is the orientation to the river. From the existing park, the river was hardly visible. Now all the topography is being regraded to focus on the views up and down river." The park is concurrently being developed with the former city hall site to the west and aims to reopen towards the end of this summer.
Mark Hough put it bluntly in his latest article from Landscape Architecture magazine reposted on the American Society of Landscape Architects' blog, "Our preoccupation with Olmsted stems from a chronic, debilitating inferiority complex that plagues our profession. We lament that laypeople confuse us with landscape designers and horticulturists, and we envy the greater visibility that architects enjoy. All of this contributes to a feeling of inadequacy...The fear seems to be that if people stop talking about him, they stop talking about landscape architecture. I hate to say it, but there is some truth in that paranoia." Read the rest of the article at the ASLA Dirt.
A decade after the 9/11 attacks, the public will soon be able to visit the site, much of which has been fully transformed into the 9/11 Memorial Plaza. While many were dispirited by the years of revisions to and deviations from the Libeskind master plan (which itself had many detractors), AN's recent visit to the plaza, crowded with workers laboring toward the anniversary opening, revealed a vast, contemplative space that we predict will function well as both a memorial and a public space. Next week AN will take a look at the design and offer a preview of the what the public can expect from the space, but, first, a look at how the highly engineered plaza works. With transit tunnels, mechanical systems, and much of the memorial museum located below the surface, the plaza itself could only be approximately six feet thick. Unlike the original World Trade Center Plaza, which many found to be barren and scorching or windswept, the Memorial Plaza is conceived of as an abstracted forest of Swamp White Oaks surrounding two monumental pools outlining the footprints of the original towers. Designed by Michael Arad and Peter Walker Partners, with Aedas, the plaza will include approximately 400 trees, 215 of which will be in place for the opening. About one third of the plaza has yet to be constructed, while the Santiago Calatrava designed PATH station is being completed. Plaza plantings are arranged in bands, alternating between bands of pavers and bands of trees, grass, and ground cover. This creates both a unifying visual language for the large plaza and a highly rational system for organizing the mechanical and irrigation systems on the site. Between the planting bands, accessible utility corridors house electrical and security equipment. Drainage troughs divide the planting bands from the utility corridors. The whole plaza acts as a vast stormwater collection tray. The plaza is very carefully graded to channel stormwater into the drainage troughs. Rainwater is collected in cisterns below and recirculated in the plaza's drip irrigation system as well as funnelled into the memorial fountain. The trees grow in a lightweight mixture of sand, shale, and worm casings. Growing and installing the plaza's oaks has been a long process. Given the pace of slow construction, the trees, which have been cultivated at a nursery in New Jersey, are much larger now, most standing around 25 feet tall. Trees were hauled onto the site with cranes and then placed in the planting beds with a specially designed lift. Tree roots will spread laterally, filling in the planting bands, and designers believe they will eventually reach 60 to 80 feet in height. The roots are anchored with bracing under the stone pavers. While the PATH station is being completed, the remaining unfinished plaza is still an uncovered construction site, inaccessible to the public. According to Matthew Donham, a partner at Peter Walker, the construction of that portion of the plaza will be even thinner in depth. Aside from an expansion joint, there will be no visible difference between the two sides.
On Thursday, the East River Waterfront Esplanade officially opened to the public. Last week, while the paint on the new bike lanes was still drying, City Planning Commissioner Amanda Burden took AN on a walk through of the first section. The commissioner barely contained her excitement while showing off design details by landscape architect Ken Smith and SHoP Architects. Follow the commissioner as she takes us through the dog run and points out clever details like the "Get-Downs," the riverside bar stools, and "seat walls."