On Sunday, September 13th, New York City got its first new subway station in 25 years. Located at 34th Street and Eleventh Avenue, the 34th St-Hudson Yards station extended the 7 train one and a half miles to serve Manhattan's Far West Side. Dattner Architects designed the 364,000 square foot, $2.4 billion station. The new station is ten stories underground, and features the subway system's first inclined elevator. Below the canopied main entrance, designed by Toshiko Mori Architect, a multicolored mosiac mural by artist Xenobia Bailey greets passengers. MVVA designed the park surrounding the main entrance. See the gallery below for images of the new station.
Posts tagged with "Landscape Architecture":
In New Zealand, it would appear that buildings grow on trees—or, rather, trees grow into buildings. After years of careful maintenance, Barry Cox, tree aficionado, has created a lush chapel and garden in Waikato, just south of Auckland. Three-acres of greenery includes endless outdoor space that safeguards a masterpiece that Mother Nature could have coined herself—a tree-recycled church. Four years in the making, the concisely named TreeChurch is canopied by cut Leaf Adler, is composed of a Camelia ‘Black Tie’ lower border hedge, Acer ‘Globosums’ perched up on either side of the gateway, Thuja Pyramidalis and then closed off by Copper Sheen walls. The wrought iron windows were made by Barry himself, using leftover metal from his workshop, while the gates of the church were recycled from his family’s barn in Shannon. The altar, made of Italian marble, also comes from his hometown. It precedes over rows of wooden benches accommodating groups of 100 people. Outside the church, a line of Himalayan birch leads to a large labyrinth that Cox landscaped after the walls surrounding the ancient city of Jericho. Throughout the land, Cox scattered pieces of vintage gardening tools and placed them precariously by tree trunks for an aesthetic boost, not that nature’s beauty ever needed boosting. The decision to create TreeChurch and its surrounding gardens was not immediate but the development of such an idea began on the road. His religious upbringing and love for nature led him to tour around New Zealand, Europe, and the United States, meandering through the streets on a motorbike and all the while observing each church steeple and wooden archway with as much fascination as the 10 year old head altar boy he once was. His travels encouraged his desire to keep working with trees and later founded Treelocations, a business specializing in tree transplanting, removing, or relocating. Treelocations is one of three businesses in New Zealand that uses a "tree spade," a crane-like machine that digs deep underground to scoop up all parts of the tree, including the root ball, thereby leaving it completely unharmed. After devoting much of his time serving Mother Nature’s voiceless mighty oaks, he then decides his next project: renovate his backyard. “I walked out my back door one day and thought, ‘that space needs a church,” he told New Zealand Gardener. In piecing together TreeChurch, he cross-pollinated his two loves and, not intending to do so, created a beautified marriage between landscape and architecture. Cox opened the TreeChurch Gardens to the public in January and is now available for public viewing and private events. [Via MyModernMet.]
Bjarke Ingels and James Corner give Philadelphia's 214-year-old Navy Yard a boost into the 21st century
Bjarke Ingels is giving Philadelphia's antique Navy Yard a jolt into the 21st century. BIG teamed up with James Corner Field Operations to bring a $35 million office building, called 1200 Intrepid, featuring double curves designed to mirror the contours of Corner's surrounding landscape. "Our design for 1200 Intrepid has been shaped by the encounter between Robert Stern’s urban master plan of rectangular city blocks and James Corner’s iconic circular park,” Ingels said in a statement. “The ‘shock wave’ of the public space spreads like rings in the water invading the footprint of our building to create a generous urban canopy at the entrance.” The 94,000-square-foot, four-story structure just broke ground in the Navy Yard. It stands adjacent to the Central Green, a park that boasts circular plots occupied by a variety of trees and plants, pedestrian pathways, and a hammock grove. In addition, it offers a fitness station, a table tennis area, and a running track that 1200 Intrepid's design responds to. The park and building are part of Pennsylvania’s plan to transform this segment of South Philly from an industrialized business campus to a multi-functional industrial space that will accommodate 11,000 employees working for companies ranging from the pharmaceutical industry to Urban Outfitters. The plan to revitalize the Naval Yard began in 2004 when the state commissioned Michael van Valkenburgh Associates, Robert A.M. Stern, and numerous experts to create a master plan that “includes environmentally friendly workplaces, notable architecture, industrial development, great public spaces, waterfront amenities, improved mass transit, and residential development,” according to the Navy Yard website. Ingels’ building will help reach the Yard’s estimated goal of supporting up to $3 billion in private investments, 13.5 million square feet of development, and 30,000 people. Although 1200 Intrepid has yet to secure tenants, according to the Philadelphia Business Journal, it is set to open its doors in 2016. The project is being developed by Pennsylvania-based Liberty Property Trust and Synterra Partners.
Architecture That Doesn't Interrupt: Diamond-Shaped Complex in China Integrates Landscape, Buildings, and Walkways
Beijing-based architecture practice HHD_FUN set an example for architecture that doesn’t infringe on greenery, preserving 100 percent of the vegetation on the site where the ‘Earthly Pond Service Center’ was built. One of two designs for the firm's International Horticultural Exposition, the project entailed converting a green belt into a geometric, diamond-shaped complex from which to conveniently admire the public green spaces and water features dotted throughout. The firm’s design defers to the undulating topography, with observatory decks, plaza spaces, green spaces, and a rooftop platform at different heights carved into the natural gradations of the grounds. The central courtyard is sunken below street level, so that passersby on the street have a panoramic view of the “park,” while visitors to the site can visually escape the hubbub. From above, the Earthly Pond Service Center presents a striking aerial view of fluid landscaping covering nearly 248,000 square feet. “The sunken courtyard of the Earthly Pond Service Center is adjoined to the lake wetland. The architecture and landscape heights are set following the natural grade levels, providing multiple accessibilities and viewing experiences at different elevations,” the architects write. The firm’s other in-tandem project for the International Horticultural Exposition, called the Heavenly Water Service Center, integrates a series of buildings by Dutch firm UNStudio into the existing terrain while preserving the site’s natural beauty. The buildings contain activity centers, restaurants, exhibition spaces configured around recreational landscaping that optimizes pedestrian access.
With some help from Gensler, ASLA to turn its headquarters into the Center for Landscape Architecture
The American Society of Landscape Architects (ASLA) has tapped Gensler and landscape architecture firm Oehme van Sweden to turn its Washington, D.C. headquarters into the state-of-the-art Center for Landscape Architecture. ASLA bought its 12,000-square-foot home in 1997 for $2.4 million and watched as its value increased to $6.9 million. Since the building was about ready for some fixing up, the society decided it was a good time to go ahead and truly transform it at a cost of $4 million. The building’s existing facade is set to be altered so that the new center is more inviting to passers-by. Inside, the building will be reconfigured to create rooms for meetings and events, exhibitions, a catering kitchen, and restrooms. An existing enclosed double staircase will also be opened to create a three-story atrium that can be dressed up with elements of landscape architecture. The renovation has something for ASLA’s current (and future) employees as well. The new space comes with an upgraded kitchen and restrooms, new conference rooms and administrative space, and even a “wellness room” and “focus rooms." Gensler is aiming for LEED Platinum designation with the renovation. “This is an opportunity to create a facility to reflect the image and ethic of our profession—a world-class Center for Landscape Architecture that will inspire and engage our staff, our membership, allied professionals, public officials and the general public,” said Mark A. Focht, the immediate past president of ASLA, in a statement. ASLA's board of trustees unanimously approved the plan in November and funding is already a third of the way there. Construction is slated to start this fall.
Southside Precast Products fabricates landscape architecture firm West 8’s designs for an organic system of concrete benches and curbs.When Dutch landscape architecture firm West 8 envisioned a new terrain for Governors Island in New York’s East River, part of the plan included a section dubbed The Hills. The recently completed curving expanse of green space is defined by nearly one dozen curved sections, or “petals,” of seamless, white concrete bench and curb edges fabricated by Buffalo, New York-based Southside Precast Products. Ellen Cavanagh, Director of Park Design and Construction for the Governors Island Trust, said that the concrete pathways along the petals help define areas where the ground was formed to rise and recede. “They call it eyeliner,” she told AN in a recent interview. “Thick and bold white stripes give your eye an anchor so you have a better sense of depth as opposed to one solid color.” At approximately 24 inches in width, the curbs along Governor’s Island are decidedly more massive than standard street curbs. From Southside’s 37,000-square-foot facility, 4,250 curb and bench units were fabricated using a combination of custom molds. To expedite production and cut costs, a standard set of shapes was defined in AutoCAD and formed from rubber molds, but none were of standard, square dimensions. “Everything has a radius edge, from seats to curbs to the grass level,” explained Southside President Paul Rossi. The team worked with rubber and foam molds to achieve the desired, smooth texture on 3.2 miles of concrete at an affordable price. In addition to unique profiles and varying heights, West 8 designed an organic, circular low bas-relief “fish eye” pattern for every section of the curb. “The architects were very particular about the density of the pattern,” said Rossi. To ensure the patterning met the designers’ expectations, each coating was hand applied by Southside’s team of fabricators, but was modularized for 12-foot repetitions along 140 flexible, rubber molds. For corner sections and curb pieces with receding angles, hundreds of custom molds were cast to ensure the surface of each piece remained perfectly smooth and the patterning unblemished. To withstand weathering, Southside follows production guidelines established by the Architectural Precast Association (APA) for air entrainment, consolidation, and consistency of binder to aggregate. Beyond APA standards, the fabricators took advantage of the Buffalo climate and put each piece through freeze-thaw testing. Southside also applied a proprietary coating—a secret blend of epoxy and a marine-grade coating for fiberglass—to withstand salt from de-icing treatments and the river’s brackish water. The treatment, however, will not discourage development of a patina that will enhance the fish eye pattern. Once site installation was completed, designers from West 8 were able to observe the execution and American craftsmanship of their design. “Their principal was impressed with the quality of Southside’s work,” said Cavanagh. “Their principal felt it was the best product he’d seen in his career working with precast concrete.”
Fourth and fifth-year landscape architecture students at Penn State's College of Art and Architecture recently presented their proposals for reshaping a Pittsburgh neighborhood. The twelve participants in the school's Pittsburgh Studio spent most of the semester focusing on Hazelwood, a neighborhood set to host a new site for a historic branch of the city's Carnegie Library. At an exhibition in a local church, the Studio exhibited the projects to the community members they had designed them for. Such interaction between students and residents is characteristic of a program that fosters engagement between the two groups along every step of the creative process. Removing students from the vacuum of an classroom setting and placing them in the sites of their prospective designs brings additional weight to the work they generate. Says participant Aaron Ramos, “Once you meet these people, you connect and grow relationships with them and you feel responsible for what you design...I take more ownership with what I present to them and they take ownership, too.” The Studio is a collaboration between the College of Arts and Architecture and the Penn State Center, a branch of the school that enables broader engagement between the School and the city of Pittsburgh. The program, now in its 6th year, will culminate in a tangible impact on Hazelwood. City councilman Corey O' Conner says that $10,000 has been set aside to allow for the implementation of one of the yet-to-be chosen student designs.
The Los Angeles Aqueduct turned 100 on November 5, and the city has been partying hard. In a performance-art piece designed by Lauren Bon and Metabolic Studios, 100 mules plus their handlers walked along the 240 miles of the aqueduct from the Eastern Sierras to its terminus at The Cascades. The Natural History Museum of Los Angeles County staged a special exhibit to honor the centennial. And Department of Water and Power (LADWP) employees reenacted the opening of the Cascades’ spill gates, accompanied by descendants of Los Angeles Aqueduct Engineer William Mulholland. The LADWP also unveiled a more lasting tribute to the aqueduct and Mulholland. The Los Angeles Aqueduct Centennial Garden, built around the existing Mulholland Fountain in Griffith Park, was the brainchild of staff in the LADWP operations and maintenance office. According to Richard Harasick, Manager of Operations and Maintenance at LADWP, the project started with a plan to replaster and rededicate the fountain. “We were working on that, spending time [at Mulholland Fountain], and we thought: maybe we can do this one better,” he explained. Harasick and his staff came up with the idea for the garden as an interpretive monument to the aqueduct. The Los Angeles Aqueduct Centennial Garden, Harasick said, has a two-fold purpose. First, it memorializes the aqueduct by recreating its journey from the northeast. A walking path beginning in the far corner of the garden mimics the course of the aqueduct. To one side of the path, a trapezoidal concrete curb, embedded with blue glass to evoke running, recalls the shape of the original aqueduct channels. Elements along the path, including mile markers and signs for the cities through which the aqueduct travels, are built of Corten steel, metal flanges, and other materials used by the LADWP in its water projects. The path terminates at a replica of The Cascades, which in turn leads to the Mulholland Memorial Compass, a concrete circle ten feet in diameter, with aluminum letters forming Mulholland’s famous declaration: “There it is. Take it!” Near the compass is a section of the original aqueduct pipe, large enough for visitors to stand in or climb through. “We were strategic with where we placed the pipe,” Harasick said. “The idea is that when you stand in the pipe, behind you is the remembrance of Mulholland. Looking forward, you see what he accomplished. Looking forward is what we will continue to do in the future with bringing water to Los Angeles.” The garden, which was planned by Pamela Burton & Company in cooperation with the LADWP, also demonstrates water-wise landscaping. The LADWP planted the garden with approximately 20 different climate-appropriate species, including Red Marin Agave, Red Yucca, Waverly Sage, and California Native Sedge. In the process, it removed 75 percent of the grass around Mullholland Fountain, thus significantly reducing the garden’s water needs. Harasick hopes that the combination of the garden’s message about the source of their water and the drought-tolerant landscaping will inspire visitors to practice conservation at home.
The following selections can substantially aid in stormwater management, along roofs, walls, plazas, and more. Hybrid Green Roof System LiveRoof This modular roofing system features Moisture Portal technology and hidden tray lips that connect the roots of each vegetation unit for even water and nutrient distribution across the entire system. In times of excess precipitation, drain channels disperse water at seven gallons per minute for each linear foot. LiveRoof features mature grasses and perennials for a monolithic appearance, but with modular benefits for maintenance and ease of installation. It comes with a 20-year module warranty. Easiwall TreeBox TreeBox’s vertical green cladding panel is made from recycled poly-propylene with a waterproof barrier along a solid back panel. Measuring just under 11 feet squared, each panel weighs 34 pounds empty and can support 150 pounds—including a saturated substrate—when attached to a vertical surface via galvanized steel support rails. Easiwall absorbs 35 to 40 percent of soil volume in moisture. Its modular design is scalable to most building dimensions. Silva Cell DeepRoot The Silva Cell modular containment system transfers above-grade loads to a compacted sub-base. Increased root space serves as an on-site storm water management system and can hold up to 2 inches of storm water. Each 48-by-24-by-16-inch frame features approximately 92 percent void space for ample soil distribution and can accommodate under-ground utilities. Recently specified to support 33 Maples at Toronto’s Sugar Beach, landscape architect Marc Hallé reported that the trees “look they are on steroids. EcoPriora Unilock Multiple shapes and colors are available in Unilock’s new permeable pavers thanks to the introduction of new face mix technology. The rectangular and square pavers—large and small—feature tight joint tolerances compliant with ADA regulation. The pavers also support rapid storm water infiltration and they are strong enough to support commercial vehicular traffic. Enka Retain & Drain Bonar Enka Retain & Drain combines effective green roof drainage while promoting root health by retaining requisite moisture. Water retention material is constructed from 100 percent post-industrial recycled non-woven polypropylene that is designed to hold 15 times its weight in water and conforms to irregular surfaces and offsets. The drainage core is made up of 40 percent post-industrial recycled polypropylene filaments entangled in a square waffle pattern that creates an open flow path for water. Rainstore3 Invisible Structures Constructed from injection-molded plastic, Rainstore panels are suitable for stormwater storage and retention systems in driving areas and parking lots. Thirty-six vertical columns in each 40-by-40-by-4-inch unit store up to a total of 25 gallons of water, and can be stacked up to 24 high, accommodating more storage than chambers and pipes over a smaller surface area. Its open design also supports exfiltration of stormwater along the bottom and sides of the chamber. EPDM Geomembrane Firestone Building Products Suitable for critical containment jobs or decorative water features, EPDM Geomembrane is a flexible, easily installable water barrier for constructed wetlands, agricultural ponds, reservoirs, and landscape features. A variety of panel sizes can be specified and, with 300 percent elongation potential, the product can conform to irregular shapes and contours. It is compatible with Firestone’s QuickSeam Tape for seamless connections. It is also safe for fish and wildlife. HOG RainwaterHOG This 50-gallon storage tank can be connected vertically or horizontally to other HOGs for increased storage capacity. Constructed from a ¼-inch thick, food-grade plastic resin, the HOG can contain potable water as easily as irrigation or emergency stores. The cistern’s outlet is located on the floor of the tank rather than the side for easier access. Designed in Australia for warmer climates, it can withstand temperatures between 22 degrees and 140 degrees Fahrenheit, thanks to a UV8 stabilizer mixed into the resin.
The Village of Cold Spring, New York is set within a beautiful landscape along the Hudson River. Strewn about the bucolic landscape are the ruins of the West Point Foundry, begun by President James Madison for metal and brass production after the War of 1812. The 87-acre site housing the foundry was listed on the National Register of Historic Places in the spring of 2011 and now, with partial funding assistance from a Preserve America grant and in collaboration with Scenic Hudson, Mathews Nielsen Landscape Architects has enhanced the historic locale as a sustainably-designed preservation park. Last week, the West Point Foundry Preserve Park officially opened to the public. Famous for its development and manufacture of Parrott guns, the Union army and navy’s weapon of choice during the Civil War, and for its role in the United States’ Industrial Revolution, the West Point Foundry helped unite and progress America from 1817 to 1960, more than a century and a half. The site is home to housing and machine ruins, bridges, dams, paths, roadbeds, rail tracks, and a dock from the original foundry. However, the natural forest and marsh wetlands in which they stand are also of preservation significance. In the design of the Foundry Preserve Park, Mathews Nielsen Landscape Architects took care to “respect the site’s history and ecology.” Combining existing pathways and rail lines to create a walking narrative among the ruins and placing educational displays near important sites, the landscape architecture attempts the least intrusive path for visitors. Exhibitions at the park’s Foundry Cove illuminate on marsh renewal and the natural wildlife. Working with the Michigan Technological University’s Industrial History and Archeology Program, the firm researched for a design that allowed sustainability of the industrial history and of the valley environment. “Good design is often a matter of working with, not competing with, nature," Mathews Nielsen Landscape Architects said in a statement. "The historic Village of Cold Spring marks one of the most stunning geologic expanses of the Hudson River. When Mathews Nielsen Landscape Architects designed the West Point Foundry Preserve, listed on the National Register of Historic Places, we let the landscape be our guide.”
Amid the clamor to take advantage of Chicago Architecture Foundation’s Open House this weekend, some may have missed the opening of Studio Gang’s boathouse along the Chicago River’s north branch. The WMS Boathouses at Clark Park opened Saturday to fanfare led by the Chicago Rowing Foundation, who were eager to celebrate the first of four new boathouses to be built along the Chicago River. The boathouse design translates the alternating “M” and inverted “V” shapes from a time-lapse motion image of rowing into the building’s basic organizing form. Targeting LEED Silver, it also features a landscaped garden where the site meets the river. The building’s upper clerestory collects southern daylight in the winter and ventilates in summer. Practice rooms for rowers are flooded with light and river views, instead of being shut away as in many athletic facilities. Similarly the building engages the river itself to a degree rarely seen in Chicago. Contrast the gently sloping approach of Studio Gang’s project to the bunker-like revetment across the river. As the city turns its attention to the downtown riverwalk, it's encouraging to see neighborhood projects embrace it, too. WMS, an electronic gaming company based on the river’s opposite bank, contribued $2 million to help build the boathouse on Chicago Park District land.
Five top student-designed landscape architecture projects across the United States have received Awards of Excellence in The American Society of Landscape Architects’ 2013 Student Awards this month. In the same categories set forth in the society’s Professional Awards, including additional Student Collaboration and Community Service groups, the competition chooses winning entrants based on demonstration of comprehensive planning, environmentally sensitive thinking, and effective presentation, among quality of design and concept. This year, no entrant in the Research category nor the Community Service category received an Award of Excellence; although Honors Awards were granted to a few projects. The ASLA believes that these Student Awards give “a glimpse into the future of the profession.” Recipients and their projects are featured in Landscape Architecture Magazine and will be honored at a ceremony during the ASLA Annual Meeting and EXPO in November. General Design Category Drudge City: Sediment Catalysis Matthew D. Moffitt, Undergraduate Student at Pennsylvania State University ASLA Project Statement:
Unprecedented levels of nutrients currently trigger toxic algae blooms and elicit Lake Erie as a restoration success story. The remediation and re-use of nutrient-laden dredge material are essential strategies within future restoration efforts. Dredge City: sediment catalysis proposes the use of Edison Park in Toledo, Ohio as the site for both the processing of and exposure to sediment gouged from the Toledo Shipping Channel, the greatest producer of material within the Great Lakes system.Residential Design Category Paths of Life - Rethink the Relationship Between Different Agriculture Landscapes and Community Life Yitian Zhao and Siyu Tian, Graduate Students at University of Pennsylvania ASLA Project Statement:
Because of the very unique climate and landform in New Mexico, the traditional pueblo life style is deeply relying on the understanding and exploiting of local landscape. However, contemporary residential development in this area is somehow ignored such kind of relationship. This project rethought and applied the traditional understanding of agriculture landscape into the contemporary residential development design.Analysis and Planning Category Natural Water as Cultural Water / A 30 Year Plan for Wabash River Corridor in Lafayette Daniel (Zhicheng) Xu, Undergraduate Student at Perdue Univeristy ASLA Project Statement:
The project seeks to find the balancing point between culture and nature along the Wabash River in Lafayette, Indiana, which is currently underappreciated because of flooding, vacancy and disconnection. The design solution is an embodiment of cultural representation and technology of stormwater management in order to achieve ecological and social resilience. With potential for spontaneous use and dynamic programing, the site can transform into a sustainable infrastructure with a cultural identity that provides active waterfront experience.Communications Category Above Below Beyond Diana Fernandez, Susan Kolber, and Amy Syverson, Undergraduate Students at Temple University and University of Pennsylvania ASLA Project Statement:
Through a six-week open exhibit and the distribution of an “Exhibit Catalog,” Above Below Beyond has helped to spread the word about the potential of Philadelphia’s Reading Railroad as a public, regenerative space. Landscape architecture and architecture student work provided site context, graphic imaging, and programmatic scenarios. By sharing the often-untapped resource of student work with the public, we helped to start conversations about the future of this amazing railroad.Student Collaboration Category Oktibbeha County Heritage Museum Brad Allison, Jennifer Coogler, Kyle Cooper, Kaitlyn Hackney, Owen Harris, Jerry Hill, David Loyd, Simon Adam Martin, Austin Moore, Jacqueline Pionan, and Oliver Preus, Undergraduate Students at Mississippi State University ASLA Project Statement:
The submitted project is a 4-year, collaborative, design-build effort focused on the Oktibbeha County Heritage Museum. The site was re-envisioned as an enhancement to the museum to expand its programs and redefine its mission, which has allowed it to solidify itself as a cultural amenity within the community. With the concept of “Celebrating the Past while Embracing the Future” the site now displays the most diverse collection of integrated green infrastructure technologies within the region.All images courtesy ASLA.