Posts tagged with "Landscape Architecture":

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Troy, Troy Again! Architects Revamping an Aging Waterfront

The design minds behind the waterfront destinations of West Harlem Piers on the Hudson River, the India Street Park in Greenpoint, Brooklyn, and the Edge Park in Williamsburg, Brooklyn, have been chosen for yet another waterfront revamp. W-Architecture, a New York City-based architecture and landscape architecture firm, was selected to design and renovate the Troy Riverfront Park in Troy, New York, a $1.95 million project that's part of the city's plan to redevelop its Hudson River waterfront. Currently under construction, diseased trees are currently being cleared to open up views to the river and create a more sustainable and seamless connection to the city's downtown. Troy, like many cities on the Hudson River, has a rather neglected waterfront. Barbara Wilks, principal of W-Architecture, is known for reusing existing site materials in her park designs, but she said, "There was nothing left—it had been made into a park in the 1970's. We did incorporate the existing Vietnam memorial that had been located there later as well as the statue of Uncle Sam, who was from Troy." Accessibility and views were also an issue taken under consideration by the design team. "The most inviting aspect is the orientation to the river. From the existing park, the river was hardly visible. Now all the topography is being regraded to focus on the views up and down river." The park is concurrently being developed with the former city hall site to the west and aims to reopen towards the end of this summer.
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Is Frederick Law Olmsted Bad for Landscape Architecture?

Mark Hough put it bluntly in his latest article from Landscape Architecture magazine reposted on the American Society of Landscape Architects' blog, "Our preoccupation with Olmsted stems from a chronic, debilitating inferiority complex that plagues our profession. We lament that laypeople confuse us with landscape designers and horticulturists, and we envy the greater visibility that architects enjoy. All of this contributes to a feeling of inadequacy...The fear seems to be that if people stop talking about him, they stop talking about landscape architecture. I hate to say it, but there is some truth in that paranoia." Read the rest of the article at the ASLA Dirt.
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9/11 Memorial Plaza: How It Works

A decade after the 9/11 attacks, the public will soon be able to visit the site, much of which has been fully transformed into the 9/11 Memorial Plaza. While many were dispirited by the years of revisions to and deviations from the Libeskind master plan (which itself had many detractors), AN's recent visit to the plaza, crowded with workers laboring toward the anniversary opening, revealed a vast, contemplative space that we predict will function well as both a memorial and a public space. Next week AN will take a look at the design and offer a preview of the what the public can expect from the space, but, first, a look at how the highly engineered plaza works. With transit tunnels, mechanical systems, and much of the memorial museum located below the surface, the plaza itself could only be approximately six feet thick. Unlike the original World Trade Center Plaza, which many found to be barren and scorching or windswept, the Memorial Plaza is conceived of as an abstracted forest of Swamp White Oaks surrounding two monumental pools outlining the footprints of the original towers. Designed by Michael Arad and Peter Walker Partners, with Aedas, the plaza will include approximately 400 trees, 215 of which will be in place for the opening. About one third of the plaza has yet to be constructed, while the Santiago Calatrava designed PATH station is being completed. Plaza plantings are arranged in bands, alternating between bands of pavers and bands of trees, grass, and ground cover. This creates both a unifying visual language for the large plaza and a highly rational system for organizing the mechanical and irrigation systems on the site. Between the planting bands, accessible utility corridors house electrical and security equipment. Drainage troughs divide the planting bands from the utility corridors. The whole plaza acts as a vast stormwater collection tray. The plaza is very carefully graded to channel stormwater into the drainage troughs. Rainwater is collected in cisterns below and recirculated in the plaza's drip irrigation system as well as funnelled into the memorial fountain. The trees grow in a lightweight mixture of sand, shale, and worm casings. Growing and installing the plaza's oaks has been a long process. Given the pace of slow construction, the trees, which have been cultivated at a nursery in New Jersey, are much larger now, most standing around 25 feet tall. Trees were hauled onto the site with cranes and then placed in the planting beds with a specially designed lift. Tree roots will spread laterally, filling in the planting bands, and designers believe they will eventually reach 60 to 80 feet in height. The roots are anchored with bracing under the stone pavers. While the PATH station is being completed, the remaining unfinished plaza is still an uncovered construction site, inaccessible to the public. According to Matthew Donham, a partner at Peter Walker, the construction of that portion of the plaza will be even thinner in depth. Aside from an expansion joint, there will be no visible difference between the two sides.
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AN Video> Esplanade Walk-Through with Amanda Burden

On Thursday, the East River Waterfront Esplanade officially opened to the public. Last week, while the paint on the new bike lanes was still drying, City Planning Commissioner Amanda Burden took AN on a walk through of the first section.  The commissioner barely contained her excitement while showing off design details by landscape architect Ken Smith and SHoP Architects. Follow the commissioner as she takes us through the dog run and points out clever details like the "Get-Downs,"  the riverside bar stools,  and "seat walls."
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Rogers Marvel Secures Competition to Revamp White House Lawn Extension

Today, the National Capital Planning Commission (NCPC) announced that Rogers Marvel Architects (RMA) has won a design competition to revamp President's Park in Washington, DC. The New York-based architects bested a distinguished list of landscape designers, including Hood Design Studio of Oakland California, Michael Van Valkenburgh of Brooklyn, and Reed Hildebrand Associates and SASAKI, both of Watertown, Massachusetts. After September 11th, 2001, security design in major public spaces took on a new significance, and President's Park South—a large ellipse forming a public extension of the White House's front lawn—this meant concrete jersey barriers and fences along E Street. Soon, though, the park could become one of the most pedestrian-friendly—and secure—in the capital, thanks to RMA's subtle combination of landscape architecture and security design. RMA is no stranger to blending security design seamlessly with the surrounding landscape. In New York, they created a secure streetscape for Battery Park City near the World Financial Center, complete with anti-ram walls, public amenities, and landscaping. Nearby, they designed a secure streetscape along Wall and Broad streets guarding the New York Stock Exchange, where sculptural bollards and a mechanical turntable flush with the street both create a distinct pedestrian environment and permit service vehicle access. Officials at the NCPC said today that a design competition was held to garner ideas about making a world-class public park, one where security is key but does not dominate the space. NCPC chairman L. Preston Bryant, Jr. praised RMA's design as a bold statement about security and landscape design that offers a model for keeping our public spaces open and inviting. At the heart of RMA's Washington D.C. design is the strategic layering of security perimeters, which form a flexible boundary accommodating a variety of security scenarios. To accomplish this, the architects raised the central ellipse and placed an anti-ram wall that doubles as a bench around its perimeter; the bench seating faces the ellipse and helps define the iconic space. According to RMA, this elevational tilting formally "presents" the ellipse lawn to the White House while also screening nearby parking spaces from the view of park goers. Punctuating the new perimeter wall are distinct pedestrian entrances with sculptured bollards to help guide pedestrian flow. This new boundary allows for the pedestrianization of E Street facing the White House. RMA vastly expanded the public space forming a large plaza—the E Street Terrace—flanked by leafy groves containing concession and maintenance structures. "The Ellipse is subtly reinvented to address recreation, public promenading, environmental responsibility, and security. We envision a President’s Park South that will physically and conceptually connect the President and the people," said Robert M. Rogers, principal at Rogers Marvel Architects, in a statement. "Around the formal ellipse, RMA calls for a less formal rain garden with natural vegetation designed to handle rainwater runoff from a perimeter parking lot." Officials at the NCPC said at today's announcement that elements of all five short-listed proposals could be incorporated into the final plan. Next, the National Parks Service and the United States Secret Service will review RMA's design before it heads to federal, local, and public review.
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On View> Material Landscapes in St. Louis

Seemingly sliced into the asphalt of a Brooklyn street beneath the Manhattan Bridge is an unexpected glass-filled "tattoo" designed by landscape architect Paula Meijerink, founder of Boston-based WANTED Landscape. Meijerink is among eight landscape architects featured in Material Landscapes, a recently opened exhibition at the Sheldon Art Galleries in St. Louis running through January 21st, 2012. Work from the eight firms including D.I.R.T  studio, dlandstudio, Stoss Landscape Urbanism, Legge Lewis Legge, PEG office, Kaseman Beckman Advanced Strategies, and ESKYIU is presented in photographs and drawings. Curator Liane Hancock, senior lecturer at Washington University in St. Louis, chose projects ranging from a vertical container garden in Hong Kong to a waterfront in Milwaukee to reflect innovative use of materials in landscape architecture and to advance landscape design in St. Louis in light of major projects such as Citygarden and the redevelopment of the St. Louis Arch grounds.
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Snohetta Heads South of the Border

The Oslo- and New York-based firm Snøhetta has been chosen to design the new Museum of Environmental Sciences at the University of Guadalajara. They were selected from a short list including Shigeru Ban, DS+R, Smiljan Radic, and Mauricio Rocha.

Construction on the $35 million building, which was developed in collaboration with ARUP, is scheduled to begin in 2011. Located in Mexico's second most populated city, the museum will be part of the school’s Centro Cultural Universitario, which will consist of a cultural district adjacent to the main campus and planned wilderness preserves.

According to Snøhetta, the site's "unique hybrid of cultural and natural landscapes allows for a new understanding in Mexican architecture." As such, the design makes use of linked courtyards and gardens to maximize fresh air, open space and natural light. The irregularly-shaped courtyards are meant to echo both traditional Spanish colonial planning and forms found in the surrounding landscapes of Jalisco.

Acting as a bridge between the university's new library and auditorium buildings, the structure will be compact, keeping sight-line disruptions to a minimum. With trees peeking out from the gardens below, the museum's rooftop will be accessible to visitors, giving them another perspective from which to view the surrounding area.

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And Then There Were Five

The competition to improve the grounds and urban connectivity at the St. Louis Arch site has attracted attention from some major talents in architecture, landscape, and engineering. The list of competitors has been trimmed to five: the Michael Van Valkenburgh-led team, the Weiss/Manfredi team, SOM Chicago/Hargreaves/BIG, the Behnisch-led team, and PWP/Foster + Partners/Civitas. The winner will be announced in late September.
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Shrubhenge

If you've passed by One Bryant Park in the past month or so, you may have noticed what looks like a kind of leafy-green Stonehenge clustered in the lobby of the Bank of America building. The three monoliths and twenty-five foot tall archway are made of galvanized steel frames seeded with thousands of ferns, mosses, and lichens, an installation designed by a team from Wallace Roberts & Todd, led by designer Margie Ruddick and sculptor Dorothy Ruddick. The piece is meant as a reminder of the building's green cred, as the Cook + Fox tower achieved LEED Platinum. Unlike the original Stonehenge, we don't have to wonder how this one was built. In fact, you can watch it being assembled in the above time-lapse clip, which compresses the entire 42 hours of installation into a mere 30 seconds. Watch as the mysterious shruboliths rise before your eyes, and check some photos after the jump.
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Beyond the Quotidian Landscape

The Cultural Landscape Foundation has just launched What's Out There,a database of landscapes with some sort of historical significance: parks big and small, and various important modern landscapes. Because these public spaces are often part of our quotidian routines, it's easy to be completely oblivious to the designer or how the space participates in the history of landscape design. Have a look at  "What's Out There"--a wonderful title that positively invites browsing--and learn more about what is just around the corner from where you are. A good place to start is in Advanced Search, where you can browse works by one particular landscape designer ("Pioneer"). Did you know that Isamu Noguchi designed a playground in Georgia? Or simply type "Park" into the search box and start browsing. As the last of the pioneering Modernist landscape designers leave us (like Lawrence Halprin, who died this last Sunday),  the launch of such a database feels particularly timely. Halprin and many other important designers are only represented by a handful of works in the database, but hopefully this is just a start for a most worthy enterprise.
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Landscape Architects to Invade Chicago

In spite of the down economy, on Wednesday, the American Society of Landscape Architects (ASLA) released an official statement that cited an increased number of registrants for this year’s Landscape Architecture Meeting and Expo in Chicago. This year’s meetings, set to take place on September 18-21 in one of the nation’s most sustainable cities and the world leader in green roof design, will focus on the theme “Beyond Sustainability: Regenerating Places and People.” The event is expected to become the largest gathering of landscape architecture professionals in the Society’s 110-year history, reaching approximately 7,000 attendees. With this year’s AIA 2009 National Convention and Expo in San Francisco falling behind in attendance, we are left to wonder what is it about Chicago that attracts so many landscape architects? To find out, register, and view the complete schedule, visit the ASLA’s website.
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The Emerald Coast of Queens

On Thursday, we wrote about a new park that had been unveiled as part of the city's plans for Hunter's Point South. Not to be outdone, Gantry Plaza State Park, Queens West's original greenway, is expanding, with a new 6-acre stretch opening tomorrow. Designed by Abel Bainnson Butz, the new section of park brings Gantry Plaza to 10 acres of waterfront open space. With Macy's fireworks moving north up the Hudson this year, those new lounge chairs and hammocks could be a perfect place to watch. Check 'em out after the jump.