Posts tagged with "Lake|Flato Architects":
- Michelle Addington, Dean, School of Architecture, The University of Texas Austin Austin, Texas
- Jennifer Devlin-Herbert, FAIA, EHDD. San Francisco
- Kevin Schorn, AIA, Renzo Piano Building Workshop, New York
- Julie V. Snow, FAIA, Snow Kreilich, Minneapolis
- Susan Ubbelohde, LOISOS + UBBELOHDE, Alameda, California
In West Austin along the Colorado River, a 44-acre site has been suggested as a home for the Holdsworth Center—a non-profit organization that aims to improve the quality of state school education in Texas. The center will invite staff from six districts and work with Texas school district superintendents, principals, and administrators as part of the program.
At the time of writing, the project is currently going through planning, and a Planned Unit Development (PUD) application was submitted earlier this month to the city of Austin. Speaking to The Architect's Newspaper, Justin Garrison of Lake|Flato Architects, the San Antonio firm behind the scheme, said they were trying to "change the current zoning of single-family residential to make this project feasible in the future."
Of the large site, only half the land will be developed on while the rest of the natural landscape will be preserved. "The master plan aims to create an innovative retreat and educational center where users will be exposed to various collaborative learning and research opportunities within the facilities, as well as the freedom to engage the outdoors and surrounding landscape," said Garrison who added the design will "strive to be light on the land.... The Holdsworth Center aims to maintain the existing ecological zones on the site including the riparian and wetland edge along Lake Austin."
Along the waterfront is a thicket of cypress trees which visually separate the development from the water. Garrison explained further, describing how a few structures such as pavilions, day docks, and boat docks will protrude from the wooded riparian and upper bluff edges to give users 180 plus degrees of views overlooking the Pennybacker “360” bridge and surrounding hill country. "Within the project boundaries, the various buildings are located and oriented to frame various types and scales of open space, provide vistas across the natural meadow, allow a sense of the landscape, natural ecology, and water collection and treatment flow through the site, as well as provide optimal natural daylight within the buildings and solar energy collection," said Garrison.
Programmatically, the center will include an: educational learning center with classrooms and event spaces; administration offices for Holdsworth Center staff and visiting researchers; an academic village where users will be housed on site with a few casitas for extended stay users and various pavilions and day/boat docks (as mentioned above) to be used for educational, recreational and event purposes.
Austin-based Ten Eyck Landscape Architects are also working on the project. So far no dates for completion can be confirmed as the city is yet to vote on the PUD process. Lake|Flato also said they could not determine the project's cost.
To tell a story, three elements are crucial: setting, plot, and characters. To tell a story well, these three essentials require refinement and time to reveal them. The setting—Houston—provides the context, and the plot—how to design and build a new theater in Midtown—is compelling. The characters—a vibrant mix—complete the challenge that’s been thrown to Lake|Flato Architects and Studio RED.
Located off Main Street at the Ensemble/HCC MetroRail stop, the site was formerly a chain-linked parking lot for the city permit building. After years of planning and fundraising with a strong arts board and consultant and philanthropic pledges, the Midtown Arts and Theater Center Houston (MATCH) came to life as a nimble metal-skinned building with glass-box theaters bisected by a double-height breezeway.
The $25 million community arts complex provides a central home base in Midtown for a spectrum of leading and emerging arts and culture organizations. The 59,000-square-foot facility consists of four dedicated theater spaces, rehearsal classroom spaces, and several gallery spaces, along with back-of-house support and office space.
Ryan Jones, an associate partner at Lake|Flato, knew that the building’s breezeway, with its grandstand and functional connective artery, was key, but it took some convincing that a two-story open-air “street” for media projections would thrive given the heat and humidity that swallow most days in Houston. The solution was to install six Big Ass Fans, which keep outdoor public spaces comfortable by exhausting hot air through the chimney effect.
The building’s agile presence does not overtake its program. For this new Midtown theater and arts center, the soul of the building is internalized, and life illuminates from within the breezeway, theaters, rehearsal spaces, and control booths. The building remains in the background, allowing the exuberance of theater life and the visual arts to stand in the limelight. Its skin and structure have a subdued, protective strength amid the bustle and frenzied transactions of Travis Street traffic that includes Main Street light-rail interruptions, bus stops, church, college, and urban passersby, daily logistics, ticket sales, and cafe pauses. For Lake|Flato and Studio RED, the decision to invite the street into the building is best exemplified by their addition of graffiti art by GONZO2047 where patrons’ names are tagged on the bathroom walls to merge high art and street culture.
Houston, as described by Barrie Scardino, Bill Stern, and Bruce Webb in their book Ephemeral City, was “built around characteristic features of modern life such as rapid change, built-in obsolescence, indeterminacy, media orientation, a culture of style, and instant gratification.” It is indeed an ephemeral city, hard to pin down and understand at large, but perhaps easier to encapsulate in one permeable space.
From the 1880s to the late 1960s, El Paso’s San Jacinto Plaza was the place to see alligators at alarmingly close proximity. Crowds would sit around the fountain in the middle of the park to watch the sad spectacle of captive reptiles circling their enclosure. When the city asked landscape architecture firm SWA to redo the plaza seven years ago, the firm’s Los Angeles office had the tall task of designing a park that would preserve the turn-of-the-century Arcadian layout beloved by residents and draw crowds, just as the alligators once did.
SWA found harmony between programming and design, despite the trend toward “shoehorning” as much programming as possible into outdoor spaces. “The community wanted a concept that respected the formal axes [of the Arcadian layout], so the axes are still there, but now you come to a destination,” explained Gerdo Aquino, CEO of SWA. SWA collaborated with San Antonio, Texas–based Lake|Flato, which designed a cafe and shade canopy that activate the heart of the roughly two-acre park.
The canopy shelters “Los Lagartos,” Luis Jiménez’s fiberglass alligator statue, an homage to San Jacinto’s one-time residents. SWA encircled the statue with a balustrade and decorative mosaics that radiate out toward a botanical garden, custom chess and ping-pong tables, an outdoor reading room with a lending library, a produce market, and an area for washoes (a game similar to horseshoes but played with washers).
Aquino noted a recent shift in emphasis in park design from beauty and ecology toward beauty, ecology, and programming. According to him, the reason can be distilled to: “One word: Millennials. They ask, ‘Is the landscape a place where I can play? Is it a place where I can meet my friends? Can I FaceTime here?’ It’s all about me. You can’t design a park like you did five years ago.”
Second- and third-tier cities are luring all demographics, not just Millennials, back to the city center with open space projects, Aquino explained. San Jacinto’s landscape plan preserved existing older trees, while pairing native species of oak, agave, and grasses with non-native, but adaptive, plants for pops of color. “If mayors want to make their downtowns more livable,” Aquino said, “they need open space that’s ecological, financially feasible, programmed to the hilt, and also beautiful. You don’t have to live in New York, L.A., San Francisco, or Boston to have access to great design. Great design can be created right where you live.”
One/Two Family Custom HousingThis award recognizes work for custom and remodelled homes. Hog Pen Creek Retreat; Austin, Texas - Lake|Flato Architects "Towering heritage oak trees, a steeply sloping site and aggressive setbacks from the water created challenging site constraints thoughtfully answered by the home's L-shaped footprint and orientation. A long exterior boardwalk connects a series of structures that stair step down the hillside, crossing a 75-foot lap pool and terminating at a screened pavilion by the water’s edge." Jury Comments: "Nicely detailed, fully cohesive design strategy with water and nature being primary influences. This feels very place based and perfect for its setting in Texas. Artful composition of masses. Delicate placement amidst mature landscape and Creek waterfront views." Independence Pass Residence; Aspen, CO - Bohlin Cywinski Jackson "The house stretches between two knolls, forming a threshold to the views. A series of textured Vals quartzite walls extend into the landscape on either side, giving weight to the lower level. The upper volume is a glass and wood pavilion with a roof that floats on slender stainless steel columns. Its position on the site, linear shape and the use of glass, steel and quartzite gives great strength to this mountain home." Jury Comments: "Beautiful use of stone and lines to frame views of conservation land. A stunning house. A simply spectacular house totally attuned to its Aspen setting. The views are spectacular at every angle." Island Residence; Honolulu - Bohlin Cywinski Jackson "Situated on the Ocean’s coastline at a corner of an ancient fishpond, this private residence reflects the culture of the Hawaiian Islands by embracing its lush surroundings. The house has diverse outdoor spaces and a highly transparent envelope with intimate views of the landscape, the coastal reef and the surf. Jury Comments: "Excellent place based design marrying modernism with hand crafted details. An exciting take on a vernacular, providing a real warmth and openness. Lovely cultural references to both Hawaii and Japan." Newberg Residence; Newberg, OR - Cutler Anderson Architects "This single-family 1,440 square foot residence and 550 sf guest house was designed so the owners can connect with the wild creatures that come to water regularly. The design attempts to make the pond and residence a single entity via entry through the forest, over a bridge from the north end of the pond." Jury Comments: "Elegant design demonstrates joy of living with nature - not requiring a grand vista or dramatic landscape. Thoughtful siting as bridge over pond, elegantly detailed. Simple, clean proportions, warm wood interiors." Oak Ridge House; Jackson, MS - Duvall Decker Architects, P.A. "This house, located in Jackson, Mississippi, is designed as a scaffold for the experience of moving between these conditions, to inhabit and interpret each of them over time. It is shaped to draw the outdoors in, lure the family out, and provide an environmentally rich palette of spaces to accommodate the process of habitation." Jury Comments: "Understated, well designed home. Multiple functions of builtins nice feature, as is choice of materials - slate and pecan. A really, really nice L shaped residence."
Multifamily LivingThis award looks at the integration of the building(s) into their site, using both open and recreational space, transportation options and features that contribute to liveable communities. Both high- and low-density projects were considered. 1180 Fourth Street; San Francisco - Mithun | Solomon (initiated as WRT/Solomon E.T.C.)* "The project occupies a full city block with a multi-level courtyard accessing tenant services, daycare, community gardens and common spaces. A generous community room serves the larger neighborhood as well as the project. Amenities emphasize fitness, nutrition, education and community life. It houses 150 low income and formerly homeless households, plus 10,000 square feet of restaurants and retail." *Associate Design Architect: Kennerly Architecture & Planning Jury Comments: "This is a really cool project! It does some really neat things architecturally and is rich in many ways. San Francisco sorely needs affordable housing and this is a perfect location re: transit and accessibility. To live here you have to won the housing lottery!" Cloverdale749; Los Angeles - Lorcan O'Herlihy Architects "Cloverdale749’s integration with its surroundings is upheld by carefully considered deck, window, and walkway placements wherein LOHA established a veil of transformable layers to promote a hybridized relationship between private and public spheres. Incorporating passively sustainable elements in the exterior cladding helps reduce the solar heat load on the building and its energy expenditures for cooling." Jury Comments: "Nice understated design. Rigorously developed and is an upgrade in its context. Very well thought out, detailed, and elegant resolution from a simple, rather banal ships container reference."
Specialized HousingThe Special Housing award acknowledges design that meets the unique needs of other specialized housing types, including housign for the disabled, residential rehabilitation programs, domestic violence shelters, and among others. Commonwealth Honors College, University of Massachusetts; Amherst, MA - William Rawn Associates, Architects, Inc. "The Commonwealth Honors College Community brings together all classes of students in a mix of unit types that provides 1,500 beds in seven new buildings. The buildings are organized around intimately scaled courtyards that step down the hillside, creating the sense of an academic village for the University of Massachusetts Honors Community." Jury Comments: "Rich mixture of campus buildings resembling an Italian hill town. So impressed that at every scale it was well thought out and integrated. They spent so much time on careful spaces for social engagement." Homeless Veterans Transitional Housing, VA Campus; Los Angeles - LEO A DALY "As part of the Nation’s vanguard effort to house its homeless veterans, the design team of Leo A Daly took a historic structure on the VA’s West Los Angeles medical campus, a building that had been vacant for decades, and repurposed it, turning Building 209—a 1940’s-era clinic building—into an inviting new home for veterans. In the process, the building’s exterior, designated a historic landmark by the Secretary of the Interior, was fully restored, and the former mental hospital transformed into modern therapeutic housing for 65 formerly homeless veterans." Jury Comments: "Spaces, landscaping, and rooms afford a believable sense of importance of and gratitude towards the residents. Respectful of the original building, and respectful of the occupants on the inside. This carefully considered the specific building users and their particular therapeutic needs." Whitetail Woods Regional Park Camper Cabins; Farmington, MN - HGA "Nestled into the hillside of a new regional park, three camper cabins riff on the idea of a tree house entered from a bridge at the crest of a hill. Built on concrete piers to minimize environmental impact, the 227-square-foot cabins with an 80-square-foot deck feature red cedar glulam chassis, cedar and pine framing, and red cedar cladding. Two full-size bunks, dining and sitting areas accommodate four individuals, with a sleeper sofa and folding seating accommodating up to two more. Floor-to-ceiling glass doors frame views of the forest." Jury Comments: "Beautiful simplicity. Colors, materials, and textures reinforce the undisturbed natural habitat. The light footprint is lovely and the low impact on the environment is wonderful."
LEED Platinum renovation reconnects the Health Services Building to the campus core.Early in their renovation of the Arizona State University Health Services Building, Lake|Flato Architects, working with orcutt | winslow, decided to scrap the university’s initial concept in favor of a plan that would reengage the campus’s historic pedestrian corridor, the Palm Walk. Instead of building an addition to the north side of the existing facility, which included a serviceable two-story building constructed in the 1950s and another structure Lake|Flato partner Andrew Herdeg described as "a rambling one-story rabbit warren of spaces," the architects elected to demolish the one-story wing and build a two-story addition in its place. "This initial idea that we need to look at the basic concept before we start the design, and think about it from the campus design perspective, changed everything," said Herdeg. It allowed the design team to reduce the program by about 12 percent and reduce the footprint by 20 percent, as well as to preserve 5,000 square feet of green space for programs and stormwater mitigation. But it also presented a challenge. The renovated building’s primary identity would be on the east facade of the building, where the desert sun had the potential to undo efficiencies gained elsewhere. Lake|Flato and orcutt | winslow responded with a building envelope that provides a strong visual connection to the Palm Walk while reducing solar gain to the absolute minimum. The architects wrapped the south and west sides of the addition, where the clinics are located, in a tight brick over rigid fiberglass insulation. "The brick picks up on some surrounding historic buildings, and is also a traditional material for the campus," said Herdeg. The designers articulated the east side of the building with a series of bays and adjacent pocket gardens. The bays are oriented to the south and southeast, rather than due east, with the glazing on their south facets. "Instead of thinking about engaging the campus in a frontal way, we always thought of approaching this building on the diagonal," explained Herdeg. "Thinking about how the pedestrian perceives it helped us strategize about solar assets and thermal loads." The unglazed portions of the bays are clad in a metal skin, behind which an inch and a half of rigid insulation serves to eliminate thermal bridging. The articulated facade is designed to self-shade as the sun rises. "We worked on a series of pretty rudimentary daylighting studies that allowed us to look at the spacing of the bays," said Herdeg. "We did this balancing act between creating little pocket gardens, and using the adjacent bays to self-shade the glazing on the bays next to them." The design team installed corrugated metal overhangs over the bay windows to provide additional protection from direct sunlight. A series of recycled wood pulp and plastic screens from Trex, installed over the bay windows and over some of the glazing on the south and west sides of the building, constitute a final layer of defense against the Phoenix sun. "The Trex louver system allowed the solar thermal to be picked up on the lattice rather than the building skin; it was another barrier to the thermal load," said Herdeg. "The lattice also supports vines that are going to grow up, so these pocket gardens get surrounded by lush vine-covered walls." Likewise, on the new building’s two other facades, "the thought was that each of the little patient rooms would not be looking out at parking, but at a green screen," he explained. Lake|Flato and orcutt | winslow’s LEED Platinum intervention, which included replacing all the single-pane windows in the 1950s building with low-E insulated glass, will surely save ASU substantial sums on its energy bills. More importantly—thanks to the designers’ decision to demolish the inefficient one-story wing—it weaves the Health Services Building back into the campus fabric. "Now the building really addresses the campus," said Herdeg. "Before it had this very disjointed identity. Now we’ve created a cohesive identity with a single entrance. It’s a much better solution."