The informal sexual use of spaces like bathrooms, parks, and parking lots, as well as their more explicit cousins like bathhouses and back rooms is celebrated at the Cruising Pavilion, presented at the 16th Venice Architecture Biennale. Riffing on the Biennale’s Freespace theme, the Cruising Pavilion “wishes to highlight the failure to consider Freespace as defined by this edition of the Venice Architecture Biennale, without questioning the hetero-normative production of space itself.” Curators Pierre-Alexandre Mateos, Rasmus Myrup, Octave Perrault and Charles Teyssou underscore how cruising exists both as architecture and against it. It’s an inherently spatial practice that uses—or perhaps more aptly—misuses space to create connections between people, primarily gay and bi men. Cruising, in turn, reformulates the purposes and meanings of the very space it happens in. In re-routing spatial logics through illicit interpersonal interaction, cruising is itself a practice part and parcel of the urban and architectural landscape. A form of para-architectural dissent, cruising mines desire from taboo bathroom moments and makes serene parks into sites of ecstatic pleasure, while rendering dungeons desirable and dark labyrinths secure. As the curators point out, considering real space in a post-Grindr age is even more critical, as sexuality, as well as its attendant concerns of gender, race, and class, plays out in the interstices between lived, material space and the space generated by and generative of the screen. Thus, interrogating non-normative spatial practices questions the project of architecture as such. The Cruising Pavilion radically embraces aberrant architectures and sexual spatialities by putting the hidden on display and inviting cruising into the Biennale. The Cruising Pavilion will feature contributions from artists and architects, including Alison Veit, Andreas Angelidakis, Andrés Jaque / Office for Political Innovation, Atelier Aziz Alqatami, Carlos Reyes, Diller Scofidio + Renfro, DYKE_ON, Etienne Descloux, Hannah Quinlan & Rosie Hastings, Henrik Olesen, Ian Wooldridge, Lili Reynaud Dewar, Monica Bonvicini, S H U Í (Jon Wang and Sean Roland), Studio Karhard, Studio Odile Decq, Özgür Kar, Pascal Cribier and Louis Benech, Pol Esteve and Marc Navarro, Prem Sahib, Tom Burr, and Trevor Yeung. It is produced in collaboration with Venetian non-profit Spazio Punch. Cruising Pavilion Spazio Punch, Giudecca 800/o, Venezia 30133, Italia May 25–July 1, 2018
Posts tagged with "La Biennale di Venezia":
With the official grand opening of the Venice Biennale set for Wednesday, August 29, following a two-day preview, it's time to start planning your visit with the only comprehensive guide to the Who, What, and Where of the Biennale. Download your own copy to keep on hand or look for the guide to be printed in the first issue of Guida alla Biennale di Architettura, a partnership between The Architect's Newspaper and Il Giornale Dell'Architettura.
The Biennale Architettura 2010 in Venice will open a month earlier than usual this year, with the media vernissage set for August 26–28. The Architect’s Newspaper will be there blogging daily on Kazuyo Sejima’s curated exhibition People Meet in Architecture, bringing you reports from all the national pavilions, collateral exhibits, and of course the parties. Invitations to events have been coming in to our office every day this month, and on August 20 we’ll publish a complete itinerary for those of you attending the biennale. This year, the United States pavilion is being organized by Atlanta’s High Museum and the publication 306090, under the direction of curators Michael Rooks of the High Museum and 306090’s Jonathan D. Solomon. The pavilion theme is Workshopping, and it presents projects that “involve the architect as the initiator of a transdisciplinary cooperative team focused on research, social engagement, and private initiative for public benefit.” Featured practices include Hood Design, MOS, John Portman & Associates, Guy Nordenson, Catherine Seavitt, ARO, the LSU Coastal Sustainability Studio, Anthony Fontenot, Chicago’s Archeworks, Michael Sorkin’s Terreform, and UCLA’s cityLAB. If you want to know more about the exhibition, check out its new website!