INABA's inverted chandelier comprises a steel frame clad with aluminum tubes and activated by LEDs.Both simple in its geometry and intriguing in its illumination, a massive new lighting installation in Stavanger, Norway, aims to activate the lobby of a concert hall and create a welcoming civic gesture. Designed by New York-based INABA, the cylindrical structure responds to its setting in a variety of ways. Cutaways in the cylinder reveal views out for visitors inside the concert hall and also reveal slices of the dynamic LED lighting inside the structure to people outside the concert hall on the plaza. Jeffrey Inaba, principal of INABA, calls the installation Skylight, and refers to it as an “inverted chandelier.” The light is reflected within the rings, rather than out. The outside is coated in glossy white to reflect the warmer daylight and ambient light in the building. The design of Skylight is meant to function as a recognizable figure for the building, which was designed by Oslo-based Ratio Arkitekter. In order to make the maximum impact given the constraints of a public art budget, Inaba and his team worked closely with the well-known Argentinian fabricator DAMTSA, which fabricated the exterior panels at Neil Denari’s HL23. By keeping the geometry simple—just a cylinder with cutaways—Inaba was able to standardize the curvature of the installation, which simplified the process of rolling the hollow tube steel frame. One-inch-square-profile aluminum tubes clad the exterior of the cylinder, connected to the frame with standardized attachment details. DAMTSA and INABA worked together on several prototypes before ultimately settling on the cladding system. INABA designed Skylight in Rhino and collaborated with Buro Happold on the steel structure. The 22-foot-by-38-foot permanent installation, which weighs 6.5 tons, is suspended from the ceiling by a double pin connection. The angle at which it hangs is determined by the weight of the structure. It aligns with the angle of incidence of the sun, which allows the structure to have the fewest possible shadows throughout the day. The LED lighting scheme, animated by New York–based MTWTF, within the rings changes for intermissions, curtain calls, and when the hall is not in use. INABA decided to use pure white and aqua marine light so as to differentiate the installation from the warmer house illumination and the famed Nordic light. Mezzanines surround Skylight on three sides, giving concertgoers numerous vantage points to view the piece as well as the landscape beyond. For INABA, the piece suggests a way to move forward in their approach to architecture. “We’re interested in how do you take the constraints of costs, construction techniques and turn that into a conceptual framework,” Inaba said. “Skylight is not a piece of architecture, but it shows how we are pursuing architectural practice.”
Posts tagged with "Jeffrey Inaba":
Eight up-and-coming architecture firms from across North America have been distinguished as Emerging Voices by the Architectural League. The prestigious award is bestowed annually on a group of firms that have established a distinct design voice in their work and have "the potential to influence the disciplines of architecture, landscape design, and urbanism." This year's winners are INABA, 5468796 architecture, SCAPE Landscape Architecture, Studio NMinusOne, Oyler Wu Collaborative, SsD, Arquitectura 911sc, and Atelier TAG. A jury comprised of Henry Cobb, Geoff Manaugh, Paul Lewis, Jamie Maslyn Larson, Annabelle Selldorf, Claire Weisz, and Dan Wood selected the firms based on a review of their portfolios. Past Emerging Voices have included many of today's top-name architects including Morphosis, Enrique Norten, Deborah Berke, Michael Maltzan, SHoP Architects, Jeanne Gang, and Steven Holl. Each year, the winning firms present their work at a lecture series presented by the League in New York. Beginning on March 2, will take place at the Rose Auditorium in the new Morphosis-designed building at The Cooper Union. Also watch for an upcoming issue of The Architect's Newspaper where we feature a profile of each Emerging Voices winner. Information on the lecture series and architecture firms from the Architectural League: All lectures will be held at the Rose Auditorium, The Cooper Union, 41 Cooper Square, New York City at 7:00 p.m. Tickets are required for admission to the lectures. For more information on the lectures and tickets, visit www.archleague.org, beginning February 1. Friday, March 2 INABA, Jeffrey Inaba, New York and Los Angeles: INABA’s projects range from books and diagrams to installations, creating physical form from abstract content. 5468796 architecture, Johanna Hurme and Sasa Radulovic, Winnipeg: With a focus on housing and public projects, the collaborative office playfully explores the possibilities of architecture within the constraints of modest budgets and materials. Friday, March 9 SCAPE / Landscape Architecture, Kate Orff and Elena Brescia, New York: Through its landscape and urban design practice SCAPE researches new futures for the urban-natural environment. Studio NMinusOne, Christos Marcopoulos and Carol Moukheiber, Toronto: The studio’s work, both built and theoretical, explores the frontier of the digital and real and its effects on the physiologies of occupants of buildings and environments. Friday, March 23 Oyler Wu Collaborative, Dwayne Oyler and Jenny Wu, Los Angeles: Oyler Wu’s installations, pavilions, and façade experimentations are informed by and explore fabrication processes and materials. SsD, Jinhee Park and John Hong, New York, Boston, and Seoul: The firm’s work, from private residences to light sculptures to public buildings, combines research and production to find multivalent expressions from minimal form. Friday, March 30 arquitectura911sc, Jose Castillo and Saidee Springall, Mexico City: The office responds to the rich social and political complexities of Mexico in its wide-ranging work from social housing to urban planning. Atelier TAG, Manon Asselin and Katsuhiro Yamazaki, Montreal: The firm builds primarily in the public realm exploring the civic functions of architecture.
So the iconic HOLLYWOOD sign was nearly turned into the backyard for a bunch of mansions, but fortunately the recession intervened—one of a surprising number of upsides to the downside, it seems. But that doesn't mean those big white letters aren't seeming a little tired, and so a Dutch designer has come up with a rather clever new use that Curbed tipped us off to: turn the sign into a giant hotel. As Christian Bay-Jorgensen explained it to the Daily News, "The ultimate goal would be to preserve an internationally recognized landmark while helping the city generate badly needed funding." If that weren't bad enough, our pal Alissa Walker points us to Jeffrey Inaba's plan to uproot the individual letters, loaning them out to areas of town in need of cache. The design provocateur explains after the jump, plus images of both, uh, projects.
Unplanned Surplus The Hollywood sign has exceeded its purpose. As a marketing tool for real estate development, it has generated value incommensurate with its own material worth. As a tourist destination, it is more popular than most buildings in LA. In lieu of a singular skyline, the sign is a default backdrop for televised New Year’s countdowns and late night comedy shows. The Hollywood sign has assumed an iconic role in the city far beyond its original ambition. Its value is an unplanned surplus.
Unplanned Surplus The Hollywood sign has exceeded its purpose. As a marketing tool for real estate development, it has generated value incommensurate with its own material worth. As a tourist destination, it is more popular than most buildings in LA. In lieu of a singular skyline, the sign is a default backdrop for televised New Year’s countdowns and late night comedy shows. The Hollywood sign has assumed an iconic role in the city far beyond its original ambition. Its value is an unplanned surplus.Think you've got a better idea?